ONWARD
Written by
Dan Scanlon, Jason Headley & Keith Bunin
June 5, 2020
1.
Over black.
DAD (V.O.)
Long ago, the world was full of
wonder!
EXT. FANTASY LANDSCAPE - DAY
We race over rolling green hills. A unicorn soars into view,
whinnies, and banks off into the sky.
DAD (V.O.)
It was adventurous...
The land below is alive with FANTASY CREATURES. We pass
through a field of racing CENTAURS.
DAD (V.O.)
Exciting...
Mermaids leap through shimming water and FAIRIES fly through
the air, spiraling up into the sky.
DAD (V.O.)
And best of all... there was MAGIC!
We stop on an ELF WIZARD holding a gnarled wooden staff. He
turns and thrusts his staff toward the sky, casting a spell.
ELF WIZARD
Boombastia!
Fireworks shoot magically into the air. Fantasy creatures
across the land watch in awe.
EXT. CLIFF - DAY
A small group of creatures huddle and shiver in the cold.
DAD (V.O.)
And that magic helped all in need.
A SATYR WIZARD approaches.
SATYR WIZARD
Flame Infernar!
A fire appears and they happily warm themselves by it.
2.
INT. UNDERGROUND TUNNELS - NIGHT
A warrior, rogue, and wizard try to reach a glowing chalice.
A dragon breathes FIRE at them. The warrior holds up a
shield, protecting them from the flame.
The BRAVE WIZARD leaps out and casts a spell.
BRAVE WIZARD
Voltar Thundasir!
A lighting bolt zaps the ceiling, crashing rocks down in
front of the dragon, clearing their path to the chalice.
EXT. MUSHROOM VILLAGE - DUSK
A wizard teaches a young apprentice to conjure a glowing orb.
She floats the orb into a mushroom house, filling it with
light. The gnome resident of the house emerges, delighted.
The apprentice attempts the spell, but only manages to catch
his robe on FIRE. The wizard quickly puts out the flames and
encourages the apprentice to try again.
DAD (V.O.)
But it wasn't easy to master. And
so the world found a simpler way to
get by...
The wizard and apprentice see a satyr INVENTOR in a barn
surrounded by fantasy creatures.
INVENTOR
I call it: the light bulb!
The inventor flips a switch and the lightbulb turns on,
illuminating the room. The crowd is amazed.
The apprentice hands the wizard the magical staff, walks
toward the crowd, and gives the light bulb a try.
APPRENTICE
`Tis so easy!
The wizard looks on, disappointed.
MASTER WIZARD
Huh.
An elf on a sales floor lights up a gas stove with a click,
click. Everyone reacts in amazement.
3.
Goblins sit in a cozy living room. One of them turns on a gas
fireplace using a remote.
DAD (V.O.)
Over time, magic faded away...
A centaur plays "Prance Prance Revolution" in an arcade.
A mermaid lounges in a kiddie pool, scrolling on her phone.
A sprite, suitcase in hand, approaches an awaiting airplane.
A factory assembly line rolls by.
Traffic crawls along a congested highway.
EXT. SUBURBAN STREET - MORNING
A troll on a bicycle tosses papers onto doorsteps of mushroom
houses with satellite dishes, garages, basketball hoops, etc.
A feral unicorn roots around in a trash can. Another unicorn
approaches and hisses. The first unicorn chases it off.
We push into the upstairs window of a mushroom house.
INT. LIGHTFOOT HOUSE - IAN'S ROOM - MORNING
DAD (V.O.)
But I hope there's a little magic
left...
A phone alarm beeps. A boy's hand quickly silences it. Puts
on his watch with style. His shoes with flair.
DAD (V.O.)
...in you.
He pulls on his sweatshirt and gets stuck. He pulls harder
until his big nose, wild hair, and giant ears pop out of the
sweatshirt, revealing a lanky teenage elf: IAN LIGHTFOOT.
Ian smiles and dusts off the "Willowdale College" sweatshirt.
He grabs his backpack and pauses to look at his desk
calendar. Today is circled and reads: 16TH BDAY.
Ian looks into the mirror, smiles, and walks out of the room.
TITLE: ONWARD
4.
EXT. MUSHROOM NEIGHBORHOOD - DAY
Ian walks downstairs to the beat of loud, pulsing music.
LAUREL LIGHTFOOT, a female elf in her 40s, works out in front
of the TV. An onscreen FITNESS INSTRUCTOR barks commands.
FITNESS INSTRUCTOR
We're gonna get Warrior Z90 fit!
Let me hear you say I'm a mighty
warrior!
FITNESS MODELS
I'm a mighty warrior!
LAUREL
I'm a mighty warrior!
IAN
Morning, Mom!
A scaly Labrador-sized dragon, BLAZEY, races into the room
and tackles Ian to the ground.
IAN
Aahh!
Ian is trapped as the dragon happily licks his face.
IAN
Shh! Down girl! Please!
LAUREL
(noticing)
Oh--! Blazey, down!
Laurel races over, squirting the dragon with a spray bottle.
IAN
Ah! Stop, girl, stop!
LAUREL
Bad dragon! Back to your lair!
Blazey blows a small puff of fire at Laurel and runs off. Ian
stands and is attacked with Mom kisses.
LAUREL
Happy Birthday, mister adult man!
IAN
(struggling/laughing)
Ugh, no, Mom! Ah! gross.
5.
LAUREL
Hey, buddy, don't wipe off my
kisses!
Laurel looks at Ian, touched.
IAN
What?
LAUREL
You're wearing your Dad's
sweatshirt.
IAN
Oh, you know. Finally fits.
LAUREL
Oh, my little chubby cheeks is all
grown up!
IAN
Okay, okay, Mom! I gotta eat
something before school.
INT. LIGHTFOOT KITCHEN - CONTINUOUS
Ian looks in the fridge for breakfast.
LAUREL
Ugh, we don't have much food. I
still have to go to the grocery
store--
Laurel smacks Ian's hand as he reaches for something.
LAUREL
Hands off, Mister! Those are for
your party tonight.
Ian takes the milk from the fridge and closes the door.
IAN
It's not a party Mom, it just us.
Ian empties the last of a box of cereal into a bowl.
LAUREL
Well, you could invite those kids
from your science class. You said
they seemed pretty "rockin'."
6.
IAN
I'm pretty sure I didn't say it
like that. And besides, I don't
even know them.
LAUREL
Well, your birthday is a day to try
new things, be the "new you"!
Laurel makes herself a smoothie, yelling over the blender.
LAUREL
SPEAKING OF TRYING NEW THINGS, DID
YOU SIGN UP FOR DRIVING PRACTICE?!
The blender stops, but Ian is still shouting.
IAN
NO!
(quieter)
No.
Laurel pours her shake into a glass.
LAUREL
I know you're a little scared to
drive sweetie-pie, but--
IAN
I'm not scared, Mom.
(pointing offscreen)
I'm gonna move Barley's game.
LAUREL
Okay, but you know how he gets when
someone touches that board.
Ian walks to the kitchen table, stumbling over a plastic
flail on the floor. The table is covered with a game: pewter
figures, dice, and miniatures. Ian and begins to move them--
IAN
Well, he's gotta learn how to clean
up his toys--
--when suddenly a huge, thick arm wraps around his neck.
BARLEY (O.S.)
HALT!
IAN
AHH!
7.
Ian is pulled into the hulking barrel chest of twenty-year-
old BARLEY LIGHTFOOT.
BARLEY
Doth my brother dare disrupt an
active campaign?!
Ian's cereal bowl is knocked to the floor in the scuffle.
IAN
Oh, come on!
BARLEY
You know, Ian, in the days of old,
a boy of sixteen would have his
strength tested in the Swamps of
Despair.
IAN
I'm not testing anything, just let
me go!
LAUREL
Let him go.
Barley releases Ian.
BARLEY
Okay, but I know you're stronger
than that. There's a mighty warrior
inside you. You just have to let
him out. Riiight, Mom?
Barley puts Laurel in the same chokehold as she laughs.
BARLEY
Oh! That's good! Keepin' your head
down.
LAUREL
(laughing)
Barley, you stink! When was the
last time you showered?
Blazey roars and leaps around. Amidst the chaos, Ian picks up
his bowl from the floor and retreats to the kitchen counter.
BARLEY
If you tried a little harder, you
actually could probably wiggle out
of this--
Suddenly, Laurel flips Barley onto his back with a CRASH.
8.
BARLEY
See? Mom knows how to let out her
inner warrior.
Barley reaches up to high-five Laurel.
LAUREL
Thank you. Now take out the trash.
EXT. LIGHTFOOT HOME - CONTINUOUS
As Barley opens the back door, trash in hand, we hear a
police radio.
OFFICER GORE (O.S.)
(fuzzy, over radio)
--stay on the lookout for a runaway
Griffin.
BARLEY
(groan)
Officer Bronco.
OFFICER COLT BRONCO, a mustachioed, cocky cop with mirrored
aviator sunglasses, speaks over the clop of horse hooves.
COLT
Barley, Barley, Barley. Every time
the city tries to tear down an old
piece of rubble, I gotta drag my
rear end out here and deal with
you.
As he steps closer, we see he's not a mounted police officer
after all. He's a centaur cop.
BARLEY
I don't know what you're talking
about.
Laurel appears in the doorway behind Barley, irritated.
COLT
Oh, really?
Colt pulls out his phone. A video shows Barley chained to an
ancient fountain in front of a laughing crowd of people.
BARLEY
I will not let you tear this down
this fountain! Ancient warriors on
grand quests drank from it's
flowing waters!
9.
As construction workers pull him away, Barley falls into the
water with a SPLASH.
LAUREL
Barley.
BARLEY
They're destroying the town's past!
COLT
And last night, someone destroyed
their bulldozer.
LAUREL
Ugh, well come on in, rest your
haunches for a minute.
COLT
Thank you, hon.
Laurel and Colt kiss. Ian and Barley shudder in disgust.
INT. LIGHTFOOT HOME - KITCHEN - DAY
Colt approaches Ian in the kitchen.
COLT
Hey there, Birthday Boy... So ya
workin' hard or hardly workin'?
(horse laugh)
Colt punches Ian on the shoulder just a little too hard.
IAN
I'm just, you know... making a
toast.
LAUREL
I'm serious, Barley, you need to
start thinking less about the past
and more about your future.
COLT
She's right.
As Colt turns, his tail knocks Ian's toast off the counter.
It falls to the floor and is promptly snatched up by Blazey.
COLT
You can't spend all day playing
your board game.
10.
Colt awkwardly plops his hindquarters into a chair at the
table, toppling Quests of Yore pieces. Barley hustles over to
set the pieces straight.
BARLEY
Uh, Quests of Yore isn't just a
board game, it's an historically-
based role playing scenario. Did
you know in the old days centaurs
could run seventy miles an hour?
COLT
I own a vehicle, don't need to run.
BARLEY
Well, Ian, you could definitely
learn a lot from Quests of Yore.
You want to play?
IAN
I don't.
Ian folds the last piece of toast and starts to take a bite--
BARLEY
You could be a crafty rogue, or...
ooh, I know! You can be a wizard.
Barley puts the pewter wizard figure on Ian's shoulder.
BARLEY
(wizard voice)
I shall cast a spell on thee!!
IAN
Hey, careful of Dad's sweatshirt.
BARLEY
I don't even remember Dad wearing
that sweatshirt.
IAN
Well, you do only have, like, two
memories of him.
BARLEY
No! I've got three. I remember his
beard was scratchy, he had a goofy
laugh, and I used to play--
BARLEY IAN
--drums on his feet. --drums on his feet. Right.
11.
BARLEY
I used to go...
Barley hums "Shave and a Haircut" with raspberries for the
last two beat, but clumsily knocks Ian's toast off the
counter. Ian lunges for it, but Barley gets it first.
BARLEY
Whoops! Five second rule.
As Barley puts the toast back on the plate, his wrist cuff
snags on Ian's sweatshirt, ripping it. Ian GASPS.
BARLEY
It's okay! You just gotta pull it!
Barley yanks his arm to snap the snagged thread, but only
rips the seam even more.
IAN
NO!
LAUREL
Barley!
Laurel cuts the thread. Ian walks away, trying to stay calm.
IAN
You know what, I'm just gonna get
some food on the way to school.
LAUREL
I'll sew that later tonight, okay?
Barley jumps up, puts on a helmet, and grabs a sword.
BARLEY
Wait, wait, wait, wait! By the Laws
of Yore, I must dub thee a man
today! Kneel before me.
IAN
Oh, that's okay... I gotta get
going!
BARLEY
Alright, well I'll pick you up
later and we'll perform the
ceremony at school!
IAN
NO! No, no, no, no, no. Don't do
that. Okay, bye!
12.
Ian closes the door behind him and lets out a massive SIGH.
EXT. BURGERSHIRE RESTAURANT - DAY
People come and go from a typical fast food restaurant.
INT. BURGERSHIRE RESTAURANT - DAY
A cash register runs up an order.
Ian takes his receipt and sits. An elf dad in his forties,
GAXTON, and his preteen son sit on the bench next to Ian.
GAXTON
Hey! Go Griffins!
IAN
What?
Gaxton points to Ian's hoodie.
GAXTON
You go to Willowdale College?
Gaxton's son goes to the counter to wait for their food.
IAN
Oh, no. This was my Dad's.
Ian points to the name LIGHTFOOT on the hoodie.
GAXTON
"Lightfoot?" Wilden Lightfoot?
Ian lights up.
IAN
Yeah!
GAXTON
You're kidding! I went to college
with him!
IAN
Really?
GAXTON
Yeah!
(beat)
Boy, I was so sorry to hear that he
passed away.
13.
Ian nods and smiles.
IAN
Yeah... thanks.
GAXTON
You know, your dad was a great guy!
So confident. When he came into a
room, people noticed.
(laughing at the memory)
The man wore the ugliest purple
socks, every single day.
IAN
(laugh)
What? Why?
GAXTON
Hey, that's exactly what we asked.
But he was just bold. I always
wished I had a little bit of that
in me.
IAN
Yeah. Wow.
(beat)
I've never heard any of this about
him before. Do you remember--?
GAXTON'S SON calls out, waving a bag of food.
GAXTON'S SON
Dad!
GAXTON
Oh! Sorry. Gotta get this guy off
to school.
Gaxton holds out his hand to shake Ian's.
GAXTON
Hey, it was nice meeting you!
IAN
Yeah, you too.
Ian thinks to himself for a beat.
IAN
Huh. Bold.
14.
EXT. NEW MUSHROOMTON HIGH SCHOOL - MORNING
Ian sits outside the school, making a list called "NEW ME."
SPEAK UP MORE
LEARN TO DRIVE
INVITE PEOPLE TO PARTY
He thinks to himself for a moment and then adds a final item:
BE LIKE DAD
The bell rings and he heads into the imposing building.
INT. CLASSROOM - DAY
Ian walks into his classroom.
TEACHER
Okay, class, sit down. We're
starting roll.
GORGAMON, a slobby, flip-flop-wearing troll, has his feet on
Ian's chair.
IAN
Hey, uh, Gorgamon... um, would you
mind not putting your feet on my
chair today?
GORGAMON
Sorry dude, gotta keep 'em
elevated. Gets the blood flowing to
my brain.
IAN
It just makes it a little hard for
me to fit in there--
GORGAMON
Well if I don't have good blood
flow, I can't concentrate on my
school work. You don't want me to
do bad school, do you?
IAN
Uh... no.
GORGAMON
Thanks, bro.
Ian sits, scooting up to make room for the gross feet.
15.
EXT. HIGH SCHOOL PARKING LOT - LATER
A GOBLIN TEACHER stands next to a student driver car.
DRIVING INSTRUCTOR
First road test, any volunteers?
A single hand raises from the back of a group of students.
The crowd parts to reveal a nervous Ian.
INT. DRIVER'S ED CAR - DAY
Ian drives. The Driving Instructor sits in the passenger
seat. Two other kids are in the backseat.
DRIVING INSTRUCTOR
A left here.
Ian signals and turns.
DRIVING INSTRUCTOR
Now take this on-ramp to the
freeway.
IAN
(lacking confidence)
Okay, yeah. I'm super ready for
that.
Ian's smile fades as he nears the ZOOMING freeway traffic.
IAN
(unconvincing)
It's nice and fast.
DRIVING INSTRUCTOR
Just merge into traffic.
IAN
Yup, just any minute...
He grows more nervous.
DRIVING INSTRUCTOR
Merge into traffic!
IAN
Uh...
DRIVING INSTRUCTOR
MERGE INTO TRAFFIC!
16.
