PRISCILLA
Written by
Sofia Coppola
Based on Elvis & Me by
Priscilla Presley & Sandra Harmon
INT. GRACELAND - DAY
Close on a young girl's feet, with perfect candy red polish,
walking over pink shag carpet. Her feet sink into the plush
shag with every step.
CUT TO:
EXTREME CLOSE UPS on:
Black liquid eyeliner being carefully applied.
Jet black hair being teased, a cloud of hairspray,
Fingernails being painted coral,
MAIN TITLE in cursive appears over satin:
PRISCILLA
Titles continue, intercut with e xtreme close ups, fragments
of teenage Priscilla and Graceland.
CUT TO:
EXT. EAGLE'S CLUB - DAY
Reflections off the window of the 50's style American club.
Some soldiers outside.
Title: US Army base, West Germany, 1959
INT. EAGLE'S CLUB - DAY
"Venus" by Frankie Avalon plays on the jukebox as we move in
on a soda shop counter where PRISCILLA, 14, with her back to
us, sits on her own, doing homework.
A man in uniform approaches.
Priscilla slowly turns- Close on the pretty fresh-faced
brunette as she looks shyly over her shoulder up at the man
staring at her.
She's dressed like a typical `50s teen girl in ankle socks
and saddle shoes.
The man, TERRY, handsome in a uniform, late 20s, has a
friendly smile.
TERRY
Hi. I'm Terry West, what's your
name?
She looks up from her milkshake at him suspiciously.
PRISCILLA
Priscilla Beaulieu.
TERRY
I see you coming here a lot, is
your family stationed here?
PRISCILLA
Yes.
TERRY
Where are you from?
PRISCILLA
Uh Texas... my dad just transferred
here in August.
TERRY
That so? Well, how do you like
Germany?
She shrugs.
TERRY (CONT'D)
I book the entertainment here. My
wife plays here som etimes.
She's not comfortable making conversation, she's been taught
not to talk to strangers.
PRISCILLA
Neat.
TERRY
Do you like Elvis Presley?
PRISCILLA
(Giggles)
Of course. Who doesn't?
TERRY
Well, I'm a friend of his. My wife
and I go to his house sometimes
when he has people over. He's
always glad to see folks from back
home. We're going this weekend if
you want to join.
Priscilla's eyebrows raise in disbelief, she looks away then
back at Terry, putting her guard up. She plays it cool.
PRISCILLA
(nonchalant)
Have to ask my parents.
CUT TO:
EXT. EAGLE'S CLUB - DUSK
Close on Priscilla's face walking home, thinking about
meeting Elvis. She smiles to herself, she can't believe it.
CUT TO:
INT. BEAULIEU'S HOME - GERMANY - EVENING
MRS. BEAULIEU
You wanna go with strangers to
Elvi s Presley's house?
Priscilla sets the table, as her mom, ANN BEAULIEU, an
attractive homemaker, 40, gets dinner ready, and her father,
CAPTAIN BEAULIEU, all-American military man, 40's, sits at
the table.
CAPTAIN BEAULIEU
Absolutely not.
PRISCILLA
There'll be other people there too.
It's the weekend - why can't I go?
I'd be with Terry and his wife.
They don't budge.
PRISCILLA (CONT'D)
There's nothing to do here.
She pouts and leaves.
CUT TO:
INT. EAGLE'S CLUB - AFTERNOON
Mrs. and Captain Beaulieu sit at a booth with Priscilla and
her little brother, DON, 10. Terry, in uniform, comes up and
introduces himself.
TERRY
Hello Captain, I'm Terry West.
CAPTAIN BEAULIEU
Good to meet you, this is my wife,
Ann.
Terry nods with a friendly smile.
TERRY
Hi. I book the music here. My wife
Carol and I are friends with Elvis,
he's having people over and your
daughter's welcome to join us. She
said I'd have to ask you.
CAPTAIN BEAULIEU
I see...what unit are you in?
TERRY
Stationed under Sergeant Bryant,
Sir.
Close on Priscilla watching the men talk.
CAPTAIN BEAULIEU
Bryant, huh? Still tough as nails?
TERRY
(Chuckles) Yes, sir. If you have
any tips...
CAPTAIN BEAULIEU
No, there's no shortcuts, son.
TERRY
Well, your daughter'd be well
chaperoned by my wife and myself.