Panicked, Ian tries to merge. A car lays on its horn and Ian
retreats back into his lane.
IAN
I'm not ready!
DRIVING INSTRUCTOR
Pull over.
Ian pulls the car off the freeway.
EXT. HIGH SCHOOL - DAY
Students are hanging out in front of the school, including
four friendly TEENS: SADALIA, GURGE, PARTHENOPE, and ALTHEA.
SADALIA
Alright, so what should we do this
weekend?
GURGE
Move to a cooler town?
We see Ian nearby, alone, rehearsing some lines to himself.
IAN
Oh, hey! What's up, dudes? I'm, uh,
having a party tonight, and was
wondering if you wanted to come
over and get down on some cake...
Ian's smile drops. Ian checks the writing on his hand.
IAN
That's not something anyone says.
Okay, don't say dudes. ...Gang?
"What's up, gang?"
He crosses out "dudes" and changes it to "gang."
IAN
What's up, gang?!
Ian nods, then nervously heads over to the TEENS.
IAN
Hey, what's up, gang?
The teens turn to Ian.
SADALIA
Oh, hey... Ian, right?
17.
IAN
(surprised)
Oh, I didn't know you knew my...
Ian looks at his hand. The writing is smeared and sweaty.
IAN
Uhhh, anyway... if you like
parties, then I was gonna do a
party.
SADALIA
What?
IAN
What I was trying to say, is if
you're not doing anything tonight--
but I'm sure you probably are doing
something tonight--and you like
cake like I like cake, I've got a
cake... at my house.
The teens look at each other.
SADALIA
Are you inviting us to a party?
IAN
That's the one.
SADALIA
Oh, yeah! We don't have any plans.
The others all agree. Ian looks up, surprised.
IAN
Really? I guess we can just take
the bus over to my house--
Ian is suddenly distracted by metal music in the near
distance, a hard-working engine, a backfire. The teens look
over as a disaster of a van pulls up, its side painted with a
rearing Pegasus surrounded by lightning bolts.
IAN
Oh, no, no, no, no, no.
It's Barley. He spots Ian and sticks his head out the window.
BARLEY
Ha-ha! Is that the birthday boy I
see?!
18.
Ian cringes. The van swerves into the school pickup area, and
comes to a stop halfway up onto the curb. Barley steps out,
in full fantasy garb, and gestures grandly.
BARLEY
Behold! Your chariot awaits!
The group looks at Ian. Ian keeps his back turned to the van.
ALTHEA
Do you know that guy?
IAN
Uh...
BARLEY
Sir Iandore of Lightfoot!
ALTHEA
Seems like he's talking to you.
BARLEY
HEY, IAN!
Barley honks the horn. Ian turns around sheepishly.
IAN
Hey, Barley... Yeah, we're actually
gonna take the bus...
BARLEY
The bus?! Nay! I will give you and
your companions transport upon
Guinevere!
PARTHENOPE
Um, who's Guinevere?
BARLEY
My mighty steed!
Barley slaps the hood of the van. The bumper falls off.
BARLEY
Oops, that's embarrassing! That's
okay, girl. We'll patch you back
up.
Barley bends to reattach the bumper with duct tape, revealing
his butt crack. Ian puts his hand to his face, embarrassed.
19.
IAN
Ugh...
(to teens)
He's just joking around.
Ian removes his hand to reveal the ink from his palm is now
on his face.
SADALIA
You've got something on your face.
Ian wipes his cheek, smearing ink there.
SADALIA
Oh no, you just--oh! Right.
Ian wipes the other side spreading more ink around.
SADALIA
No, it's--nope.
Ian looks at his hand, then panics.
IAN
Oh! Uh... You know what? I just
remembered that my birthday is,
uh... cancelled.
ALTHEA
What?
IAN
I mean, the party. It was never
actually happening. It was just
this huge misunderstanding, so I
gotta go. Okay, Bye!
Ian races into Barley's van.
INT. VAN - CONTINUOUS
A pile of parking tickets clutter the passenger seat.
BARLEY
Ooh, whoops! Sorry! Let me just
file those.
Barley shoves the parking tickets into the glovebox, then
notices the smeared letters on Ian's forehead.
BARLEY
Hey! Did those kids write on your
face?
20.
Barley licks his thumb and starts to rub Ian's forehead.
BARLEY
Here, I'll get it.
Ian pushes Barley's hand away.
IAN
Can we please just go home?
BARLEY
Okay, we'll perform your birthday
ceremony later. Then you'll be
ready for adulthood and it's
gauntlet of challenges! You know in
ancient times, you celebrated your
day of birth with a solemn quest.
Ian looks at the cartoon dragon on the side of the gym,
giving an exaggerated thumbs up. Ian slumps in his seat.
INT. LIGHTFOOT HOUSE - DAY
Ian enters the house, defeated.
IAN
Mom?
No answer.
INT. IAN'S ROOM - EVENING
Ian sits at his desk, looks at his "NEW ME" list, and crosses
off SPEAK UP MORE, LEARN TO DRIVE, INVITE PEOPLE TO PARTY. He
pauses, then crosses off the last item: BE LIKE DAD.
Ian crumples the list and throws it in his waste basket.
He leans back in his chair and looks at the photos on his
bulletin board.
A photo of WILDEN LIGHTFOOT, Ian's Dad, with three-year-old
Barley and pregnant Laurel.
A photo of Laurel, toddler Barley, and baby Ian. No Dad.
Ian opens his drawer and pulls out a tape labeled: DAD. He
puts it into a stereo on his desk and presses play. We hear
timeworn audio of a man and woman in conversation.
21.
LAUREL
Will, you're not gonna get that
thing working.
DAD
I think I've got it.
LAUREL
I'm gonna watch from over here when
it blows up.
Laurel moves out of range of the microphone. We only hear
Dad, then pauses for Laurel's distant, indecipherable words.
DAD
(into mic)
Hello? Hello?
LAUREL
I'll bet good money you can't get
it to work.
DAD
Oh, is that right?
LAUREL
Yup. But you're doing a good job of
making it look like you know what
you're doing.
DAD
Well, I'm trying to.
(laugh)
LAUREL
Did you check if it had batteries?
DAD
(laugh)
LAUREL
No, I'm serious.
DAD
I know.
LAUREL
So, is it really working?
DAD
Well, let's find out.
(beat)
Okay. Bye.
22.
Ian smiles, rewinds the tape, and plays it again.
LAUREL
Will, you're not gonna get that
thing working.
DAD
I think I've got it.
LAUREL
I'm gonna watch from over here when
it blows up.
IAN
Hi, Dad.
We see close-ups of the pictures on the bulletin board as Ian
begins to talk over the tape, forming a conversation.
DAD
Hello? Hello?
IAN
It's me, Ian.
DAD
Oh, is that right?
IAN
Yeah. Did you have a good day?
DAD
Well, I'm trying to.
IAN
Yeah, me too. Although, I could
clearly use some help.
DAD
(laugh)
IAN
I sure do wish I could spend a day
with you sometime.
DAD
I know.
IAN
Yeah, there's so many things we
could do, I bet it'd be really fun!
DAD
Well, let's find out.
23.
IAN
Yeah, I mean, I'd love to! We
could, uh--
DAD
Okay. Bye.
IAN
Yeah... Bye.
The tape stops. Ian sits back, deflated.
INT. LIVING ROOM - DAY
Laurel steps on a pewter warrior figure on the ground.
LAUREL
AH! MY--!
She opens the basement door and calls to Barley over the din
of his music.
LAUREL
Barley, keep your soldiers off my
land or our kingdoms will go to
war!
BARLEY (O.S.)
Sorry, Mom!
LAUREL
Ugh, this is the world's longest
gap year.
Laurel sees Ian on the couch, sewing his sweater.
LAUREL
Honey, I was gonna do that.
IAN
That's okay.
Laurel watches him.
LAUREL
Wow, you must have been taught by
some kind of sewing master.
IAN
Yeah, a very humble sewing master.
Ian finishes sewing. He holds out the thread and Laurel cuts
it with the scissors. They've clearly done this a lot.
24.
Ian rubs his fingers over the word stitched on the breast of
the hoodie: "LIGHTFOOT."
IAN
What was Dad like when he was my
age? Was he always super confident?
LAUREL
Oh, no. It took him a while to find
out who he was.
IAN
I wish I'd met him.
LAUREL
Oh, me too. But hey, you know, when
your dad got sick, he fought so
hard... because he wanted to meet
you more than anything.
Laurel watches Ian, heartbroken.
LAUREL
You know what, I have something for
you. I was going to wait until
after cake but... I think you've
waited long enough.
IAN
What is it?
LAUREL
It's a gift... from your dad.
INT. HALLWAY - DAY
Laurel pulls down the attic ladder and climbs into the
darkness. Ian comes up the stairs with Barley.
BARLEY
What do you mean it's from Dad?
IAN
I don't know! Mom said it was for
both of us.
BARLEY
What is it?!
Laurel descends the ladder with a long, canvas-wrapped item.
25.
LAUREL
He just said to give you this when
you were both over sixteen. I have
no idea what it is.
INT. IAN'S ROOM - DAY
Ian and Barley set the gift on Ian's bed. Ian pulls back the
cloth to reveal a long, skinny, gnarled piece of wood.
BARLEY
NO WAY!
Barley picks it up in amazement.
BARLEY
It's a wizard staff! DAD WAS A
WIZARD!
IAN
What?
LAUREL
Hold on, your Dad was an
accountant. I mean, he got
interested in a lot of strange
things when he got sick but--
Laurel and Ian are confused. Ian looks back under the cloth
and sees a rolled up piece of parchment.
IAN
There's a letter.
(reading)
"Dear Ian and Barley: Long ago, the
world was full of wonder! It was
adventurous, exciting, and best of
all... there was magic. And that
magic helped all in need. But it
wasn't easy to master. And so the
world found a simpler way to get
by. Over time, magic faded away,
but I hope there's a little magic
left... in you. And so I wrote this
spell so I could see for myself,
who my boys grew up to be."
Ian looks at the second page of the letter.
IAN
Visitation Spell?
26.
Barley takes the page from Ian and examines it. It reads
VISITATION SPELL and has a diagram of a wizard staff with a
beam of light shooting from it, forming a person.
BARLEY
I don't believe this.
(excited)
This spell brings him back. For one
whole day, Dad will be back!
LAUREL
What?
IAN
Back?! Like back to life? That's
not possible.
BARLEY
(holding up staff)
It is with this.
IAN
I'm gonna meet Dad?
Laurel grabs the letter from the boys. She's beside herself.
LAUREL
Oh, Will, you wonderful nut, what
is this?!
Barley digs through the cloth.
BARLEY
Now, a spell this powerful needs an
assist element. For this to work
Dad would've had to find a...
(finding gem)
Phoenix Gem!
Barley pulls out an orange gem and exams it.
BARLEY
Wow. There's only a few of these
left.
LAUREL
Hold on, is this dangerous?
BARLEY
We're about to find out.
Barley puts the gem in the staff, holds out the staff, and
gets suddenly serious. Everyone waits in suspense.
27.
BARLEY
Ah!
LAUREL
What?!
BARLEY
Splinter.
Barley grabs the staff, strikes a pose in the center of the
room, and begins to read the spell.
BARLEY
"Only once is all we get, grant me
this rebirth. 'Til tomorrow's sun
has set, one day to walk the
earth!"
But nothing happens.
BARLEY
Hold on, I was just gripping it
wrong.
Barley adjusts his hands.
BARLEY
Only once is all we get, grant me
this rebirth, `til tomorrow's sun
has set, one day to walk THE EARTH!
Still nothing.
In quick cuts, Barley tries again and again, with no success.
BARLEY
Only once is all we get, grant me
this rebirth.
He tries again.
BARLEY
`Til tomorrow's sun has set...
And again.
BARLEY
...one day to walk THE EARTH!
And again, exhausted.
BARLEY
One day to walk the earth!
28.
Losing his patience.
BARLEY
`Til tomorrow's sun has set...
Again, frustrated.
BARLEY
One day to walk the earth!
With everything he has left.
BARLEY
...One day... to walk... the earth!
One more big attempt.
BARLEY
`Til tomorrow's sun has set...
Laurel and Ian have already given up.
BARLEY
One day to walk the earth!
LAUREL
(gentle)
Barley.
He looks back to her, then puts the staff down and sits on
the bed. Laurel puts her hand on Barley's shoulder. All three
of them are heartbroken.
LAUREL
I'm sorry you guys don't have your
Dad here, but this shows just how
much he wanted to see you both. So
much that he'd try anything. That's
still a pretty special gift.
IAN
Yeah.
Barley leaves.
LAUREL
(to Ian)
Hey, want to come with me to pick
up your cake?
IAN
That's okay. Thanks, Mom.
29.
As Laurel gets to the door, she looks back at Ian with a sad
smile, then leaves. Ian sits on his bed, crestfallen.
INT. IAN'S BEDROOM - EVENING
Ian at his desk, looking at all the pictures of Dad on his
bulletin board. He examines Dad's spell, reading it aloud.
IAN
Only once is all we get, grant me
this rebirth...
Suddenly, an orange light glows on Ian's face. He turns to
see the Phoenix Gem is glowing. He looks back at the spell.
IAN
'Til tomorrow's sun has set...
The gem glows brighter. Objects in the room raise from the
ground. The staff shakes and starts to fall.
As Ian catches it, the staff lights up. He tightens his grip
and reads louder.
IAN
One day to walk the earth!
A beam of light shoots from the staff. Ian holds on with all
his might as objects in the room swirl around him.
Barley opens the door.
BARLEY
Hey man, what are you doing in
here?
(startled)
Holy Tooth of Zadar! How did you--?
IAN
I don't know, it just started!
Blazey pokes her head in the door but quickly runs away.
Ian strains to hold the staff. The light from the staff
conjures a pair of shoes.
BARLEY
Whoa, feet!
Above the shoes, bright purple socks appear. Then pant cuffs,
pant legs, a belt, a shirt, one button at a time...
30.
The gem slowly lifts out of the staff and spins. An ominous
red light swells from the gem, overpowering Ian.
Dad's body recedes to the waist. Ian braces with all he has.
BARLEY
Hang on, I can help!
Barley reaches for the staff. Ian pulls away from Barley.
IAN
BARLEY, NO!
The red swell explodes. The gem BURSTS into pieces.
EXT. LIGHTFOOT HOUSE - CONTINUOUS
The window of Ian's room blasts out.
INT. LIGHTFOOT BEDROOM - CONTINUOUS
Barley helps Ian up. Ian looks around, desperate. There's no
sign of dad in the empty, disheveled room.
Suddenly there's a rustling in the closet. The boys perk up.
A pair of legs in khaki pants and dress shoes clumsily begin
to kick their way out from behind the clothes.
IAN
Dad?
The legs stand to reveal... they have no torso.
IAN
AH!
BARLEY
AH! He's just legs!
Ian and Barley cautiously approach the living pants as Dad's
feet begin to feel their way around the space.
BARLEY
There's no top part. I definitely
remember Dad having a top part!
IAN
Oh, what did I do? This is
horrible!
31.
The pants start to make their way toward Ian and Barley. Ian
calms himself, then approaches Dad's pants. He reaches out,
waving his hand through Dad's missing torso.
IAN
Hello?
Dad begins to feel around with his foot and walk blindly.
BARLEY
It's really him.
(beat)
DAD! You are in your house!
Dad bumps into a dresser and falls. The boys race over to
help him up.
IAN
Whoa, whoa!
BARLEY
Oh boy!
IAN
Ah, he can't hear us.
Barley thinks, then walks over and taps on Dad's foot: Shave
and a Haircut.
IAN
What are you doing?
Dad's legs suddenly leap back with emotion - as much emotion
as legs can have. He stomps the final two beats of the song.
Dad touches Barley's feet with his foot, patting gently.
BARLEY
That's right Dad. It's me, Barley.
Dad feels around, finds Ian's foot, and does the same.
BARLEY
Yeah, that's Ian.
IAN
Hi... Dad.
This lands on Ian, and he puts his hand delicately on Dad's
foot. It's the closest they can get to a hug.
IAN
Oh... I messed this whole thing up
and now he's gonna be legs forever!
32.
BARLEY
Well, not... forever. The spell
only lasts one day. At sunset
tomorrow, he'll disappear and we'll
never be able to bring him back
again.
Barley points to the spell, illustrations of the sun setting
and the man vanishing.
IAN
Okay, okay, okay. Twenty-Four
hours...that doesn't give us much
time, but--
Ian looks at his phone, broken in the chaos. He chucks it on
his bed and sets his watch. Twenty-four hours counting down.