The house is just off base. I could
pick her up at 8:30 and have her
back by any time you say, sir.
CAPTAIN BEAULIEU
We'll discuss it.
CUT TO:
INT. PRISCILLA'S ROOM - G ERMANY - EVENING
Mrs. Beaulieu picks up things as she talks to Priscilla in
her room. Priscilla stands at her small closet, trying to
pick out what to wear.
Priscilla looks at the dresses in her closet, they seem all
wrong.
MRS. BEAULIEU
That one's pretty.
PRISCILLA
It's my Easter dress, I can't wear
this.
MRS. BEAULIEU
I hope you have fun tonight. I'm
sorry it's been so hard on you here
but I know you'll make some new
friends soon.
PRISCILLA
I don't want new friends.
MRS. BEAULIEU
I know.
INT. CAR - GERMANY - NIGHT
We see headlights on the dark road at night. P riscilla sits
in the backseat looking ahead past Terry and CAROL, 20s.
EXT. ELVIS'S HOUSE - BAD NAUHEIM - NIGHT
She looks out as they pull up to a house with a group of
teenage girls waiting by a fence. A sign on the fence reads:
Autogramme Zwischen - Autographs between 7:00 and 8:00 P.M.
CUT TO:
INT. ELVIS'S HOUSE - BAD NAUHEIM - NIGHT
The front door opens and VERNON, Elvis' father, a tall
attractive m an with grey hair, greets them and ushers them
in.
We hear Brenda Lee's "Sweet Nothin's" on the stereo down the
hall as we follow Priscilla with Terry and his wife.
Vernon leads them down the hall into the living room, where
the music is coming from.
Priscilla stands in her sailor dress, feeling like a kid.
She looks at the drab living room filled with people, and
spots ELVIS right away who's lounging on a big chair with a
cigar, his leg thrown over a side. He's 24, with his GI
haircut, surrounded by his buddies and some girls his age.
Terry heads over to Elvis.
ELVIS
Hey, man, how are you? Good to see
you. And who do we have here?
He stands up.
TERRY
Uh, Elvis, this is Priscilla
Beaulieu. I'm gonna go fin d Carol.
Priscilla stands speechless, staring at him.
Close up: Priscilla and Elvis shake hands.
Priscilla stands there looking at him, he smiles.
ELVIS
Hey. Uh, would you like to have a
seat?
Priscilla sits next to him and tries to remember to breathe.
ELVIS
So, what are you doing over here?
PRISCILLA
My dad's stationed at Wiesbaden.
ELVIS
Where do you come from?
PRISCILLA
Austin, Texas.
ELVIS
Austin, hmmm ... Do you like it here?
She shrugs.
PRISCILLA
It's ok.
ELVIS
(chuckles)
What... What are you, about a Junior
or a Senior in High School?
Priscilla blushes.
PRISCILLA
Ninth.
ELVIS
Ninth. Ninth what?
PRISCILLA
Grade.
ELVIS
Ninth grade. Why, why you're just a
baby!
He laughs.
PRISCILLA
(curtly)
Thanks.
ELVIS
(laughing)
Well, it seems the little girl has
spunk.
He looks at her with his charming smile, and she gives in.
ELVIS
I'll be right back.
Elvis smiles and goes over to the stand-up piano across the
room.
Priscilla glances around at the crowd in the room. A guy has
his arm around a girl, close to him.
Priscilla sees a poster of a sexy Brigitte Bardot, and feels
even more young and out of place.
Elvis plays a Jerry Lee Lewis song, hamming it up with
everyone's eyes on him.
Priscilla watches him across the room. The piano shakes as he
bangs it- a water glass on top scoots close to the edge.
Priscilla feels Elvis focused on her.
The glass moves closer to the edge as she watches. Elvis
looks at her and keeps going until the glass falls off just
as he catches it. He looks to Priscilla.
People laugh and cheer, he's putting on a show for her. She
can't believe it.
CUT TO:
INT. HIGH SCHOOL - GERMANY - DAY
Priscilla leans on her hand dreaming off in class.
TEACHER (O.S.)
Can anyone tell me the four major
food groups? There's meat, dairy,
fruits and vegetables. They all
make up the food pyramid.
CUT TO:
INT. BEAULIEU'S HOME - KITCHEN DAY
Close up on Priscilla's back as she answers the ring ing
telephone.