IAN
Well, we'll just have to do the
spell again.
BARLEY
You mean you have to.
(beat)
A person can only do magic if they
have the gift. And my little
brother has the magic gift!
Barley pulls Ian into a playful headlock. Ian pushes away.
IAN
But I couldn't even finish the
spell.
BARLEY
Well, you're gonna have plenty of
time to practice. Because we have
to find another Phoenix Gem.
Barley gets an idea. He flips through his Quests of Yore
cards then holds one up to Ian. It shows an old pub: THE
MANTICORE'S TAVERN.
BARLEY
Ah-ha! We'll start at the place
where all quests begin. The
Manticore's Tavern!
Then another card: THE MANTICORE, a fearsome winged beast.
33.
BARLEY
It's run by a fearless adventurer.
She knows where to find any kind of
gem, talisman, totem...
IAN
Barley, this is for a game.
BARLEY
Based on real life!
IAN
But, how do we know this tavern is
still there?
BARLEY
It's there. Look, my years of
training have prepared me for this
very moment. And I'm telling you...
this is the only way to find a
Phoenix Gem.
Barley holds up a card featuring THE PHOENIX GEM.
BARLEY
Trust me.
Ian looks longingly at Dad.
IAN
Whatever it takes, I am gonna meet
my dad.
BARLEY
You hear that, Dad? We're going on
a quest!
EXT. BARLEY'S VAN - SUNSET
Ian slams his door. Barley slams his door.
INT. BARLEY'S VAN - CONTINUOUS
Seatbelt on, keys in the ignition, the gears grind.
BARLEY
(straining)
Come on, Guinevere...
IAN
Uh... Maybe we should just take the
bus.
34.
BARLEY
She's fine.
The van starts. Barley grabs a cassette tape labeled "QUEST
MIX" and pops it in the stereo. Sweeping fantasy music plays.
BARLEY
H'YAH!
The van backfires and spits black smoke as it heads away from
the cookie cutter suburban homes, toward the fantastical
purple mountains in the distance.
EXT. SUBURBAN FANTASY TOWN - NIGHT - MONTAGE
The van travels past a road sign: "Leaving New Mushroomton."
The van passes through a TROLL BOOTH.
INT. VAN - CONTINUOUS
Ian sits in the back, talking to Dad's legs, working on
something we can't quite see.
IAN
Anyway, it's like this award for
math, it's no big deal. But I'll
show you when we get back home.
Barley looks in the rearview mirror.
BARLEY
Hey, what are you two Chatty
Charlies up to back there?
IAN
You know, I felt weird talking to
Dad without a top half, so...
Ian picks something up and puts it on Dad, he steps aside to
reveal it's a top half made out of stuffed clothes.
IAN
...Ta-da!
BARLEY
Oh! That's great! Dad, you look
just like I remember.
Dad starts to wander toward the front seat.
35.
BARLEY
Hey, don't worry, we'll have the
rest of you here before you know
it. And then, first thing I'm gonna
do: introduce you to Guinevere.
Rebuilt this old girl myself, from
the lug nuts to the air
conditioning.
Barley flips on the air conditioning. It BLASTS like a leaf
blower. Ian fights against the wind to turn it off.
IAN
Showing Dad your van? That's your
whole list?
BARLEY
What list?
IAN
Oh...
BARLEY
What's that?
IAN
(a little embarrassed)
I'm just working on a list of
things I wanted to do with Dad. You
know, play catch, take a walk,
driving lesson, share my whole life
story with him.
Barley nods, appreciative.
BARLEY
That's cool.
(beat)
Oh, but before you cast Dad's spell
again, you're gonna have to
practice your magic.
Barley tosses Ian the Quests of Yore book.
IAN
This book is for a game.
BARLEY
I told you, everything in Quests of
Yore is historically accurate! Even
the spells. So start practicing,
young sorcerer!
Barley hands Ian the staff. Ian opens the book.
36.
IAN
Okay, Dad. Let's try some magic.
INT. LIGHTFOOT HOME - HALLWAY - NIGHT
Laurel sees a note taped to Ian's door: "Back soon with MIND-
BLOWING surprise!" along with a crude drawing of Laurel with
a mushroom cloud blowing from the top of her head.
She opens the door.
INT. IAN'S BEDROOM - NIGHT
Laurel GASPS. Ian's bedroom looks like a bomb went off.
She notices Ian's broken phone on the bed. Then walks over to
the Quests of Yore cards Barley laid out earlier: The Phoenix
Gem and the Manticore's Tavern.
INT. LIGHTFOOT HOME - ENTRYWAY - NIGHT
Laurel grabs her car keys off of the hook.
EXT. LIGHTFOOT HOME - NIGHT
She pulls out of the garage in her car.
INT. LIGHTFOOT LIVING ROOM - NIGHT
Headlights shine on a pewter figurine on Barley's game board:
part lion, part bat, part scorpion: THE MANTICORE.
EXT. BACK ROAD - NIGHT
Barley's van drives through a muddy back road.
INT. VAN - NIGHT
Ian points the staff at an empty soda can.
IAN
Aloft Elevar.
Nothing happens.
IAN
Aloft Elevar.
37.
Still nothing. Ian turns to Barley, picks up the Quests of
Yore book gestures to a levitation spell in it.
IAN
I can't get this levitation spell
to work. Maybe I should try
something else, like...
(flipping pages)
Arcane Lightning?
BARLEY
Pfft, yeah, like a level one mage
could bust out the hardest spell in
the Enchanter's Guide Book.
(nerdy laugh)
Maybe we'll stick with the easy
ones.
IAN
Yeah, well, it's not working. Am I
saying it wrong?
BARLEY
You said it right, it's just for
any spell to work you have to speak
from your heart's fire.
IAN
My what?
BARLEY
Your heart's fire, you must speak
with passion, don't hold back.
Ian seems doubtful about this advice.
IAN
(trying harder)
Aloft Elevar!
Nothing.
BARLEY
No, like - Aloft Elevar!
IAN
(angry, louder)
Aloft Elevar!
BARLEY
No, from your heart's fire!
IAN
ALOFT ELEVAR!
38.
BARLEY
DON'T HOLD BACK!
IAN
ALOFT ELEVAR!
BARLEY
HEART'S FIRE!
Ian tosses the staff in frustration.
IAN
STOP SAYING HEARTS FIRE! This just
clearly isn't working!
Ian sits defeated next to Dad.
BARLEY
Hey, it was a good start.
Ian stares at the Visitation spell, then looks to Dad,
disappointed in himself.
BARLEY
Oh! Gather your courage, we've
arrived. The Manticore's Tavern.
Ian looks out the window to see an old tavern, just like the
one on the Quests of Yore card.
IAN
Wow, it is still here.
BARLEY
Yeah! I told you.
EXT. TAVERN - NIGHT
Ian and Barley approach the tavern. Ian has to tug on Dad's
leash to keep him moving in the right direction.
IAN
Come on, Dad! That's good.
They approach the ominous entrance, with a carving of the
Manticore's fearsome face above the door.
BARLEY
Alright, listen, first: let me do
the talking.
(MORE)
39.
BARLEY (CONT'D)
Secondly, it's crucial we show the
fearless Manticore the respect she
deserves or she will thirdly, not
give us a map to a Phoenix Gem.
IAN
Whoa, whoa, wait, the map?! I
thought she had a Phoenix Gem?
BARLEY
(nerd laugh)
You're so cute.
(to Dad)
Hear that, Dad? He's a smart kid,
he just doesn't know how quests
work.
IAN
Well, is there anything else you're
forgetting to tell me?
BARLEY
Nope.
Barley pushes open the door.
INT. MANTICORE'S TAVERN - NIGHT
The place is a ridiculous family restaurant, just full
frontal Fuddruckers. A large table of revelers sing along
with the waitstaff, around a birthday cake.
WAITERS
(singing)
Happy happy birthday,
Come join us on our quest,
To make your birthday party,
The very, very best! HEY!
Ian looks at Barley, losing faith in his brother.
BARLEY
Okay, okay, so the tavern changed a
little over the years, but the
Manticore is still the real deal.
Ian and Barley walk through the restaurant, taking it all in.
A TAVERN WAITRESS takes an order at a nearby table.
TAVERN PATRON
I'll have the soup of the day.
40.
TAVERN WAITRESS
Would m'lord like a Cup or
Cauldron?
An elf kid plays a claw drop game with a gauntlet hand
picking up treasure. He loses.
Barley marches up a Hostess.
BARLEY
Madame, I request an audience...
(bowing)
...with the Manticore!
HOSTESS
But of course, m'lord.
The Hostess blows into a fake horn.
HOSTESS
Oh, Manticore!
A plush COSTUMED MANTICORE leaps into frame. Adorable and
silly, it lets out a CHUCKLE and hugs Ian. Barley pushes the
Costumed Manticore away from Ian, irritated.
BARLEY
No, no, no, no no! The real
Manticore! The fearless adventurer!
The costumed Manticore rubs its eyes like it's crying.
HOSTESS
Oh, you mean Corey? She's over
there.
The hostess gestures toward the kitchen.
INT. MANTICORE'S TAVERN - NIGHT
The kitchen doors burst open as a frantic Manticore struggles
to balance plates. No longer a fearless adventurer, she wears
a restaurant uniform, glasses, and a wrist brace.
MANTICORE
QUICK, SOMEBODY HELP ME! These
griffin nuggets were supposed to go
out minutes ago!
Waiters rushes in and she scrambles to offload the plates.
IAN
That's the Manticore?
41.
Barley leaps forward and takes a knee.
BARLEY
Oh, great and powerful Manticore!
MANTICORE
Whoah, sir! You're right in the hot
zone.
A GOBLIN COOK passes by her.
MANTICORE
You're late, Adolphus.
ADOLPHUS
(goblin language)
MANTICORE
I understand there's traffic, you
need to plan for that!
The goblin heads onto the floor for his shift.
ADOLPHUS
(goblin language)
MANTICORE
Well maybe your mother should get
her own car!
BARLEY
Your fearlessness?
The Manticore turns toward the boys, startled.
MANTICORE
AHH!
BARLEY
My brother and I seek a map... to a
Phoenix Gem.
MANTICORE
Oh, uh, well you've come to the
right tavern.
(aside to waiter, handing
off plate)
Table 12.
She quickly races to a host podium and digs around.
MANTICORE
I have the parchment you desire
right here! BEHOLD!
42.
She presents them with a children's menu that says "FIND THE
PHOENIX GEM!" above a variety of puzzles.
IAN
Oh... that's a children's menu.
MANTICORE
Isn't that fun? They're all based
on my old maps.
(quick, formal)
Oh, uh, "The great Manticore sends
you on your adventure with a hero's
blessing." And here's some crayons.
She hurries off, but Barley follows reverently.
BARLEY
That's very amusing your dominance,
but might you have the real map?
The Manticore points to a wall of swords, shields, scrolls.
MANTICORE
Uh... yeah, it's over there.
Ian points to a map on the wall with the title: PHOENIX GEM.
IAN
That's it!
BARLEY
This is perfect!
Barley reaches for the scroll, but the Manticore grabs it.
MANTICORE
Whoa, whoa, whoa! What are you
doing? You can't take this.
BARLEY
We have to.
Barley removes Dad's torso to reveal he's just legs. The
Manticore looks aghast, unsure what she's seeing.
MANTICORE
What is that?
The Manticore Mascot walks past and sees the legs. Stunned,
the mascot bumps into a serving tray and FALLS to the ground.
IAN
It's our dad, and we have a chance
to meet him, but--
43.
Barley steps in front of Ian, taking over.
BARLEY
Buuuut... we can't do that without
a Phoenix Gem.
The Manticore considers this.
MANTICORE
No! My days of sending people on
dangerous quests are over.
BARLEY
What? Why?
MANTICORE
Uh, cause they're dangerous!
The HOSTESS pops around the corner.
HOSTESS
Corey, the karaoke machine is
broken again.
The Manticore sees a group of female fantasy creatures in
matching shirts surrounding a cyclops in a veil.
MANTICORE
(to the boys)
I'm sorry, but you are not getting
this map.
INT. KARAOKE AREA - NIGHT
The Manticore grovels to the bachelorette party.
MANTICORE
(worried, stressed)
Don't worry, ladies, your adventure
will continue momentarily!
BARLEY
(to Ian)
Okay, I can handle this.
Ian pushes past Barley to approach the Manticore.
BARLEY
No, Ian!
BRIDESMAID #1
You're ruining Althea's special
day!
44.
IAN
Miss... Mighty Manticore, ma'am--?
BARLEY
What are you doing?
MANTICORE
Kid, this is not a good time.
The karaoke machine lets out a squall of feedback.
BRIDESMAID #1
I'm giving this place a one-star
review!
IAN
It's just, I've never met my Dad
and--
MANTICORE
Look, I'm sorry about that, but if
you get hurt on one of my quests
guess who gets sued and loses her
tavern? I can't take that kind of
risk! Now if you'll just excuse me
I have important things to do!
(into mic)
Testing.
(singing)
You haunt my dreams, my in-
betweens...
Ian looks at Dad's purple socks. He steps up.
IAN
Please, we need that map!
MANTICORE
No, I am not giving you the map!
That's it! I'm done talking!
Ian stands up straight and looks determined.
IAN
Well... well, I'm not!
BARLEY
Whoa, whoa, whoa!
The Manticore looks up, surprised. Barley looks at Ian,
equally surprised.
45.
IAN
You say you can't "risk" losing
this place? Look at that Manticore!
Ian points to a heroic painting of the warrior Manticore.
IAN
She looks like she lived to take
risks!
MANTICORE
That Manticore didn't have
investors to look out for. She
didn't have payroll to cover!
The Manticore stands up, gesturing wildly.
MANTICORE
She could just fly out the door
whenever she wanted and slay a
magma beast.
BRIDESMAID #2
Are you gonna fix the machine or
not?
MANTICORE
Yeah, in a minute!
The startled bridesmaid backs off.
MANTICORE
Okay, maybe this place isn't as
adventurous as it used to be, so it
isn't filled with a motley horde
willing to risk life and limb for
the mere taste of excitement...
A pathetic patron blows on his soup.
MANTICORE
...but so what?! Whoever said you
have to take risks in life to have
an adventure?!
Ian nervously points behind the Manticore.
IAN
Apparently, you did.
The Manticore looks at her portrait, Above it is a plaque:
YOU HAVE TO TAKE RISKS IN LIFE TO HAVE AN
ADVENTURE. - THE MANTICORE
46.
The Manticore is speechless.
A ROGUE WAITER walks up with a plate of mozzarella sticks.
ROGUE WAITER
Table 32 said their mozzarella
sticks are cold.
The Manticore breathes fire on the mozzarella sticks.
Terrified, the waiter scuttles away.
MANTICORE
What have I done?
IAN
Well, it's not too late. I mean,
you could just give us the map--
MANTICORE
This place used to be dangerous--
The Chuck E. Cheese-style Manticore mascot stands behind the
real Manticore and begins to imitate her movements.
COSTUMED MANTICORE
Dangerous!
MANTICORE
--and wild.
COSTUMED MANTICORE
Wild!
MANTICORE
I used to be dangerous and wild!
COSTUMED MANTICORE
Dangerous and wild!
The Manticore stares daggers at the mascot moving behind her.
She tackles it, rips off its foam head, and holds it up
proudly with a mighty roar.
MANTICORE
I'm living a lie -- WHAT HAVE I
BECOME?!
She torches the mascot head. Parents cover a child's eyes.
BARLEY
Oh no...
The Manticore throws the smoldering, melting mascot head and
it lands on a table between two customers.
47.
MANTICORE
Everybody out! This tavern is
closed for remodeling!
The mascot head ignites a banner that burns into the rafters.
INT. MANTICORE'S TAVERN - NIGHT
Patrons watch in terror as the fire spreads. Kids are grabbed
and hurried out the doors by their terrified parents. One kid
is torn away from coloring her children's menu.
EXT. MANTICORE'S TAVERN FRONT ENTRANCE - NIGHT
Terrified patrons stream from the blazing building.
INT. MANTICORE'S TAVERN - NIGHT
The Manticore has completely lost it.
MANTICORE
Sorry, the karaoke machine is
broken!
Manticore throws the karaoke machine against the wall
knocking away the dry wall and revealing the stone beneath.
The Manticore picks up a cardboard standee of herself and
throws it to the ground with a yell. She throws the Phoenix
Gem map with it.
Ian watches in horror as the map catches fire. He races to
the map, but it's too late. All that's left is ashes.
IAN
No, no, no, no! No! ...No.
A beam falls behind them.