PRISCILLA
Hello?
TERRY
Priscilla, it's Terry.
She's surprised.
PRISCILLA
Oh, hi.
TERRY
I just got a call from Elvis,
asking if you could come over
Friday.
PRISCILLA
Really?! He wants to see me?
There's a pause as she goes mute - overwhelmed, her mind
churning, did she hear him right, what is she going to wear?
TERRY
You want me to ask your father?
PRISCILLA
They're not gonna let me go again.
TERRY
Let me talk to him.
CUT TO:
INT. CAR - GERMANY - NIGHT
Priscilla sits in the back seat, hair brushed and neat, full
of anticipation on the dark road. The car slows down and we
feel her nerves and excitement as they arrive.
CUT TO:
INT. ELVIS' HOUSE - BAD NAUHEIM - NIGHT
The crowd all hangs out as Elvis finishes a song, friends are
around, smoking cigarettes.
Priscilla watches as one of the girls p asses by Elvis, and
touches his shoulder in a familiar way. She feels a sting.
Elvis' GRANDMA, "Dodger" serves a platter of southern food.
ELVIS
Dodger, baby, what would we do
without you?! Priscilla, come here.
This here is, uh, this is my
grandma, Dodger.
PRISCILLA
Hello.
ELVIS
When I was a kid, I hit a ball
straight at her and she dodged it,
so ever since then she's always...
she's been Dodger...
Grand ma laughs.
DODGER
Well you almost got a yourself a
whippin'!
ELVIS
So what are the kids back home
listening to these days?
PRISCILLA
Bobby Darrin, and Fabian...and you.
ELVIS
Well, that's good, I thought they
might've forgotten about me.
He smiles.
PRISCILLA
No!
ELVIS
What about you, you got a favorite
song?
She smiles.
ELVIS
What, you gonna make me guess?
PRISCILLA
(shyly)
Heartbreak Hotel.
ELVIS
The kids still like it, huh? Wow.
She nods. He looks around at all the people.
ELVIS
Well... What do you say maybe we go
somewhere more quiet?
She looks at him nervously.
ELVIS
Would you come up to my room?
She looks at him in a panic.
ELVIS (CONT'D)
You don't have to be scared, baby.
I'd never do anything to harm you.
I'm just... I really like talking to
you.
Priscilla holds her breath. Flustered and confused, she looks
away.
She stares back into his eyes, then nods.
PRISCILLA
All right.
ELVIS
We just go up the stairs, it's
gonna be the first door on your
right. I'll meet you up there,
okay?
INT. ELVIS' ROOM - GERMANY - NIGHT
Priscilla sits on a couch looking around the simple room in
the lamp light. Elvis' uniform hangs on a hook.
She wanders around, peeking at some letters by his bed- she
sees the name `Anita' on a few of them next to a lipstick
kiss.
The door opens, and she puts the letters down quickly,
standing awkwardly.
ELVIS
So what else is going on back home?
PRISCILLA
I don't think things have changed
that much.
Priscilla reluctantly crosses over to him and sits down.
ELVIS
It's really nice to talk to someone
from home.
Priscilla looks at him, melting. She can't believe she's
alone with Elvis. Her palms are clammy, her heart is racing,
she tries to breath normally.
ELVIS (CONT'D)
And I know lots of girls here, but
none of them are from the states.
She smiles at him.
ELVIS (CONT'D)
I wish my Mama could have met you.
She passed on just last August. She
would've really liked you.
He sighs, and looks troubled.
PRISCILLA
I wish I could have met her.
ELVIS
She was my whole world, my Mama...I
talked to her every day...and now,
Dee's got her grips on my daddy,
he's under her spell. She's trying
to turn him into something he's
not... I don't know how I'm going
to go back to Graceland without
her.
Elvis is heartbroken. Priscilla listens with her whole heart.
He smiles at her with his sad eyes.
ELVIS (CONT'D)
That's the home that I bought for
her. I just really miss her.
She looks at him, her eyes sweet with understanding.
He takes in the young beauty.
ELVIS (CONT'D)
I've been so homesick.
PRISCILLA
I know. Me too.
Elvis and Priscilla are in profile, the glow of a warm lamp
behind them. He slowly leans in for her first kiss- "Crimson
and Clover" starts - E.C.U.- a sweet and romantic kiss. He
breaks away and looks at her- she is speechless. He smiles
and kisses her for ehead.