BARLEY
We gotta go!
They race through the restaurant, arm-in-arm with Dad, his
torso detaches. His legs runs in the wrong direction, bump
into a wall, and fall to the ground.
Ian realizes they've lost Dad. He turns and sees Dad
struggling to stand. The roof above suddenly buckles. The
wooden beams CRASH down, headed right for Dad.
Without a thought, Ian lifts the staff and calls out.
48.
IAN
ALOFT ELEVAR!
A blast of light from the staff freezes the wooden beam in
mid-air, mere inches from Dad. Ian strains to hold the spell.
Barley rushes in and grabs Dad, pulling him to safety. Ian
releases the spell and the beam CRASHES to the ground.
Barley, Ian, and Dad flee from the burning tavern.
EXT. MANTICORE'S TAVERN - NIGHT
The van pulls away, past approaching fire trucks.
INT. VAN - NIGHT
BARLEY
Ha-ha! That was unbelievable. You
were just like...
(magic sounds)
And the beam was just floatin'
there! My brother is a wizard!
IAN
I can't believe that worked.
BARLEY
Oh, you're gonna nail Dad's spell
now.
IAN
Except we don't have a map.
BARLEY
But we've got this! BEHOLD!
Barley reveals a kids' menu he grabbed. Ian sighs.
BARLEY
Look, on a quest, you have to use
what you've got. And this is what
we've got!
Barley points to a crayon signature that reads: "KAYLA"
BARLEY
Best part is, little Kayla already
solved the puzzle.
Ian takes the menu. The puzzle has been solved in crayon.
49.
IAN
Well, according to Kayla, we just
have to look for "Raven's Point."
Something dawns on him. Ian reaches down and takes out a map.
IAN
Raven's Point... Raven's Point...
He slams a roadmap down on the dash and points to a mountain
labeled: RAVEN'S POINT.
IAN
Raven's Point!
BARLEY
Yes! The gem must be in the
mountain. We can be there by
tomorrow morning.
IAN
Tomorrow morning?
BARLEY
That still gives us plenty of time
with Dad.
Ian looks at Dad, disappointed.
IAN
Yeah.
The van comes to a stop at a red light.
Ian traces a route with his finger, right to Raven's Point.
IAN
Well, it looks like the expressway
should take us right there.
BARLEY
Eh, expressway is a little too
obvious. On a quest, the clear path
is never the right one--
IAN
What?
BARLEY
During one Quests of Yore campaign,
Shrub Rosehammer and I took the
easy route... led him straight into
the belly of a gelatinous cube.
(MORE)
50.
BARLEY (CONT'D)
Only reason I didn't suffer the
same fate?
(slaps gut)
I followed my gut.
Barley highlights barely-perceptible road on the map.
BARLEY
And it's telling me we take an
ancient trail called the Path of
Peril.
IAN
But the expressway is faster.
BARLEY
Maybe not in the long run.
IAN
I know you want this to be like one
of your adventure games, but all
that matters is that we get to
spend as much time as possible with
Dad.
Dad breaks free from his seatbelt in back and wanders toward
the front of the van, leaving his top half behind. He taps
his foot against Barley's. Barley pats Dad's foot and sighs.
IAN
So, we should just take the
expressway.Right?
BARLEY
Yeah. You're right.
(beat)
But if you end up inside a
gelatinous cube, you are on your
own.
Barley steers the van onto an onramp.
EXT. FREEWAY - NIGHT
Just then, Laurel's car drives under the onramp just under
the van, heading in the opposite direction from the boys.
INT. LAUREL'S CAR - NIGHT
A GPS screen navigates toward the Manticore's tavern.
51.
GPS VOICE
Manticore's Tavern, ahead on your
right.
A phone call interrupts the GPS. It's Colt. Laurel answers.
LAUREL
Hey.
EXT. FRY FORTRESS - NIGHT
Colt talks on the phone, carrying a bag of takeout.
COLT
I'm just checking in. Did you catch
up to the boys yet?
LAUREL
No, not yet. But I'm a little
worried because we had a weird
family issue come up and, well,
this just isn't like Ian to run
off.
(beat)
I mean, Barley, yes, but not Ian.
COLT
You know, it's late, you shouldn't
have to be out looking for them.
INT. LAUREL'S CAR - NIGHT
LAUREL
I know, it's silly, I'm sure
they're both probably on fire...
Laurel sees the Manticore's Tavern burning to the ground.
COLT
Fire?!
LAUREL
FIRE! The place is on fire! My
boys, oh no, I gotta go!
COLT
Laurel!
EXT. MANTICORE'S TAVERN - NIGHT
Laurel gets out of the car and sees people from the tavern:
52.
The headless Manticore mascot, patting her smoking costume.
COSTUMED MANTICORE
Get it off, get it off, get it off!
The bachelorette party, disheveled and crying.
LAUREL
Excuse me? Hello! Please, I'm
looking for two teenage elves?!
MANTICORE
Okay, okay, I told you already,
there were two teenage elves...
LAUREL
Oh! Those are my sons! Where did
they go?
The Manticore sits on the side of the curb, wrapped in a
silver emergency blanket, holding a mug.
MANTICORE
Oh, they went on a quest to find a
Phoenix Gem. But don't worry, don't
worry. I told them about the map,
and about the gem, and about the
curse.
(standing/dawning)
I forgot to tell them about the
curse!
LAUREL
The what?
OFFICER AVEL
Hoo boy...
A police officer, OFFICER AVEL, leans in to talk to Laurel.
OFFICER AVEL
Listen, this one's gone a little
(whistle)
MANTICORE
Your boys are in grave danger! But
I can help--
The Manticore starts to move toward Laurel. Officer Avel
pulls the Manticore toward the police car.
OFFICER AVEL
Whoa, heyyy. You're not going
anywhere. We got questions for you.
53.
MANTICORE
(calling to Laurel)
I know where they're going! We can
still save them!
Laurel looks around, concerned. She's sees a first aid kit in
the back of an ambulance and gets an idea.
EXT. TAVERN - MOMENTS LATER
The Manticore talks with Officer Avel by a police car.
MANTICORE
Last name "Manticore." First name,
"The."
Laurel walks up to Officer Avel and the Manticore.
LAUREL
Hold on! You're right, she has gone
a little--
(whistle)
It's no wonder with a wound like
that.
Laurel points dramatically to a slight scrape on the
Manticore's leg.
OFFICER AVEL
That's just a scratch.
Laurel pulls out the Quests of Yore card about the Manticore
and waves it around like it's an official document.
LAUREL
Oh, I'm sorry, are you an expert on
minotaurs?
MANTICORE
(correcting)
Manticores.
LAUREL
--Manticores?
OFFICER AVEL
Well, no.
LAUREL
Well then you wouldn't know that
when their blood is exposed to air,
it makes them go bonkers.
54.
MANTICORE
I don't think that's true.
LAUREL
See! She's already losing her grip
on reality. So why don't you let me
save her life before it costs you
yours?
Officer Avel throws his hands in the air.
OFFICER AVEL
Okay!
LAUREL
Thank you! Could we have a little
privacy here, please?
Officer Avel steps away.
LAUREL (O.S.)
Just lie back. That's good.
OFFICER AVEL
Just don't take too long back
there, okay?
(beat)
Hey, you hear me?
Officer Avel turns and looks at the Manticore's silhouette,
then carefully walks back toward the police car.
OFFICER AVEL
I said, don't take too long back
there, because I--
As he gets closer, he sees the source of Manticore's
silhouette: The melted mascot head, propped up as a decoy.
OFFICER AVEL
Ahh!
EXT. ROAD - NIGHT
Laurel's car drives away, the back dragging sparks.
INT. LAUREL'S CAR - NIGHT
The Manticore is hunkered down in the backseat of the car.
LAUREL
Alright, how do we help my boys?
55.
The Manticore smiles.
MANTICORE
Oooooh, I'm gonna like you!
EXT. FREEWAY - NIGHT
The van passes through a city.
INT. VAN - NIGHT
Barley drives as Ian and Dad sit on bean bags in the back.
Ian stares at the list he's made.
BARLEY
Radio... headlights... brakes,
tires, rims... I mean it's hard to
tell now, Dad, before I replaced
her parts, Guinevere was actually
kind of a piece of junk.
Ian looks over at Dad and crosses things off his list.
IAN
Looks like we're not gonna get to
do everything today, Dad. But,
that's okay, I just wanna meet you.
Dad rubs his foot against Ian's. Ian smiles.
IAN
But don't worry, we'll have you
fixed up and back home to see...
(dawning)
Oh man, Mom! Barley, we're not
going to be able to get Dad back in
time to see Mom.
BARLEY
Oh...
(beat)
Well, Dad... at least you won't
have to meet the new guy.
Barley puts his finger up to his face to create a mustache.
BARLEY
(Colt impression)
So you, uh, workin' hard or hardly
workin'?
(horse chuckle)
56.
IAN
Yeah!
(bad Colt impression)
Barley, Barley, Barley. Every time
there's trouble, I gotta deal with
you.
BARLEY
Is that your Colt?!
IAN
Yeah?
BARLEY
You're gonna wanna work on that.
Suddenly the van begins to SPUTTER.
BARLEY
No, no, no, NO! Come on, old girl!
Barley pulls the van off the expressway and lurches it to a
stop on the side of the road.
INT. VAN - NIGHT
IAN
I thought you said you fixed the
van.
BARLEY
Relax, Guinevere is fine. Her
stomach is just a little empty.
Ian looks over at the gas gauge. The needle is on "F."
IAN
But it says we have a full tank.
BARLEY
Oh, that doesn't work.
EXT. ROADSIDE - NIGHT
Barley gets out, goes to the back of the van, pulls out a gas
can, and shakes it next to his ear.
BARLEY
Only a few drops left.
Ian gets out. Barley climbs on top of Guinevere.
57.
BARLEY
Maybe there's a gas station...
There's nothing within sight. Ian looks at the staff.
IAN
Is there a magic way to get gas?
BARLEY
Oh! I like your thinking young
mage.
Barley scrambles down from the van and shows Ian a page in
the spell book: an illustration of a wizard growing an apple
to five times its size.
BARLEY
Growth Spell! We grow the can and
then the gas inside will grow with
it.
IAN
Uhh... that's kind of a weird
idea...
BARLEY
I know! I like it too!
Ian mutters to himself as he holds the spell and the staff.
IAN
Okay, loosen up, heart's fire. Here
we go.
BARLEY
Whoa, it's not that simple.
(to Dad)
This one learns a little magic and
thinks he's Shamblefoot the
Wondrous, am I right, Dad?
(to Ian)
A growth spell is a bit more
advanced. Not only do you have to
speak from your heart's fire, but
now you also have to follow a magic
decree.
IAN
A magic what?
Barley shows Ian the book.
58.
BARLEY
It's a special rule that keeps the
spell working right. This one
states: "To magnify an object, you
have to magnify your attention upon
it."
(beat)
While you cast the spell, you can't
let anything distract you.
Barley puts the gas can on the ground. Ian points the staff.
IAN
Okay...
(exhale)
Ow!
BARLEY
What?
IAN
Splinter! Can we sand this thing
down?
BARLEY
No! It's an ancient staff with
magic in every glorious fiber, you
can't "sand it down."
IAN
Alright, alright. Here we go.
(sotto)
Focus...
Ian holds out the staff and tries to focus.
BARLEY
Uh...
IAN
Something wrong?
BARLEY
Sorry, it's just, your stance is
uh... Here.
Barley poses Ian awkwardly, all over his personal space.
BARLEY
Chin up, elbows out, feet apart,
back slightly arched... Okay, how's
that feel?
59.
IAN
(strained)
Great.
BARLEY
Oh! One more thing.
IAN
Barley!
BARLEY
Okay! Okay.
Barley tries to adjust Ian's elbow one more time. Ian shoots
him a look. Barley throws up his hands and steps back.
Ian focuses hard and recites the spell.
IAN
Magnora Gantuan!
The staff throws off violent, flashing sparks. Ian winces,
but does his best to stay focused. The can begins to grow.
BARLEY
Don't let the magic spook you.
IAN
Okay.
BARLEY
Elbows!
IAN
What?!
BARLEY
Elbows up!
Ian lifts his elbows as high as possible.
BARLEY
No, no, no, too high. That's too
high.
IAN
I'm trying to focus here!
BARLEY
Oh, yeah, yeah, yeah! Focus on the
can!
Barley encourages Ian -- slowly, almost to himself -- but so,
deeply annoying.
60.
BARLEY
Focuuuuuus...
(beat)
Focuuuuuuuuuussssss...
IAN
Barley!
(failing)
Ah, forget it!
Ian lowers the staff, frustrated.
BARLEY (O.S.)
It worked! The can is huge!
Ian looks down to see that Barley is now TINY.
BARLEY
And the van is huge!
(to Ian)
And you're--
Barley looks at his tiny body.
BARLEY
Oh, no...
IAN
What happened?
BARLEY
Looks like you shrunk me.
IAN
Wha-- how?!
BARLEY
Well, if you mess up a spell, there
are consequences.
IAN
I only messed up because you
wouldn't stop bothering me!
BARLEY
I was trying to help you!
IAN
Well, don't try to help me!
BARLEY
Oh okay, fine, I won't!
61.
As the boys argue, Dad taps Ian's foot then searches for
Barley. Dad taps Barley's head, nearly stepping on him.
BARLEY
Whoa, ow! Dad, it's me!
Barley does "Shave and a Haircut" on Dad's foot. Dad freaks
out, recognizing him and reacting to his shrunken size.
IAN
Whoah, Dad, it's okay, don't worry,
I'm going fix this!
Ian grabs Dad's leash and picks up the gas can.
BARLEY
Well, where are you going?
IAN
To find a gas station.
BARLEY
Well, I'm going too.
IAN
Fine.
Ian tries to pick up Barley, but Barley refuses.
BARLEY
Hey, I don't need your help!
IAN
Fine with me.
Ian struggles to carry everything as Barley runs after Ian.
EXT. INDUSTRIAL NEIGHBORHOOD - NIGHT
Ian with Dad. A tiny, shrunken Barley tries to keep up.
BARLEY
(panting)
I just need a little break. My baby
legs can't go that fast.
Ian walks back and awkwardly picks up Barley by the shirt.
BARLEY
Look, a gas station!
Ian turns to see a glowing gas station in the distance.
62.
IAN
Oh, good.
BARLEY
Oh wait, I forgot.
(struggling to turn away)
You don't need my help.
Ian drops Barley into his pocket and charges ahead.
BARLEY
Hey! I don't need you to carry me!
I'm a grown man!
EXT. GAS STATION - NIGHT
Ian approaches the gas station, Barley and Dad in tow. He
walks past a gas pump. Dad searches the ground with his foot.
IAN
Dad, come on, it's okay, Barley is
with me.
Barley looks at his reflection in the gas pump.
BARLEY
Yeah, I'm fine, Dad. The side
effects are supposed to wear off
eventually. Do I look any bigger
yet?
A group of loudly revving, seemingly unmanned motorcycles
park in front of the gas station. Suddenly, a sprite in a
leather jacket, DEWDROP, pops out from behind the bike. Other
sprites appear. They were all collectively driving the bikes.
They hop off and swagger into the gas station.
An elf walks out of the gas station drinking a slushie. He
unknowingly hits Dewdrop with the door on his way out.
DEWDROP
Hey! Did you just bump into me?
GAS STATION VICTIM
Oh, I'm terribly sorry, I didn't
see you there--
DEWDROP
Do it again, and you'll see me in
your nightmares!
He drops his slushie and runs away.
63.
INT. GAS STATION - NIGHT
Ian slinks into the station, Dad in tow, Barley in pocket.
Sprites climb the shelves, throw things to their cohorts,
drink from the soda fountain. A sprite on the counter
scratches a lotto ticket. Another throws money at the clerk.
COBWEB
Gimme a bag of Extra Sours.
The clerk hands over a bag.
COBWEB
Keep the change.
The sprites pass Ian, carrying a box of candy-filled straws.
COBWEB
Outta the way, beanstalk.
Ian tries to keep a low profile as he talks to the CLERK.
IAN
Uh, ten on pump two, please.
Barley leans out of Ian's pocket, reaching for a bag of
snacks, but knocks over the entire rack.
IAN
What are you doing?!
BARLEY
I'm getting us food.
Ian pushes a few bags of cheese puffs forward.
IAN
Alright, I got it. And a couple of
these, thank you.
BARLEY
Pssst! I have to go to the
bathroom!
IAN
Can it wait?
BARLEY
It's your pocket.
Ian turns back to the clerk.
64.
IAN
Can we have the bathroom key,
please?
The clerk hands them a bathroom key attached to a license
plate. Ian takes Barley out of his pocket and gives him the
key. Tiny Barley has to carry the key over his head.
IAN
Okay, be quick. I want to get out
of here.
BARLEY
Okay, I'm going.
Barley runs to the bathroom. Dad searches around with his
foot for little Barley and just misses him.
GAS STATION CLERK
That'll be twelve ninety-nine.
Ian hands money to the cashier. Dad continues to search for
little Barley, and taps the head of one of the sprites.
MUSTARDSEED
Hey! Watch it!
Dewdrop leaps over to Dad and puffs out her chest.
DEWDROP
You got a problem, Shades?!
Dad stares at her.
DEWDROP
Answer me when I'm talking to you!
Ian turns to see that Dewdrop staring down Dad from high on a
shelf. Ian grabs Dad and pulls him away.
IAN
Sorry, I don't really know where
his head is at right now.
Ian pulls Dad to the door and EXITS.
IAN
(sotto)
How could this night get any worse?
65.
EXT. LAUREL'S CAR - NIGHT
Laurel's car speeds down the highway, the passenger side
drags along the ground, sparks shooting out.
INT. LAUREL'S CAR - NIGHT
Laurel drives. The Manticore is tight in the passenger seat.
MANTICORE
You know, I would fly us to help
your boys, but... the old wings
aren't what they used to be.
LAUREL
Oh, that's fine. So, about this
curse--
The Manticore wiggles her wings a little.
MANTICORE
It's my own fault. I should be
doing my wing exercises every
morning, but you know how that
goes...
LAUREL
Please, the curse. What does it do?
MANTICORE
Right! Sorry. It's a Guardian
Curse.
The Manticore rips off her sleeve to reveal an arm full of
tattoos. She points to an image of a red cloud.
MANTICORE
If your boys take the gem, the
curse will rise up...
She points to the red mist holding rocks together to make a
beast attacking someone.
MANTICORE
...and assume the form of a mighty
beast... and battle your sons to
the...
(catching herself)
Well... how do your boys do in a
crisis?
66.
LAUREL
Not great! One of them is afraid of
everything and the other isn't
afraid of anything.
MANTICORE
Yeah, that skinny kid of yours is
pretty fearless.
LAUREL
No, no. You mean the big one.
Barley.
MANTICORE
No, the little guy. Woo, he really
let me have it.
LAUREL
What? No, look... You said you
could help them. Right?
The Manticore points to a glowing circle in the "heart" of
one of the beasts.
MANTICORE
Every curse has a core, the center
of its power. And only one weapon
forged of the rarest metals can
destroy it: my enchanted sword...
The Manticore rips off her other sleeve to reveal a tattoo of
a glowing yellow sword that reads: THE CURSE CRUSHER.
MANTICORE
...the Curse Crusher!
LAUREL
Okay, but you don't seem to have
that on you.
The Manticore looks a Laurel, embarrassed.
MANTICORE
I sold it. Got in a little tax
trouble a few years back. But don't
worry, I know just where to find
it.
Laurel nods, determined.
LAUREL
(sotto)
I am on my way boys, just try to
stay out of trouble.
67.
EXT. GAS STATION - NIGHT
Ian finishes pumping gas. He looks at his watch.
IAN
(to self)
Ugh, what is taking you so long?
Then he hears something off in the distance.
DEWDROP (O.S.)
Who you calling whimsical?
Ian looks over to see Barley in talking to two sprites.
IAN
Oh no.
BARLEY
Whoa, whoa, whoa!
DEWDROP
You got a lotta nerve.
Ian makes his way toward Barley while struggling with Dad.
BARLEY
I'm just saying sprites used to fly
around spreading delight. That's a
good thing.
DEWDROP
Sprites can't fly!
BARLEY
Well, your wings don't work 'cause
you stopped using them.
DEWDROP
You calling me lazy?
She throws down her candy straw on the ground and stomps it.
BARLEY
No, no, no. Not you. Your
ancestors.
DEWDROP
What did you say about my
ancestors?!
BARLEY
I didn't mean lazy, I--
68.
But Ian swoops in and GRABS Barley while also holding the
full gas can and a wandering Dad.
IAN
I'm sorry! Very sorry! He's sorry,
too. You don't need to fly, who
needs to fly? I mean you've got
those great bikes!
BARLEY
What are you doing? I was just
discussing history!
IAN
Barley, I'm trying to take care of
you and Dad, and you are not making
it any easier!
(struggling with Dad)
Dad, come on!
Dad has wandered to the other side of the line of motorcycles
and Ian unwittingly pulls him into the bikes. They CRASH like
dominoes, blocking the gas station door.
IAN
Oh no.
The Sprites inside the gas station SLAM into the door and
windows of the station. They are SEETHING caged animals.
DEWDROP
HEY! YOU'RE DEAD!
Ian RACES Dad and Barley out of there as fast as he can.
EXT. ROADSIDE - NIGHT
Ian runs, terrified.
IAN
We're dead! We're dead! We're dead!
We're dead! We're dead!
Ian frantically fills the van with gasoline.
BARLEY
Relax, they won't be able to lift
those bikes--
One motorcycle ROARS to life in the distance.
BARLEY
Oh, they are strong...
69.
IAN
We're gonna die, we're gonna die,
we're gonna die!
Barley jumps up and down on the door handle.
BARLEY
It's locked!
IAN
What?! Where are the keys?
They see the keys still in the ignition.
BARLEY
I got this!
Barley slides his tiny body through the cracked window. He
struggles to try to lift the lock.
IAN
C'mon, Barley!
The lock pops up, sending Barley flying backwards.
BARLEY
Whoa!
Ian climbs in the passenger side and slams the door.
INT. VAN - CONTINUOUS
Ian points out the windshield.
IAN
Okay, Go! Go! Go!
Ian looks at Barley, tiny and useless on the drivers seat.
IAN
Oh, no. No, no, no, no. No way...
BARLEY
You're gonna have to!
Ian slides over into the drivers seat. He carefully buckles
his seatbelt, but then sees the motorcycles coming. Ian turns
the key. The engine whines, but nothing happens.
IAN
Come on, why won't it start?!
70.
BARLEY
There's a sweet spot... not in the
middle, but not quite at the end!
Ian wiggles the ignition, leaning into it.
IAN
Comeoncomeoncomeoncomeon! Come. On.
Guinevere!
The van sputters to life.
BARLEY
Put it in "O" for "onward!"
Ian pulls the screwdriver gear shift down to the handwritten
letter "O". The van lurches forward just as a sprite SMASHES
out Ian's window with a flail.
IAN
AHH!
BARLEY
DRIVE!!!
Ian's unintentionally cuts off the sprites. Their bikes get
tangled up as the van speeds away.
EXT. EXPRESSWAY/INT. VAN - NIGHT
The van races up the on-ramp onto the expressway.
BARLEY
Okay, you're gonna have to merge!
Cars ROAR past the van as Ian cautiously picks up speed. A
huge truck barrels up beside him. Ian tentatively steers the
van closer to the freeway. The truck lays on its horn.
BARLEY
Speed up!
IAN
I can't do this!
BARLEY
Yes you can!
IAN
I'm not ready!
BARLEY
You'll never be ready! MERGE!!
71.
IAN
AHHH!!!
Ian floors it and cuts in front of the giant truck.
BARLEY
Ha-ha! Nice job!
In the rearview mirror, Ian sees the motorcycles gaining on
them. They pull up on both sides of the van, surrounding him.
A biker pulls out a flail and hits the van. Barley leaps up
to the window, yelling out at the sprites.
BARLEY
Hey, don't hit Gwinny!
IAN
Barley!
Ian quickly comes up behind a slow moving car.
IAN
Oh, no!
BARLEY
Get around 'em!
IAN
They're not letting me in!
BARLEY
SIGNAL!
IAN
You don't have a signal-er!
BARLEY
Stick your arm straight out the
window to signal left!
Ian holds his arm straight out the window. A sprite
immediately wraps a chain around it.
IAN
AH!!
Ian turns the wheel one-handed and merges into the next lane.
Barley climbs out on Ian's arm to untangle the chain.
IAN
Get back here!
72.
BARLEY
Just keep driving!
The sprites cheer as they gain on the van.
IAN
Barley!
Barley successfully untangles the chain. It recoils and
almost knocks a number of sprites off their motorcycle.
Ian looks ahead and sees the freeway splitting EAST and
NORTH. Barley crawls back onto Ian's shoulder.
BARLEY
The mountains are north. You need
to get all the way over!
Dad stumbles to the front of the car and face plants into the
steering wheel, blaring Guinevere's horn.
EXT. EXPRESSWAY - CONTINUOUS
Dewdrop sees Dad's body flapping out the window, his stuffed
arm waving as if he's shaking a fist.
DEWDROP
What the-- Oh it is on, Shades!
(to sprites)
Get 'em!
A motorcycle races up to Ian's window. A group of sprites
LEAP from their bike and into the van, attacking Ian.
INT. VAN - CONTINUOUS
A sprite tackles Barley. Barley pulls the sword from the hand
of a nearby bobblehead warrior and brandishes it at the
sprite. Ian, covered in sprites, causes the van to swerve.
Barley and his sprite are thrown onto the passenger seat. The
sprite pins Barley down with the seatbelt buckle.
BARLEY
Ian! Stay focused!
IAN
I can't!
BARLEY
You HAVE to focus or we're all
dead!
73.
Ian sees the NORTH sign out the window rapidly approaching.
BARLEY
Just stay cool!
Ian gets an idea.
He frantically reaches and turns on the AC. Strong air blasts
from the vents, blowing the sprites out the windows.
The sprite that was fighting Barley is blown into the
windshield of the car behind Guinevere.
Barley clings to the seatbelt, flapping in the wind.
BARLEY
Way to go, Guinevere!
He loses his grip and is suddenly blown out the window. But
Ian manages to grab him at the last minute.
The sprites rev their bike for another attack.
DEWDROP
Hit it!
Ian sees his exit ahead, across several lanes.
BARLEY
We're not gonna make it!
With determination, Ian crosses several lanes of traffic,
just barely making it onto the NORTH fork of the freeway.
The sprites don't have time to correct their course. They
crash their bike and hurtle toward the ground. But their
wings flap until suddenly... they're flying.
DEWDROP
Huh.
INT. VAN - NIGHT
Tiny Barley perches on Ian's shoulder, celebrating their
success. Ian pants heavily, still riding the adrenaline.
IAN
Dad, are you okay?!
BARLEY
He's fine, thanks to the skillful
driving of Sir Ian Lightfoot! High
Five!
74.
Barley raises his hand to high five, but it bulges to full
size and smacks Ian in the face.
IAN
Ow! What is happening?
BARLEY
I think the spell is wearing off.
Barley's torso expands to full size on Ian's shoulder. Ian
can't even see out the window to know where he's going.
IAN
Get off my face!
Barley's right leg grows, slamming onto the gas pedal.
EXT. ROADWAY - NIGHT
The van lunges forward, swerving past a hidden police car.
Its lights come on and it gives chase.
INT. VAN - NIGHT
Barley, now fully-grown, climbs into the passenger seat.
IAN
Oh, Chantar's Talon! Cops!
BARLEY
Pull over!
IAN
I don't have a license.
Barley pulls a small piece of folded leather from his pocket.
BARLEY
Ah! My wallet's still tiny!
EXT. FREEWAY SHOULDER - NIGHT
The van pulls over.
There are two cops in the car behind them. An imposing
cyclops, OFFICER SPECTER, and a boorish satyr: OFFICER GORE.
Officer Specter speaks into the P.A.
OFFICER SPECTER
Step out of the vehicle.
75.
INT. VAN - NIGHT
The boys struggle to remain calm.
IAN
What are we gonna do?
BARLEY
I don't know!
In the background, Dad's dizzy legs stumble around, then lean
against the open back doors of the van and begin to step out.
IAN
How are we gonna explain--
(seeing Dad)
Oh no. DAD!
EXT. FREEWAY SHOULDER - CONTINUOUS
The cops watch Dad slowly stumble from the van, then share a
knowing look. They step out of the car and walk over to Dad.
OFFICER GORE
You have a long night there, buddy?
OFFICER SPECTER
Sir, I'm gonna ask you to walk this
straight line.
Meanwhile, Ian and Barley confer in front of the van.
IAN
They're gonna take Dad!
Barley thinks for a moment.
BARLEY
Oh! I got it! The disguise spell!
You can disguise yourself to be
anyone you want.
Barley draws the spell in the dirt.
IAN
What if I mess up again?
BARLEY
According to the spell, "Disguising
yourself is a lie, so you must tell
the truth to get by." As long as
you don't tell a lie, the spell
will be fine.
76.
IAN
Okay... who are we gonna be?
The cops watch a wandering, meandering Dad.
OFFICER GORE
Okay, we're taking you down to the
station.
There's a flash followed by the sound of hooves. The cops
turn to see Officer Colt Bronco walk out from behind the van.
COLT
(nervous/uncertain)
What seems to be the problem here
fellow... police folk?
Colt's back legs walk out of sync, nervous and awkward.
OFFICER GORE
Officer Bronco?
OFFICER SPECTER
Were you in that van?
To the side of Colt we see a new point of view: The boys are
masked by a ghost-like shell of Colt, Ian in the front,
Barley in the back. We hear Colt's voice turn into Ian's.
COLT/IAN
Affirmative! And we will, I mean, I
will take full responsibility for
that fella right there, so you can
just release him over to me.
BARLEY
(whispered to Ian)
Hey, I wanted to be the front.
IAN
(whispered to Barley)
No way, I'll do the talking.
OFFICER GORE
Bronco, I thought you were working
on the other side of town.
COLT
I, uh, changed my mind.
Suddenly Colt's right ear vanishes. Ian quickly turns,
blocking the missing ear from view.
77.
OFFICER SPECTER
Something wrong?
COLT
(panicking)
Just a little... neck... cramp!
And with that, Colt's left hand goes away. Ian quickly and
awkwardly bends his arm behind his body.
BARLEY
(whispered, to Ian)
You have to stop lying. Answer
every question with a question!
OFFICER SPECTER
What exactly are you doing out
here?
COLT
Uh... What am I doing out here?
What are any of us doing out here?
OFFICER GORE
Whoa... I never thought about it
like that.
BARLEY
(whispered, to Ian)
Nice!
OFFICER SPECTER
With all due respect, you didn't
answer my question.
COLT
Well, we were just exercising some
driver's education drills for...
Ian.
OFFICER SPECTER
Who is Ian?
OFFICER GORE
(pointing back to Dad)
Oh, is that Laurel's kid?
COLT
Ian is Laurel's kid.
OFFICER SPECTER
Your stepson was swerving all over
the road.
78.
COLT/IAN
Yeah, well... that guy's not all
there today.
They all look to see Dad slump on the hood of the police car.
OFFICER SPECTER
Yeah, he does seem a little off.
(suspicious)
You seem a little off yourself.
Behind the illusion, Ian is nervous and sweating.
IAN/COLT
Uh, actually, if I'm being
completely honest... I'm not super
great in this kinda situation...
and I'm starting to freak out a
little bit. I'm all sweaty and
weird and I don't know what to say
and I just feel like I can't do
anything right and I'm a total
weirdo--
Specter and Gore share a look. Specter takes Colt aside.
OFFICER SPECTER
Whoa, whoa, hold on, okay hold on,
hold on. I think I know what's
going on here.
IAN
Uh... You do?
OFFICER SPECTER
Yeah, it's not easy being a new
parent. My girlfriend's daughter
got me pulling my hair out, okay?
IAN
(relieved)
Oh... uh, yeah.
OFFICER SPECTER
(to Gore)
Alright, we can let him go.
COLT
Oh, okay... I'm just gonna take him
to the van.
OFFICER SPECTER
Hey, it gets better, alright? Good
luck, Bronco.
79.
COLT
You too, Officer. Keep workin'
hard... or hardly workin'...
(horse laugh)
The boys, still disguised as Colt, put Dad back in the van.
BARLEY
(whispering)
Now that was a good Colt!
Ian grins at Barley.
OFFICER GORE
I don't envy you, Bronco. That
Lightfoot kid is a handful.
COLT
I'm gonna have to disagree with you
there, I think Ian's a pretty stand
up citizen.
OFFICER GORE
Not him, the older one.
IAN
What?
OFFICER GORE
I mean, the guy's a screw up. You
can't say you don't agree?
IAN
Um... I don't.
Colt's right leg instantly vanishes. Right in front of
Barley's face.
BARLEY
(hurt, stunned)
What?