ELVIS
It's time for you to get home,
Little One.
INT. SCHOOL HALLWAY - GERMANY
She walks down the hall in a daze, did that really happen? A
secret smile passes across her lips replaying the night
before. (slight slow motion)
INT. SCHOOL CLASSROOM - GERMANY
Priscilla dozes off in class.
INT. BEAULIEU'S HOME - GERMANY - EVENING
Priscilla argues with her parents in the kitchen as she
clears dishes.
PRISCILLA
I'm not tired, I'm fine.
CAPTAIN BEAULIEU
You can't keep going out like this.
MRS. BEAULIEU
We thought it was gonna be one
time.
CAPTAIN BEAULIEU
If he wants to see you again, we
have to meet him.
Priscilla looks mortified.
CAPTAIN BEAULIEU (CONT'D)
She finished all of her school
work?
MRS. BEAULI EU
I'll check. You need to get some
sleep.
PRISCILLA
I'm fine. He's gonna be gone in a
few months! Please don't ruin my
life.
MRS. BEAULIEU
Priscilla- don't speak to us like
that.
PRISCILLA
He just lost his mother, and he's
still grieving. He trusts me.
Priscilla leaves.
Mrs. Beaulieu looks at her husband- we're really in for it.
CUT TO:
EXT. BEAULIEU'S HOME - GERMANY - DAY
Elvis in full uniform, with Vernon, comes to door. Captain
Beaulieu shakes his hand and ushers them in. The door closes.
ELVIS
Good afternoon, sir.
CUT TO:
INT. BEAULIEU'S HOME - GERMANY - AFTERNOON
Priscilla sneaks a peek of the men from the kitchen, Vernon
and Elvis sit across from Captain Beaulieu. Mrs. Beaulieu
sets up a tray of coffee, she fumbles with the cups and
saucers.
We see the men from Priscilla's P.O.V. through the doorway.
CAPTAIN BEAULIEU
That can be tough this time of
year.
ELVIS
No kidding, sir. We've had some
pretty cold nights out there.
CAPTAIN BEAULIEU
Guess you're looking forward to
getting home?
ELVIS
Yes, sir.
Mrs. Beaulieu brings in the tray of drinks, trying to be
careful and stay out of their way. Elvis stands as she
approaches.
ELVIS (CONT'D)
Well thank you, Ma'am.
He sits back down. Mrs. Beaulieu smiles and slips back to the
kitchen as quickly as she can, nervously busying herself with
kitchen work, wh ile Priscilla watches them.
CAPTAIN BEAULIEU
Just what is the intent here, Mr.
Presley?
CAPTAIN BEAULIEU (CONT'D)
Well, let's face it: you're Elvis
Presley. You've got women throwing
themselves at you. Why my daughter?
Vernon shifts in his seat, waiting to see how Elvis will
answer.
Priscilla watches, holding her breath.
ELVIS
Well, Sir, I happen to be very fond
of your daughter. She's much more
mature than her age and I really do
enjoy spending time with her. I
have to admit, you know, it hasn't
been easy for me being away from
home and all. You don't have to
worry about her, Captain.
Captain Beaulieu looks sternly at this young man.
Priscilla and her mother share an expectant look.
CAPTAIN BEAULIEU (O.S.)
Look, son, you'll need to pick her
up yourself. Have her home by 2200.
ELVIS (O.S.)
Yes, sir. I understand...
C.U. Priscilla-she can't believe it.
She looks to her mom who is happy for her, but reluctant.
EXT. BEAULIEU'S HOME - GERMANY - EARLY EVENING
Priscilla looks out to see Elvis cooly leaning on his car (in
civilian clothes) with a little smile. She beams, but tries
to act cool.
INT. MOVIE THEATER - GERMANY
Hu mphrey Bogart fills the frame.
Cut to Priscilla sitting in the dark next to Elvis who is
engrossed in the movie.
She looks over at him and sees him mouthing each word of
Bogart's dialog - knowing every word. He catches her look,
and gives her a wink.
CUT TO:
INT. ELVIS' BMW - GERMANY - NIGHT
In the parked car, Elvis talks to her intimately.
ELVIS
You ever see `On the Waterfront'?
Priscilla shakes her head.
ELVIS (CONT'D)
Oh you gotta see it. There's no one
else like him. That's the kind of
actor that I wanna be.
He smiles at her, slightly embarrassed.
PRISCILLA
I'm sure you will be.
ELVIS
I wanna study at the actor's studio
in New York.
ELVIS (CONT'D)
And tell stories I can really put
myself into, you know? Like Brando
and James Dean.
PRISCILLA
Well, I think you'd be great.
ELVIS
I don't even know if I'll even have
a music career when I get back.
PRISCILLA
What? Sure you will!
He looks at her sweetly.
PRISCILLA
Well, I better go, it's getting
late.
Elvis hands her something.
ELVIS
Hold on, they gave me these to stay
awake for night maneuvers. You can
take one in class if you need to
stay awake.
Priscilla looks at the small white pill in her hand, and nods
in thanks, tucking them away. In silhouet te profile, they
kiss good night quickly.
CUT TO:
INT. BEAULIEU'S HOME - PRISCILLA'S ROOM - GERMANY - NIGHT
Priscilla falls back on her pillow, looking up at the ceiling
- IN LOVE.
CUT TO:
INT. ELVIS' HOUSE - BAD NAUHEIM - NIGHT
By a shimmering Christmas tree, Priscilla opens a gift Elvis
gives her. In the warm glow of the room, she opens the box to
see a delicate gold watch.
She looks up at him, beaming. Her eyes are full of tears.
PRISCILLA
I just wis h there was some way I
could go with you.
ELVIS
Shh, baby. There's nothing we can
do.
PRISCILLA
I'm just afraid you'll forget me.
ELVIS
I'm not gonna forget you, Cilla.
Don't you worry.
He holds her close.
CUT TO:
INT. CAR - AIRPORT - GERMANY - DAY
Priscilla sits next to Elvis as they ride in the back of his
car. It's overcast, Priscilla sits in silence.
ELVIS
I know it's not gonna be easy going
back to being a schoolgirl, Cilla,
but you got to. Now, I want you to
try to have a good time, and write
me letters every chance you get.
You get pink stationary and address
them to Joe.
She nods.
ELVIS (CONT'D)
And promise me you'll stay the way
you are now?
PRISCILLA
I will.
He gives her his combat jacket.
ELVIS
I want you to have this.
As they pull up at the airport, she starts to hear and see
the crowd gathered.
They pull up to the runway. Girls scream.
ELVIS (CONT'D)
All right Baby, this is it. Now
don't worry, I'll call you as soon
as I get there. I promise. Now I
don't want to see a sad face.
Elvis exits the car, she gets out.
EXT. AIRPORT - CONTINUOUS
Elvis holds her hand as they get out surrounded by a crowd of
screaming fans and press. Flashes go off in her face. A guard
escorts him away.
ELVIS (CONT'D)
Bye, Baby.
Priscilla watches him go as she is surrounded by fans. She
waves, trying to keep cheerful.
A flashbulb goes off, as she's lost in the crowd.
CUT TO:
INT. CLASSROOM - GERMANY - DAY
A deflated Priscilla lo oks out the window as the teacher
drones on about algebra, writing out diagrams on the board.
We hear the clock tick.
C.U. Priscilla practices her signature on her notebook:
Elvis, Elvis, Elvis....
CUT TO:
Shots of: Magazine covers with Elvis and starlet- a hand puts
it down.
Priscilla does her homework on her bed, looks at her watch,
thinking of Elvis.
Priscilla in her room, looks at magazine cover with Elvis'
picture. Hair down.
Calendar pages, yearbook photos, time going by.
INT. BEAULIEU'S HOME GERMANY
Priscilla sits around the table with her parents and little
brother.
Priscilla doesn't speak, sullen , staring down at her plate.
She pushes some peas around with her fork.
Time passing montage continues. Priscilla looks at record.
C.U. Priscilla writes a letter to Elvis.
INT. BEAULIEU'S HOME - KITCHEN - DAY
A listless Priscilla packs up her homework from the table.
Mrs. Beaulieu looks at Priscilla.
MRS. BEAULIEU
Maybe it's time to forget about
him.
Priscilla looks at her- she can't.
MRS. BEAULIEU (CONT'D)
I kno w it's hard, but he's probably
with women his own age. What about
boys at school? Must be some
handsome ones.