IAN/COLT
I mean, um, uh, okay, well, um, I
have to get going, gotta get Ian
home.
Colt's other arm vanishes. Ian quickly shuffles back to the
van. The cops watch, baffled by Colt's behavior.
COLT
Ah, I mean, I'm late for work.
Colt's back legs vanish.
80.
COLT/IAN
Sorry, I mean I'm feeling a little
sick. I mean, tired. Sick and
tired. I gotta go! See you Monday!
With each lie, Colt loses an arm, leg, ear. Ian and Barley
just barely slink into the van before Colt's head disappears.
OFFICER GORE
(laughing)
Oh man, Bronco is losing it. See,
that's why I never got married.
Yup, Old Gore can't be tied down.
Specter watches the van drive away. Then she CLICKS on her
flashlight and follows Colt's hoof prints in the dirt, only
to find them eventually lead to regular shoe prints.
OFFICER SPECTER
(into her radio)
This is Specter. Can you put me
through to Officer Colt Bronco?
INT. VAN - NIGHT
The boys drive down the highway, silent. Ian looks straight
ahead, guilty. Barley stares at the road, stone-faced.
IAN
Barley... I don't know what
happened back there, but I don't
think you're a screwup.
Barley says nothing.
IAN
Maybe the magic just got it
wrong... you know?
BARLEY
Yeah...
Barley BLASTS super loud fantasy metal. Ian winces.
IAN
I DON'T KNOW WHAT HAPPENED--
Barley turns up the music louder.
IAN
BARLEY! BARLEY!
81.
Suddenly Barley whips off the road at a rest area. He gets
out of the van through the side door.
EXT. REST STOP - NIGHT
The music blares as Barley marches away from the van. He
angrily tears into a bag of Gorgon-Zola's Cheese Puffs.
IAN
Where are you going?
Ian follows after him, calling out.
IAN
Barley, come on, this is all just--
Barley stops and turns to Ian.
BARLEY
I'm not a screwup!
IAN
I didn't say you were.
BARLEY
The magic said it for you!
IAN
Well, the magic got it wrong!
BARLEY
Magic doesn't get it wrong! The cop
asked a question, you answered, and
magic revealed the truth. Right?!
(beat)
RIGHT?!
IAN
I don't know how any of this stuff
works! All I know is that
everything we've done tonight has
gone wrong!
BARLEY
It's gone wrong because you won't
listen to me!
Ian stops, stunned.
IAN
Are you kidding? Because everything
we've done has been your idea--
82.
BARLEY
But you didn't do it my way! You
didn't let me handle the Manticore.
You freaked out when I talked to
the sprites. Because you don't
think I have good ideas.
IAN
What! Of course I do!
BARLEY
Great, then I think we should take
the Path of Peril!
IAN
And I also think that would be
good... normally--
BARLEY
See!
IAN
But I told you, this isn't a game!
All that matters today is Dad, and
right now he's sitting in that van,
and he's confused--
Barley looks over Ian's shoulder back toward the van.
IAN
What?!
Ian turns to see Dad standing in the back of the van, bending
his knees to the music.
IAN
What is he doing?
BARLEY
I think he can feel the vibrations
of the music and he's... dancing.
The boys watch as Dad slowly adds more dance moves. Then Dad
really cuts loose and it's... not good.
IAN
Wow. He is terrible.
Dad flails so wildly that his top half falls off.
BARLEY
Yeah. He's really, really bad.
They watch in embarrassment. Dad shimmies over to the boys.
83.
BARLEY
Oh no, here he comes.
Dad hooks his leg around Barley's, cajoling him to dance.
BARLEY
No no no, thanks Dad. Dad, thank
you! I'm good! Stop!
(laugh)
Okay, okay!
Ian watches Barley and Dad dance. Then Dad walks over to Ian.
IAN
Oh! No, no, no. No, no, no! I'm not
really a big dancer--
Ian tries to get away, but Dad won't have it. Ian is forced
to dance. The boys both dance with Dad.
IAN
Just imagine what the top half of
this dance looks like.
BARLEY
I bet it goes something like this!
Barley dances wildly behind Dad, mimicking Dad's upper half
for a moment. The boys laugh.
The music stops. Dad sits.
BARLEY
Oh, you danced your shoelaces loose
there, Pop.
Barley kneels to tie Dad's shoe. Then speaks to Ian without
looking at him.
BARLEY
You know, I want to see him, too.
IAN
Yeah... I know.
Barley stands.
BARLEY
It's not fair for you to call me a
screwup if you don't give me a
chance to get something right. Just
do one thing my way.
This hits Ian.
84.
IAN
You really think this "Path of
Peril" is the best way to go to the
mountain?
Barley nods. Ian looks uncertain, then...
IAN
Okay.
Barley smiles.
EXT. ROAD - NIGHT
The van drives down the road, then veers onto a dusty,
unpaved path. The roughness of the road causes Guinevere's
back bumper to fall off, license plate and all.
The van drives away into the distance.
EXT. GRECKLIN'S PAWN SHOP - NIGHT
The Manticore and Laurel climb out of the car.
LAUREL
Uh, so where is your magic sword?
MANTICORE
It lies beyond those gates.
The MANTICORE looks toward a small building with a flashing
sign that reads: PAWN SHOP.
MANTICORE
If we don't leave here with the
sword, your boys are doomed.
INT. GRECKLIN'S PAWN SHOP - NIGHT
A dirty pawn shop filled with old junk, TV's, microwaves as
well as antiques, fantasy armor, instruments, and books.
The pawnshop's owner, GRECKLIN, a grizzled, lanky goblin,
lays a large garlic press in front of them.
GRECKLIN
There you are, one garlic crusher.
MANTICORE
No, Curse Crusher. It's a large
magical sword.
85.
Grecklin looks through junk behind the counter.
GRECKLIN
Sword, sword, sword...
She holds up a giant, glorious sword.
GRECKLIN
I mean, I got this thing.
MANTICORE
That's it!
LAUREL
How much?
GRECKLIN
Let's call it, uh... ten.
LAUREL
Great!
Laurel counts the money. The Manticore speaks to her sword.
MANTICORE
Forged of the rarest metals, the
only sword of its kind in all the
land. Hello, old friend. We shall
never part again.
Grecklin slams her hand on the sword.
GRECKLIN
Oops.
(to Laurel)
Turns out this sword is the only
sword of its kind in all the land.
So, let's call it ten... thousand.
LAUREL
You can't do that!
GRECKLIN
Well, I just did.
LAUREL
Well you had better--
Laurel's phone rings. She steps away to answer it.
LAUREL
Yeah.
86.
COLT (O.S.)
Hey, I talked to some other
officers and they said the boys
were last seen going north.
LAUREL
Are they okay?
COLT (O.S.)
They're fine, but the officers
said, well... honey, this night
keeps getting stranger and
stranger.
Laurel looks over to see the Manticore and Grecklin arguing.
MANTICORE
Do you know who I am?
GRECKLIN
Some kind of winged bear-snake
lady?
MANTICORE
Winged lion-scorpion lady!
Back on Laurel.
LAUREL
It sure does.
Laurel walks over to Grecklin and the Manticore, putting down
her phone for a moment.
LAUREL
(angry)
Listen, I need that sword. My sons
have a once-in-a-lifetime chance to
see their father. Now, my oldest
son--
The Manticore's tail suddenly STRIKES Grecklin in the neck.
Grecklin's eyes POP openand she falls to the ground.
LAUREL
HOLY- SON OF- YOU KILLED HER!
MANTICORE
It's okay! She's only temporarily
paralyzed.
On the other side of the counter, Grecklin lies motionless.
87.
GRECKLIN
HEY! You can't do this!
MANTICORE
Well, I just did.
Laurel considers this for a moment.
LAUREL
Grab the sword!
GRECKLIN
Don't you touch that!
The Manticore grabs the Curse Crusher from the counter.
Laurel delicately puts some cash on the counter.
LAUREL
(nervous/polite)
Here you go. And a little something
extra for your trouble.
(backing to the door)
I love your store! Oh, that's so
pretty.
Laurel flips the sign to "CLOSED" and exits.
GRECKLIN
Hey! HEY!
EXT. PAWN SHOP - NIGHT
Laurel and the Manticore run to the car with the sword.
MANTICORE
Ohhh yeah!
COLT (ON PHONE)
Laurel?! What's happening?!
Back on Colt, who looks panicked.
COLT (ON PHONE)
Hello? Are you alright?! Laurel!
LAUREL
(phone to ear)
Oh Colt, I can't talk! The boys
need me!
And she hangs up on Colt.
88.
INT. COLT'S CAR - NIGHT
COLT
Wait! Dang those kids.
Just then, Colt sees a bumper at the head of a rough path. He
shines his flashlight onto the plate reading "GWNIVER".
Colt's hoof HITS the gas.
EXT. COLT'S CAR - NIGHT
Colt's car speeds down the path into the distance.
EXT. ANCIENT TRAIL - DAY
Adventurous fantasy music swells in the sunrise as Guinevere
traverses the uneven trail.
INT. VAN - DAY
BARLEY
(singing)
We're heading on our quest, our
father we must retrieve, the
Lightfoot Brothers can't be
stopped... something, something
that rhymes with retrieved!
A bump jostles Ian awake in back. Dad also wakes up in a
panic. He taps Ian's foot.
IAN
Yeah, we're still here.
Dad goes to the front and taps his foot against Barley.
BARLEY
Well, good morning to thee, dear
Lightfoot men! Welcome to the Path
of Peril!
Ian looks out the window at a desolate field.
IAN
It's not much of a path.
BARLEY
Well, you know, they never really
developed around here. So heads up,
we could run into anything.
(MORE)
89.
BARLEY (CONT'D)
A centicore, a wolf dragon,
gelatinous cube...
IAN
Okay, what is a gelatinous cube?
Barley turns to Ian, taking his eyes off the road.
BARLEY
Oh, it's a giant green cube that
instantly disintegrates all that it
touches!
IAN
We're not going to run into a--
(looking ahead)
WHOA, STOP!!
Barley SLAMS on the brakes. The van comes to a screeching
halt at the edge of a chasm.
EXT. BOTTOMLESS PIT - DAY
The boys step out of the van. Ian holds Dad's leash.
IAN
What is this?
BARLEY
Bottomless pit. Whatever falls in
there, falls forever.
Ian peers over. He doesn't notice Dad wander right to the
edge. Ian pulls him back at the last minute.
IAN
Whoa, Dad, come here.
Ian walks Dad back the van and places him in the front seat.
BARLEY
Ian, check it out. This is an
ancient drawbridge! We lower that
bad boy and we are on our way to
Raven's Point. Look around for a
lever.
Ian points.
IAN
Found it! But, it's on the other
side.
90.
Ian gets an idea. He lifts the staff.
IAN
Okay, I got this. Aloft Elevar.
Magic shoots from the staff, but peters out halfway across.
BARLEY
You can't cast a levitation spell
on something that far away! It only
has like a 15-meter enchanting
radius.
(nerdy laugh)
Dad, can you believe this guy?
(beat)
What we need is a Trust Bridge.
It's a spell that creates a magical
bridge you can walk on. Just say
"Bridgrigar Invisia."
IAN
Okay...
Ian walks to the lip of the chasm and holds out his staff.
IAN
Bridgrigar Invisia.
The staff lights up, but no bridge. Ian looks at Barley.
IAN
It didn't work.
BARLEY
No, the spell's still going. You
won't know if your bridge worked
until you step on it.
IAN
Step on what?
BARLEY
If you believe the bridge is there,
then it's there.
IAN
But it's not.
BARLEY
Well, not with that attitude.
Ian gestures to the empty air over the chasm.
91.
IAN
I'm not going to step out onto
nothing!
Barley considers this, then gets an idea.
CUT TO:
Barley ties a rope to a large rock. The other end is tied
around Ian's waist. Barley holds the rope in the middle.
BARLEY
Now we've got a rope. But you're
not even going to need it because--
IAN
I WANT THE ROPE!
BARLEY
Okay, I'm just saying, you're not
gonna need the rope because I know
you can make that bridge.
Ian takes a deep breath and gathers himself. He takes a big
step and... FALLS over the edge.
IAN
Agh!
Barley pulls the rope and stops Ian's fall.
IAN
I'm dying, I'm dying! I'm dead! I'm
dead! I'm dead! Oh, my life is
over!
BARLEY
I've got you!
Barley pulls Ian up, scraping him along the rocks and roots
of the chasm. When he gets to the top, Barley dusts him off.
BARLEY
Okay, you fell. But was that so
bad?
IAN
YES!
BARLEY
Are you still alive?
92.
IAN
(reluctant)
Yes.
BARLEY
Okay, so now you know the worst
that can happen. So there's nothing
to be scared of, right?
Ian thinks about this and looks across the chasm. He takes a
breath and repositions himself at the edge.
IAN
Bridgrigar Invisia!
The staff glows. Ian looks at the chasm, then back at Barley.
BARLEY
Hey. You can do this.
He STEPS off the edge. But this time his foot stops mid-air,
planted on a glowing platform of light.
BARLEY
Ha-ha!
IAN
Yeah!
BARLEY
THERE YOU GO!
Ian stands there for a moment, one-legged, then plants his
other foot. But this foot doesn't land on anything.
Barley gives a tug on the rope and pulls him back.
BARLEY
Believe with every step!
Ian closes his eyes, concentrates, then LANDS it on another
platform of light.
BARLEY
Oh yeah!
Ian takes another step. It lands, solid. He takes another few
steps and calls back to Barley.
IAN
You've got me, right?
93.
BARLEY
I still got you! WOOHOO! Ian
Lightfoot is FEARLESS!
Ian takes one step after another to the center of the chasm.
But the knot in the rope loosens. Barley's eyes go wide.
IAN
This is amazing!
The rope loosens more and more, until it falls free, dropping
into the chasm.
BARLEY
(covering panic)
Yeah, but just keep going! Don't
look back! Just straight ahead!
IAN
(laughing)
You've still got the rope, right?
Barley looks at the useless rope in his hands.
BARLEY
YEAH! I GOT IT!
IAN
I AM NOT AFRAID!
(beat)
Oh man, I could stay out here all
day!
Ian playfully steps from side to side.
BARLEY
OKAY, BUT KEEP MOVING! WE'VE GOTTA
SEE DAD, REMEMBER?!
Ian approaches the other side of the chasm.
IAN
HEY DAD, THIS LAST STEP IS FOR YOU!
Ian turns to look at Barley and Dad. When he does, he sees
the rope isn't attached to him anymore.
As soon as he sees this, he FALLS.
But just catches himself on the lip of the chasm. He pulls
himself up, terrified, and leans against the bridge lever.
The bridge lowers, loud and creaky.
94.
BARLEY
Ha-ha! He did it, Dad!
Barley drives across the bridge and gets out to hug Ian.
BARLEY
That was amazing!
IAN
How long... was the rope gone?
BARLEY
Oh, just like the second half of
it.
IAN
I needed that rope!
BARLEY
(smiling)
Oh, but did you?
EXT. DRAWBRIDGE - DAY
Ian thinks about this. He looks back at the chasm and smiles
faintly at his success.
BARLEY (O.S.)
Ian! Look.
Barley points to the top of the drawbridge structure.
BARLEY
It's a raven.
Barley takes out the wrinkled children's menu.
BARLEY
The clue on the menu said Raven's
Point...
Ian points to the mountains in the distance.
IAN
Yeah. In the mountains.
BARLEY
But maybe the puzzle didn't mean
the mountain. Maybe it means
"follow where the raven is
pointing!"
95.
Barley follows the line of the raven's beak to a stone
structure in the distance: Another raven.
BARLEY
Ha-ha! It's another raven! That one
could be pointing to another raven,
all the way to the gem!
Ian looks at the mountains, horrified.
IAN
I had us going the wrong way.
BARLEY
Well, I told ya. My gut knows where
to go.
(to his gut)
Don't ya, boy? Yes you do!
Barley pats his gut and laughs proudly.
Ian looks at Barley, impressed.
Barley grabs Dad and heads to the van.
BARLEY
(shaking his keys)
Come on, Dad! Guinevere will get us
to that raven in no time.
Suddenly, a POLICE SIREN. A police car crosses the bridge and
screeches to a halt in front of them. Colt gets out of his
car, struggling to pull his rear end out the door.
COLT
You guys are in trouble, big time!
BARLEY
No, no, no, Colt, we found a spell.
If we finish it before sunset,
we'll get to see our father.
Barley removes Dad's torso. Colt looks confused.
COLT
Well, uh, your mom told me there
was some kind of strange family
issue going on and this is...
definitely strange.