Priscilla looks at her - hopeless.
INT. BEAULIEU'S HOME - LIVING ROOM - NIGHT
Close on Priscilla's face with the phone close to her ear,
she wraps the cord around her finger.
PRISCILLA
Hello?
ELVIS (O.S.)
How's my Little One?
Priscilla is stunned and doesn't say anything, she smiles to
herself.
PRISCILLA
Elvis? I'm fine. Only I miss you. I
thought you'd forgotten about me.
My parents said you did.
ELVIS (O.S.)
Oh, baby, things just got a little
crazy being back.
PRISCILLA
Is it true about you and Nancy
Sinatra?
ELVIS (O.S.)
No, she's a friend, I'm appearing
on her father's show. You know, I
mis s you, Baby. I think about you
all the time.
PRISCILLA
I've missed you so much.
ELVIS (O.S.)
I'd like to make arrangements for
you to visit me in Memphis.
PRISCILLA
What?! Oh God, I don't think my
parents will ever let me.
ELVIS
Well, leave that to me.
CUT TO:
INT. BEAULIEU'S HOME - GERMANY - DAY
Music swells, as C.U. Priscilla's young hands open an
envelope with a first class Pan Am ticket and a typed
it inerary with a full schedule and Vernon Presley listed as
chaperone.
CUT TO:
EXT. THE SKY - DAY
Fluffy clouds in the sky.
EXT. GRACELAND - DAY
In the bright daylight, Priscilla's P.O.V. of the musical
note gates of Graceland open..
Vernon's car drives up the steep driveway to where Graceland
stands.
Priscilla, now 16, with her light blue suitcase walks through
the columns of the small mansion.
INT. GRACELAND - LATE AFTERNOON
Priscilla follows Vernon and Dee into a lavish, colorfu l
living room. She puts down her suitcase, and smooths her
dress.
Priscilla looks at all the extravagant drapes and decoration,
chandeliers and mirrors- she's never seen anything like it
before.
Dodger gives her a hug.
DODGER
Come on in, Honey. Here, let me
take your things. Well, you made
it! Did you have a good trip? I bet
you would like a lemonade. And the
boys are just right down there.
CUT TO:
INT. GRACELAND - MUSIC ROOM - AFTERNOON/EVE
Priscilla passes through a decorative doorway into a room,
filled with Elvis, his buddies including JOE, JERRY, and
ALAN, and their girls, partying and playing games.
The jukebox is playing and Elvis and some of the guys play
pool.
Elvis, now with jet black hair, is leaning over the table, a
loud ball is smacked as she walks in and he looks up.
Priscilla in an i nnocent cotton dress and hair back, looks
out of place.
ELVIS
There she is!
He drops his cue stick down.
(CONT'D)
ELVIS
Let me get a good look at you. Hi.
Come on.
Priscilla stands there with the room full of people staring
at her.
The other girls, pretty and older, check Priscilla out. Elvis
comes over to her and picks her up with a kiss.
Buddies holler.
ELVIS
Where you been all my life? Let me
see you.
He puts her down, Priscilla wipes a tear away, embarrassed at
everyone's stares. Elvis takes her in.
ELVIS (CONT'D)
You look beautiful. Oh, you look
beautiful.
Priscilla stands self-consciously as ever.
ELVIS (CONT'D)
You gotta meet the guys. This is
Hog Ears. You know Joe. And then
the rest of them.
JOE
Nice to see you again.
ALBERTA, the cook, brings in a tray of southern food, that
delights the crowd, it feels like every night is a party
there.
Elvis introduces her to Alberta.
E LVIS
O-Five, this here is Priscilla.
ALBERTA
Pleased to meet you, honey. I'm
Alberta.
PRISCILLA
Nice to meet you. I've heard so
much about you.
ALBERTA
And we heard plenty about you!
Boys, help yourselves. Dig in, dig
in.
The group looks at her, Elvis introduces her around, some of
the women size her up.
Elvis and the guys goof around, while Elvis struts. Priscilla
doesn't see the insecure sensitive Elvis from Germany, but a
self-confident Elvis.
LATER:
The party continues on, Priscilla is tired from the trip, but
excited to be there. Elvis le ans in.
ELVIS
You tired? Why don't you go head
upstairs? I'll meet you. It's just
the first door on your left.