(resetting)
But no, dang it. I'm not letting
you upset your mother anymore! Now,
you get in the vehicle, I'm
escorting you home.
96.
BARLEY
No, no way!
COLT
I'm giving you to the count of
three.
Colt stops his hoof once... then twice... then...
IAN
Okay. We'll go.
Ian grabs the van keys from Barley.
BARLEY
Ian--
IAN
He's a police officer.
Ian turns and heads toward the driver's side of the van.
INT. VAN - DAY
Barley climbs in and looks at Ian behind the wheel.
BARLEY
What are you doing?
IAN
I don't know.
Ian HITS the gas.
EXT. DRAWBRIDGE - DAY
The van takes off, Colt runs after it.
COLT
Son of a--
Colt runs after the van. Exhausted, he talks into his radio.
COLT
I need backup. Runaway van!
INT. VAN - DAY
Barley looks behind them, celebrating.
97.
BARLEY
Ha-ha, YEAH! Iandore Lightfoot,
breaking the rules!
Ian keeps his eyes locked on the road, focused and frazzled.
IAN
I can't believe I'm running from
the cops!
BARLEY
You're not running from the cops,
you're running from our mom's
boyfriend.
Suddenly, a squadron of police cars come straight at them.
BARLEY
Okay, now you're running from the
cops.
The cops approach from both directions. Ian whips Guinevere
into a fishtail, drops the hammer, and evades the cops.
Out the window, Ian spots the raven statue in the distance.
He cranks the wheel toward it, down a narrow, unpaved road.
IAN
Hold on!
Guinevere skids around an unbelievably tight turn at the edge
of a cliff. Ian pats Guinevere's dash board, encouragingly.
IAN
Yeah! Nice going, Guinevere!
Woohoo!
The road comes to a dead end. Ian turns the van around, but
they see the cop cars coming up the narrow mountain pass.
Ian gets out of the van.
IAN
Oh, what did I do?! I shouldn't
have driven away--
BARLEY
No, it was great!
Barley points to boulders at the top of the narrow pass.
BARLEY
Hey! Block the road with those
boulders!
98.
IAN
What?! How?!
BARLEY
Arcane Lightning.
IAN
You said that's the hardest spell.
BARLEY
You're ready.
Barley hands Ian the book and points to the spell.
BARLEY
"To make lightning strike with
ease, one must follow all decrees."
(beat)
You have to do everything. Speak
from your heart's fire, trust
yourself, focus, all of it!
Ian picks up the staff and points it at the boulders.
IAN
Voltar Thundasir.
A tiny bit of electricity glows in his staff, but quickly
peters out. He tries again.
IAN
Voltar Thundasir.
The staff glows again, but quickly fades. Ian points the
staff at the boulders again.
IAN
Voltar Thundasir.
The magic gives out.
IAN
I can't, I can't do it!
Ian sighs and turns to Barley and Dad.
IAN
We're not gonna see you, Dad. And
it's all my fault.
Barley sees how upset Ian is. He turns, starts up Guinevere,
and puts in a tape labelled RISE TO VALHALLA. Sad, heroic,
music blares.
99.
IAN
What are you doing?
Barley aligns the steering wheel, puts a rock on the gas
pedal, knocks the gear shift to "O."
Then watches her go.
Her turn signal pops out and falls to the ground.
The glove compartment pops open and parking violations fly
out the windows.
Barley salutes her.
She rides up the edge of the narrow pass, SLAMS into the
rocks, flips onto her back in the middle of the road, and is
covered by boulders... completely blocking the road.
The police can't get through.
COLT
What the--
Barley picks up Guinevere's turn signal light, gives it a
loving rub, and puts it in his pocket.
IAN
Barley...
BARLEY
She was just a beat up old van.
Come on, we gotta go.
Barley ducks under the guard rail and walks through the brush
with Dad. Ian climbs the guard rail and follows.
We see the boys walk off toward the lowering sun.
EXT. FANTASY WILDERNESS - DAY
The boys and Dad walk through tall fields, steady and somber.
They reach the raven. It points to another distant raven.
They walk toward that raven, through the rain.
They reach the raven, follow its beak, and walk further on.
100.
EXT. RIVER - DAY
The beak of the next raven points straight at a metal disk on
the ground. Barley begins to pry it up.
IAN
Wait.
Ian wipes dirt from the disk. They see the reflection of the
raven's beak pointing back at the chest of the raven statue.
Ian goes to the statue, examines the chest, and pulls out a
loose tile with a distinctive shape.
BARLEY
You see that, Dad? The apprentice
has become the master.
Barley takes a closer look at the tile. There's a
hieroglyphic engraved in it: wavy lines that lead to an "X".
BARLEY
It looks like... water.
They look around and see a river flowing into a tunnel. They
give each other an excited glance.
EXT. TUNNEL ENTRANCE - DAY
IAN
So what's the X mean?
BARLEY
On a quest, an X only means one
thing. We go to the end of the
water, we'll find that Phoenix Gem.
INT. TUNNEL - DAY - CONTINUOUS
Ian creates a magic flame to light a torch.
The light reveals horrific, rat-like unicorns that HISS.
IAN
AH! Ugh!
BARLEY
Ugh!
They flap their horrible wings and flutter out of the tunnel.
101.
IAN
Unicorns! Ugh!
The boys and Dad climb deeper into the tunnel, along the
river. Barley snacks on cheese puffs. Ian looks up to see
ancient paintings adorning the walls.
BARLEY
Cool...
Ian holds up the torch to try to see the end of the tunnel.
It just disappears into endless darkness.
IAN
This water could go on for miles.
We don't have that kind of time.
BARLEY
If we had something to float on we
could cast a velocity spell on it.
Fly down the tunnel like a magic
jet ski.
Ian looks around.
IAN
There's not much to float on.
BARLEY
Remember, on a quest you have to
use what you've got.
Barley looks at the cheese puff he's about to eat.
CUT TO:
IAN
Magnora Gantuan!
A FLASH. Then Ian, Barley, and Dad float into frame riding on
a GIANT cheese puff. Ian wields the staff.
IAN
Accelior!
The cheese puff races into the darkness of the tunnel.
IAN
This is actually kinda cool! So,
what other spells do you know?
102.
BARLEY
Oh, brace yourself, young mage! I
can show you all there is to know
of magic!
INT. LAUREL'S CAR - DAY
The Manticore holds the Curse Crusher sword and downs an
energy drink. Laurel drives and calls Colt.
LAUREL
Colt, we know where the boys are
going, we just have to get to them
before they unleash the curse!
COLT (ON PHONE)
The what?
MANTICORE
Let's CRUSH some curses!
She slams the energy drink and tosses it over her shoulder.
LAUREL
The curse! The curse that protects
the gem by turning into a rock
dragon or something--
COLT (ON PHONE)
A what dragon?!
LAUREL
I can't explain it I just know we
have to get to the boys, fast!
The Manticore cracks open another energy drink.
MANTICORE
Oh, we'll get them FAST, we'll get
to them SO FAST!
Laurel takes the energy drink from the Manticore, shakes her
head, and pours the rest out the window.
COLT (ON PHONE)
Well, I almost had them, but Ian,
he just... drove off.
LAUREL
Huh? Good for him.
COLT (ON PHONE)
What?
103.
LAUREL
No, I just mean... he's scared to
drive. Thinks something's gonna
come at him out of the--
A flying SPRITE hits the windshield.
LAUREL MANTICORE
Ahhh! Ahhh!
COLT (O.S.) WINDSHIELD SPRITE
Ahhh! Ahhh!
Laurel can't see. She turns on the windshield wipers in the
chaos, then steers the car off the road, into a ditch.
She and the Manticore get out of the car, dazed. We can hear
Colt's muffled voice inside.
COLT (ON PHONE)
Laurel, what happened?! What's
going on?
The Sprite peels herself off of the windshield.
WINDSHIELD SPRITE
You almost killed me, lady!
LAUREL
Are you okay? Where did you come
from?
Suddenly, a swarm of sprites flies in.
DEWDROP
You were in our flight path!
FLYING SPRITES
Yeah! Come on! / Watch where you're
going! / Are you alright?
WINDSHIELD SPRITE
I'm fine.
The Manticore looks at the demolished car.
MANTICORE
Oh, no! Our transport! How are we
going to get to your sons now?
Laurel looks around for any sign of hope.
104.
DEWDROP
Come on Pixie Dusters, lets take to
the skies!
Laurel watches the sprites fly away and gets an idea.
LAUREL
How do you feel about exercising
those wings?
The Manticore gives her wings a nervous flutter.
INT. TUNNEL - DAY
Ian stands in the speeding cheese puff, holding the staff.
IAN
Boombastia!
Just a small spark. Barley adjust Ian's shoulder like he did
with the growth spell.
BARLEY
Remember...
IAN
Ah, right.
(trying again)
Boombastia!
Beautiful fireworks explode from the staff.
IAN
Whoa!
BARLEY
Yeah! You're a natural!
Barley grabs a chunk of cheese doodle and THROWS it at Ian.
BARLEY
Think fast!
IAN
Aloft Elevar!
Ian catches it with magic.
BARLEY
Ha-ha! Yeah!
He tosses it back to Barley who pops it in his mouth.
105.
BARLEY
Nice!
Barley eats another fist-sized chunk of the cheese doodle.
IAN
Careful how much boat you're eating
there, man, we still gotta make it
to the end of the tunnel.
BARLEY
Good point.
IAN
I can't believe I'm this close to
actually talking to Dad.
BARLEY
You know what I'm gonna ask him? If
he ever gave himself a wizard name.
IAN
What?
BARLEY
Well, `cause he was into magic.
Lots of wizards have cool names:
Alora the Majestic, Birdar the
Fanciful.
(beat)
Anyway, it'll just be nice to have
more than four memories of him.
IAN
(correcting)
Three.
BARLEY
Hmm?
IAN
You only have three memories.
BARLEY
Oh. Yeah.
IAN
Barley, do you have another memory
of Dad you haven't told me?
Barley pauses, a little pained.
BARLEY
It's... it's just not my favorite.
106.
IAN
What do you mean?
Barley gives Ian a side glance, hesitant to start.
BARLEY
When Dad was sick...
(beat)
I was supposed to go in and say
goodbye to him. But he was hooked
up to all these tubes and... he
just didn't look like himself. I
got scared.
(beat)
And I didn't go in.
(resolute)
But that's when I decided, I was
never gonna be scared ever again.
Ian smiles, bittersweet.
Barley looks ahead and points.
BARLEY
Ah, looks like we're coming up on
something.
The walls of the cavern grow ornate, wizard statues guard the
tunnel. The boat slows and stops at the edge of a landing.
The boys and Dad approach an ancient, ornate archway.
BARLEY
(in awe)
The final gauntlet. The Phoenix Gem
is just on the other side.
INT. GAUNTLET - DAY
Ian enters the tunnel. Dad walks just ahead of him on the
leash. Barley notices skeletons up ahead.
BARLEY
Careful, there could be booby
traps.
IAN
This place is, like, a thousand
years old. There's no way there
could be--
A blade swings from the wall, cutting off Dad's torso and
flinging it behind them. A gust blows out Barley's torch.
107.
Behind them, a trap door in the ceiling slowly opens, casting
a sickly green light into the tunnel.
BARLEY
Oh no, it can't be...
A giant GELATINOUS CUBE filled with skeletons drops from a
hole in the ceiling, closing them off from the way they came.
BARLEY
A GELATINOUS CUBE!
The cube moves toward them. As it does, it runs over Dad's
dismembered torso. The torso immediately dissolves.
They look to the other end of the tunnel and see a door
slowly lowering from above, about to close them off inside
the chamber with the gelatinous cube.
BARLEY
Run!
Ian sees there are shapes and symbols on the path stones.
IAN
Whoa, wait! It's some kind of
puzzle. We gotta figure it out
before--
BARLEY
No time. Grab a shield.
Barley and Ian grab shields from skeletons and RUN.
As they step on path stones, arrows release from the walls
and strike the shields. At the other side, they STOP in front
of a wide chasm with spikes at the bottom.
IAN
Jump!
BARLEY
What?
IAN
Trust me.
Barley jumps and begins to fall toward the spikes.
IAN
Aloft Elevar!
Ian catches Barley in mid-air with a levitation spell.
108.
BARLEY
Ha-ha!
Ian and Dad leap off the edge, using Barley as a stepping
stone to bound to the other side.
BARLEY
Ow! Hey!
Ian lands on the other side and looks back.
BARLEY
Ian...
The cube is closing in on Barley, who floats over the chasm.
Ian uses magic to lift Barley to safety, just barely sliding
him up between the gelatinous cube and the ledge.
Ian and Barley slide under the closing door, then notice Dad
is still on the other side. Ian grabs his leash and tugs him
under the door just as it closes.
Ian stands and starts to move forward, but Barley stops him.
BARLEY
Whoa whoa whoa!
Barley points at the floor. There's a star-shaped tile on the
floor, similar to the ones in the gauntlet.
BARLEY
Don't step on that.
There's a clanging noise, slow and deep. Suddenly water
RUSHES into the silo from holes at the bottom. It quickly
lifts them off their feet, toward the ceiling.
IAN
I didn't touch it!
Barley holds onto Dad, trying to keep him above water with
them. Ian aims the staff at a hole at the top of the silo.
IAN
Voltar Thundasir!
A lightning bolt shoots forth, bouncing off the door.
As they get closer to the top, they can see the hole the
light is coming through is star-shaped. Ian sticks his head
underwater and looks at star-shaped stone on the floor.
109.
IAN
The tile down there has the same
shape as the opening!
BARLEY
Maybe we were supposed to step on
it?
IAN
What?!
BARLEY
I got it!
IAN
No, Barley!
Barley swims to the bottom of the silo. He STANDS on the
stone and the door above them begins to open.
IAN
It's working!
But Barley can't hold his breath long enough. He swims back
to the surface and the door quickly closes
BARLEY
It's impossible!
(gasping for air)
No one can hold their breath that
long!
Ian and Barley look at each other, then at Dad. Ian lets go
of Dad, letting him sink to the bottom. Ian guides Dad toward
the stone with his leash, but Dad keeps missing.
The water fills to the top. The boys take a deep breath then
are fully submerged. Ian finally guides Dad to the stone. The
door above them opens as the stone finally LOCKS into place.
The boys GASP to the surface. They climb out of the water and
reel in Dad with the leash.
BARLEY
Ha-ha! We made it!
Just above them is a circular portal.
BARLEY
The Phoenix Gem awaits beyond this
door! Shall we?
IAN
We certainly shall!
110.
They climb the ladder, laughing as they clumsily help Dad.
IAN
Dad, we have followed the quest and
it has led us to our victory!
Ian slides the portal aside and sunlight seeps in...
EXT. NEW MUSHROOMTON DOWNTOWN - DAY
Ian climbs out of the hole and squints into the sunlight. His
smile fades as he recognizes landmarks of New Mushroomton.
They're right back where they started.
A bus HONKS at the boys and Dad, who are still standing in
the middle of the street. Barley pulls Ian toward the park.
IAN
(in shock)
We're back home.
BARLEY
How did we--? No, that doesn't make
sense! We took the Path of Peril.
We followed the ravens, we went to
the end of the water...
Barley looks more closely at the tile.
BARLEY
Unless the X meant stay away from
the water.
He turns the tile so the X is on the bottom.
BARLEY
Or it could be, like, a campfire...
(beat)
It's okay. We can figure this out.
IAN
Figure out what? We're back where
we started!
BARLEY
I mean, it has to be here, there
was a gauntlet. I mean, unless,
that gauntlet was for,
coincidentally, some different
quest.
(beat)
That's a possibility.
111.
IAN
What?!
BARLEY
No, no, no, this has to be where
the Phoenix Gem is.
(beat)
I followed my gut.
IAN
(dawning)
Oh no...
BARLEY
What?
IAN
The gem is in the mountain. The
mountain we could have been to
hours ago if we'd just...
(catching himself)
If we'd just stayed on the
expressway.
BARLEY
No, the expressway is too obvious,
remember?! You can never take the--
IAN
If I hadn't listened to you! Okay?
I can't believe this. You act like
you know what you're doing, but you
don't have a clue... and that's
because you are a screw-up! And now
you have screwed up my chance to
have the one thing I never had!
Barley looks at Ian, hurt.
Ian takes Dad by the leash walks into the park.
BARLEY
Where are you going?
IAN
To spend what little time we have
left with Dad!
Ian looks at the staff in disgust. He hands it to Barley.
BARLEY
Ian, wait! We can still find the
Phoenix Gem! We just have to keep
looking!
112.
But Ian just keeps walking with Dad further into the park.
BARLEY
Ian! IAN!
EXT. OCEANSIDE CLIFF - PARK - DAY
Ian reaches a cliff. He looks sadly out at the sun starting
to set into the ocean. Dad searches around with his foot.
IAN
No, Dad. He's not here.
Ian and Dad sit down on the ground, facing the setting sun.
EXT. DOWNTOWN - DAY
Meanwhile, Barley frantically searches the park.
BARLEY
Come on, where is it?
Barley looks at the fountain.
BARLEY
Follow the water!
Barley races to the fountain and sloshes in the dirty water
looking for a clue. Two nearby construction workers notice.
CONSTRUCTION WORKER #2
Alright, come on, out of the
fountain.
BARLEY
No! I'm looking for an ancient gem!
FENNWICK
Yeah, we know the old days.
BARLEY
Stop! Please! No!
The construction workers pull him away from the fountain.
BARLEY
Okay! Okay! Ow! Okay, I'm leaving!
Barley breaks free from them and races back to the fountain.
FENNWICK
Hey!
113.
CONSTRUCTION WORKER #2
Hey! Oh, come on.
They try to grab him again, but he awkwardly shimmies to the
top, arms wrapped around the spire, wet and pathetic.
CONSTRUCTION WORKER #2
Can someone call the cops?! We got
the history buff again!
Barley looks desperate and confused. The screwup everyone
always believed him to be.
EXT. OCEANSIDE CLIFF - PARK - DAY
Ian pulls out the list of things to do with Dad. His heart
breaks as he begins to cross off one item after another.
Ian is about to cross off DRIVING LESSON when he stops.
IN FLASHBACK:
EXT. FREEWAY - NIGHT
IAN
I can't do this!
BARLEY
Yes, you can!
IAN
I'm not ready!
BARLEY
You'll never be ready! MERGE!!
IAN
AHHH!!!
Ian floors it and drives onto the freeway.
BARLEY
Ha-ha! Nice job!
END FLASHBACK.
Ian thinks. Then places a check mark next to DRIVING LESSON.
He goes back to the top of the list: PLAY CATCH.
IN FLASHBACK:
114.
INT. TUNNEL - DAY
Barley throws a cheese doodle chunk.
BARLEY
THINK FAST!
IAN
Aloft Elevar!
Ian catches it with magic.
END FLASHBACK.
Ian checks off PLAY CATCH.
The next item on the list: LAUGH TOGETHER.
IN FLASHBACK:
EXT. REST AREA - NIGHT
The boys dance with Dad at the rest area.
END FLASHBACK.
Ian checks off LAUGH TOGETHER.
The next item on the list: SHARE MY LIFE WITH HIM.
IN FLASHBACK:
EXT. SWIMMING POOL - DAY
Young Ian stands nervously at the edge of a diving board.
Young Barley pushes him in. Ian laughs and they both play.
CUT TO:
INT. BEDROOM - DAY
The boys pillow fight. Young Ian hits Young Barley. Barley
falls over, pretending Ian hit him with a lot of strength.
CUT TO:
EXT. LIGHTFOOT HOUSE - DAY
Young Barley pushes young Ian on a bike then lets him go.
115.
YOUNG BARLEY
Woohoo!
EXT. OCEANSIDE CLIFF - PARK - DAY
Barley's encouraging words swirl around in Ian's memory.
BARLEY
I know you're stronger than that!
CUT TO:
BARLEY
My little brother has the magic
gift!
CUT TO:
BARLEY
DON'T HOLD BACK!
CUT TO:
BARLEY
Hey, you can do this.
CUT TO:
Ian sees he's crossed off everything on the list. He puts the
checklist back in his pocket, takes Dad's leash, and races
into the park, toward Barley.
EXT. FOUNTAIN - DAY
Barley crouches on top of the fountain, evading the cops who
call to him from below.
OFFICER SPECTER
Okay, come on. Get down right now.
Barley notices a shape on the fountain that matches the tile
from the entrance to the tunnel. His eyes light up. He slowly
pushes the tile into the matching shape in the fountain.
The tile slides in with a CLACK. It's a perfect fit.
An eye atop the fountain opens to reveal the PHOENIX GEM.
BARLEY
YEAH! YEAH!
116.
He grabs the gem, but doesn't notice a red mist that pours
from the fountain. Ian clears the woods and sees Barley on
the fountain, holding the gem triumphantly.
IAN
BARLEY!
Barley looks at Ian.
BARLEY
Ian, look!
Ian smiles, impressed. But then sees the ominous red smoke.
IAN
Behind you!
Barley turns to see the red smoke go past the police
officers. They slowly back into the crowd.
BARLEY
It's a curse!
The smoke pulls apart the high school with its red coils,
forming the shape of a massive DRAGON. It turns to reveal it
has the eerie, smiling face of the school's dragon mascot.
The dragon sees the gem in Barley's hand and ROARS a
terrifying, garbled version of the school bell.
IAN
Barley, RUN!
Barley jumps down from the fountain, grabs the staff, and
takes off running. He calls out to the dragon.
BARLEY
What do you want?! The gem?! Fine.
Take it!
He THROWS the gem as far as he can in the other direction.
The dragon turns to chase the gem.
But when it lands, we see it isn't the gem at all. It's
Guinevere's turn signal.
Barley and Ian race toward each other. Barley holds up his
hand to reveal he still has the real gem.
The dragon turns, sees Barley with the gem, and breathes a
wall of fire between the boys. Ian and Barley are thrown to
the ground, they can't get to each other.
The dragon takes a flying leap toward the boys and Dad.
117.
Suddenly, a dark shape sweeps down from the sky. The
Manticore, holding the Curse Crusher sword, BASHES the dragon
to the ground.
BARLEY
The Manticore!
Ian squints and sees someone riding atop the Manticore.
IAN
Mom?!
Laurel stands atop the Manticore heroically.
LAUREL
It's okay, boys! We'll take care of-
The Manticore tips to one side.
LAUREL
Whoa, you're tilting, you're
tilting!
The Manticore straightens.
IAN
Mom!
LAUREL
Go see your father!
BARLEY
(to Ian)
It's okay! If they stab the beast's
core with that sword, the curse
will be broken! Come on!
The Manticore flies toward the dragon, taunting it into a
chase. As the dragon follows briefly distracted, the
Manticore loops around and cuts off the dragon's wings.
The boys climb the hill to get around the fire: Ian up one
side with Dad, Barley up the other with the staff and gem.
As they meet at the top, Barley hands Ian the staff.
IAN
Barley, what I said before-- I am
so sorry--
BARLEY
There's no time! The sun is about
to set!
118.
Ian holds out the staff with the gem inside.
IAN
Only once is all we get,
Grant me this rebirth,
'Til tomorrow's sun has set,
One day to walk the earth!
A beam of light shoots from the staff. Ian holds on strong.
The Manticore flies back toward the dragon, fast and fierce.
MANTICORE
Time to crush a curse!
But the dragon swats the Manticore out of the sky with its
tail. Laurel and the Manticore CRASH to the ground. Laurel
gets up, but the Manticore cannot.
MANTICORE
Ooh, my back!
A shadow passes over them as the dragon makes its way toward
the boys. Laurel lifts the heavy Curse Crusher and wields it.
LAUREL
I am a mighty warrior...
Laurel clambers up the tail of the dragon with the sword. The
music from Laurel's warrior workout video plays. Laurel runs
to the curse's core, glowing deep beneath its armor.
Laurel holds the sword above her head with both hands and
STABS the sword into the core.
LAUREL
I AM A MIGHTY WARRIOR!
The dragon slows to a stop. The boys watch the red of the
curse turn blue. Laurel holds the sword with great effort.
LAUREL
Hurry, I can't hold this for long!
The sword is up to the hilt in the armor, but just barely
piercing the red core.
Meanwhile, the gem lifts out of the staff and spins. Red,
ominous light grows around it, the staff begins to shake.
IAN
No, no, no, no, no--
The red magic swells and is about to explode...
119.
IAN
Barley!
Barley runs and braces his back against Ian's.
There's an explosion. Then the gem floats over Dad and begins
raining magic down upon him, slowly building the rest of him.
The boys watch with joy.
The dragon's armor begins to shift, slowly working the sword
out of the core. Now freed, the dragon knocks Laurel off its
back. The sword falls deep into a pile of lockers.
LAUREL
Boys! It's coming back!
The dragon's eyes turn immediately to the gem.
Ian and Barley turn to the dragon as Dad continues to
generate. The sun is beginning to set.
BARLEY
I'll go distract it!
IAN
What? No! If you do that, you'll
miss Dad.
BARLEY
It's okay. Say hi to Dad for me.
Ian takes this in and suddenly realizes what he has to do.
IAN
No. You go and say goodbye.
BARLEY
What?
IAN
I had someone who looked out for
me, someone who pushed me to be
more than I ever thought I could
be. I never had a dad... but I
always had you.
Barley opens his mouth to respond, but before he can say
anything, Ian takes the staff and races off.
Ian leaps off the ledge, calling out the trust bridge spell.
IAN
Bridrigar Invisia!
120.
He lands on the bridge midair and runs toward the dragon.
IAN
Boombastia!
Fireworks shoot from his staff, blinding the dragon.
The dragon whips its tail toward Ian. It misses the first
time, but then the dragon lifts its tail to strike Ian again.
IAN
Aloft Elevar!
Ian stops the tail by levitation. He strains to hold it.
Meanwhile, Laurel tries desperately to reach the hilt of the
Curse Crusher deep in the locker pile.
The dragon whips its tail, sending Ian and the staff soaring.
Ian crashes to the ground, watching helplessly as the staff
splashes into the ocean.
IAN
NO!
The dragon marches straight towards Barley and Dad.
IAN
No. No. No-- No!
Laurel gets her fingertips on the sword. It's precariously
perched, slipping toward a deeper fall.
Ian searches for a way.
IAN
Use what I have. Uh, what do I
have? I have nothing!
He looks at his empty hands.
IAN
Splinter...
Ian sees a splinter from the staff in his hand.
IAN
Magic in every fiber.
Ian bites out the splinter and holds it out in his hand.
IAN
Magnora Gantuan!
121.
The splinter grows into a full-size staff.
Ian sees the beast closing in on Barley and Dad.
IAN
NO!
Ian points the staff and yells...
IAN
Voltar Thundasir!
A colossal bolt of lighting shoots from his staff and blasts
most of the armor off the dragon. It keeps advancing, still
dragon-shaped, but with its core clearly exposed.
The Curse Crusher begins to fall, but Laurel JUST grabs it by
the tip of its blade. She stands and calls out to Ian.
LAUREL
Ian!
She hurls the sword toward Ian with all her might.
IAN
Accelior!
Ian rushes the sword mid-air with the velocity spell and
plunges it straight into the core of the curse. It billows
into the air as a red cloud, then dissipates into nothing.
Ian falls to the ground, spent. The staff clatters away from
him and is blocked by the rubble that was once the dragon.
Ian gets up but is stopped by a sharp pain in his ankle.
LAUREL
Ian!?
Ian turns to see Laurel through a crack in the debris. Colt
runs up alongside her.
Suddenly there's a warm burst of light from atop the peak.
Laurel and Colt look toward the light, stunned.
Ian climbs the rubble to find a gap through which he can see.
Barley is face to face with a glowing figure. The glowing
subsides to reveal Dad. All of him.
Barley and Dad look uncomfortable at first; two strangers
getting to know each other. Ian can only see Dad's back.
122.
Ian slips from his position and loses sight of Barley and
Dad. He turns to see the sun is disappearing.
He climbs back up and continues to watch.
Dad and Barley talk and laugh together.
Dad reaches out and gives his big son a hug.
The sun sets.
And Dad vanishes in Barley's arms.
Barley collects himself, then climbs down the peak.
Tears fill Laurel's eyes, she leans on Colt.
Barley reaches down to help up Ian. The boys stand atop the
rubble face to face.
IAN
What did he say?
BARLEY
He said he always thought his
wizard name would be Wilden the
Whimsical.
IAN
Wow, that's really terrible.
BARLEY
I know.
(beat)
He also said he's very proud of the
person you grew up to be.
IAN
Well, I owe an awful lot of that to
you.
BARLEY
He kinda said that too.
(beat)
Oh, and he told me to give you
this.
Barley leans down and gives Ian a big, loving hug.
Ian smiles, and hugs him back.
FADE TO BLACK.
123.
EXT. MODERN WORLD - MONTHS LATER
Over black.
IAN (V.O.)
Long ago, the world was full of
wonder!
Over the rolling hills, into suburban neighborhoods.
IAN (V.O.)
It was adventurous, exciting, and
best of all, there was magic.
A familiar building at the top of a hill - the Manticore's
Tavern with a sign that reads "GRAND RE-OPENING."
INT. MANTICORE'S TAVERN - DAY
The tavern looks like it did in it's glory days. A sprite
flies with a stein toward a group of sprites playing darts. A
sprite tosses bullseye. The sprites celebrate.
BULLSEYE SPRITE
Ha-ha! Bullseye!
The Manticore, her wings outstretched, tells a tale.
MANTICORE
And then with a slash of my mighty
sword, I severed the beast's wings
from its wretched body!
She blows a flame to light the candles on a birthday cake.
The kids' birthday hats get a little scorched.
MANTICORE
Okay, who wants cake?
She proudly lifts the glorious Curse Crusher to the skies,
then brings it down hard and slices the cake.
Frosting splatters on the kids faces. There's a beat, then...
BIRTHDAY KIDS
(joyful)
YEAH!!!
The parents watch uncomfortably. Cake on their faces as well.
124.
INT. CLASSROOM - DAY
Ian stands in front of a classroom giving a presentation. He
holds the new staff he made from the splinter.
IAN
And I think with a little bit of
magic in your life... you can do
almost anything.
A student, YELDAEH, raises her hand.
YELDAEH
Is that how you put the school back
together?
IAN
Uh, yes!
Another student, THEYUS, interrupts.
THEYUS
Is that also how you destroyed the
school in the first place?
IAN
Uh... Also yes?
The bell RINGS. The students leave. Sadalia and her group of
friends walk up to Ian.
SADALIA
Hey, that was great.
IAN
Thanks!
GURGE
You going to the park later?
IAN
Yeah! See you there!
They all wave goodbye to Ian as they leave.
INT. LIVING ROOM - DAY
Ian walks in the front door, smiling.
IAN
Mom!
125.
Blazey barrels around the corner and knocks Ian to the
ground. But Ian stays there and wrestles playfully with her.
Laurel hustles around the corner with the spray bottle.
LAUREL
Blazey! Down!
IAN
Who's a good dragon? Who's a good
dragon?
LAUREL
So, how was school?
IAN
It was... really good.
LAUREL
Well, alright.
Colt sidles up to Laurel.
COLT
Hey! There he is. You working hard?
IAN
Nope, hardly workin'.
Colt throws his head back and laughs. Laurel gets a text.
LAUREL
Oh, I gotta go. I'm meeting the
Manticore for a night out.
Laurel picks up a battle axe.
OFFICER GORE (O.S.)
(on radio)
We have a 113 in progress. All
units report.
Colt kisses Laurel, then he leaves.
COLT
Duty calls. Time to hit the trail!
LAUREL
You forgot your keys!
COLT
Don't need `em! I was born to run.
H'yah!
126.
Colt runs full-speed down the road, his hair flowing.
INT. LIGHTFOOT HOME - DAY
Ian watches from the living room and smiles. Suddenly he's
attacked from behind. Barley has him in a choke hold. But Ian
gets out of it and slams Barley to the ground.
Barley smiles. Ian helps him up and they head out together.
IAN
So, how's the new van?
BARLEY
Oh, Guinevere the Second is great.
I've almost got enough saved up for
a sweet paint job.
IAN
No... please don't.
BARLEY
Why not?
IAN
Because I already took care of it.
The new van has a Pegasus with a warrior Barley on her back
and a wizard Ian riding behind him.
BARLEY
YEAH!
EXT. ROAD - DAY
Barley drives the new van down the road. Her license plate
reads: GWNIVER2.
BARLEY
Okay, best way to the park is to
take a little something called the
Road of Ruin.
IAN
Mmm... Too obvious.
BARLEY
Wait, what?
IAN
On a quest, the clear path is never
the right one.
127.
The van lifts into the air and flies into the horizon.
BARLEY
YEAH!!
INT. IAN'S ROOM - DAY
On photos of Dad and the family in Ian's room. Pan past
photos of Dad, then of him with Laurel and Barley, happy.
Finally, we land on a photo of Ian leaning on Barley.
FADE OUT:
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