Priscilla looks around and sees the other girls checking her
out, she slips off.
INT. GRACELAND - NIGHT
Priscilla, small at the hall stairs under a big chandelier,
climbs up next to a bright blue wall.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Priscilla enters Elvis' bedroom, looking around . It's so
different from his room in Germany- she looks at all the
luxurious furnishings, thick velvet curtains frame the
windows.
She looks at the king size bed in the middle of the room, and
wonders about the women who have slept there.
INT. GRACELAND - BATHROOM - NIGHT
She opens up a pair of her prettiest cotton light blue
pajamas.
Priscilla goes in the bathroom and brushes her teeth and her
hair.
Priscilla stands in the doorway to the bedroom, gathering up
her courage.
She hears Elvis calling to someone as he enters the bedroom.
ELVIS (O.S.)
Don't let me sleep no later than
three tomorrow.
Priscilla hears him lock the door.
(CONT'D)
ELVIS (O.S.)
Where are you, baby?
She calls out between the closed door.
PRISCILLA
I'm here. I'll be just a few
minutes.
ELVIS (O.S.)
All right. Don't take too long. I
wanna see my girl.
Priscilla takes a deep breath, and opens the door.
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
She walks slowly to Elvis who lies on the big bed in the dark
room, looking at her.
She climbs up the bed and lies next to him, their faces not
far apart.
They stare at each other and Elvis touches her face softly.
ELVIS (CONT'D)
You don't know how much I missed
you. I haven't been able to get you
out of my head since Germany.
You're the one thing that kept me
going.
Priscilla's eyes well up with tears. He holds her close to
him.
They kiss.
He pulls her closer.
She kisses him passionately, wanting him after all of these
months. He returns her passion- stopping himself abruptly.
ELVIS (CONT'D)
Wait, hold on, baby, things can get
out of hand.
PRISCILLA
What? Is there something wrong?
He shakes his head and kisses her.
ELVIS
(whispers)
Just not yet. There'll be a right
time.
She looks at him confused and flustered.
Elvis takes his sleeping pill and hands her one.
ELVIS (CONT'D)
Here, you can take one of these.
It'll help you sleep after your
trip.
She looks at it and swallows it.
Elvis dims the light .
She melts into his arms.
FADE TO BLACK.
DODGER (O.S.)
Priscilla? Priscilla?
INT. GRACELAND - BEDROOM - DAY
Close on Priscilla, the light from the window streaming in on
her.
She tries to open her eyes.
DODGER (O.S.)
Priscilla, hon. It's Grandma.
Priscilla opens her eyes and sees Grandma Dodger. She tries
to lift her head, but it's too heavy.
DODGER (CONT'D)
What'd you give this young'un?
You've got no business givin ' her
something she's not used to. You
know how long she's been like this?
You need to call the doctor.
Priscilla squinting, smiles up at them with a giddy grin.
ELVIS
I dunno, she's wakin' up.
Elvis is kneeling next to her. She uses all her strength to
lift her head a little- she looks around the bright room.
PRISCILLA
(drowsy)
Where am I?
ELVIS
Hi, baby. Baby, we've been trying
to wake you up.
PRISCILLA
I just went to bed.
ELVIS
No, baby, you've been out for two
days. On a goddamn five hundred
milligra m Placidyl. I must have
been out of my head givin' it to
you that way.
PRISCILLA
Two days? Well, that's two days off
my trip!
She sits up.
ELVIS
It's fine, you don't have to worry
about it. We got plenty of time. So
how'd you like to go to Vegas?
PRISCILLA
Vegas?!
CUT TO:
EXT. LAS VEGAS STRIP - NIGHT
Establishing stock footage.
INT. CASINO - LAS VEGAS - NIGHT
E.C.U. Slot machines blink and spin.
Gaudy chandeli ers sparkle.
A flash pops as Priscilla, in a glamorous grown-up dress,
walks in with Elvis and entourage, hotel attendants at their
sides. Fans try to get close. She looks around at the
gamblers, heavily made-up women in clouds of smoke, lights
and action all around her, like nothing she's seen before.
Elvis and entourage make their way past loud slot machines,
through the casino club, flash bulbs pop, crowds g ather
around. Priscilla is surrounded by the guys in their dark
suits as they move through.
Champagne bottles pop- shrimp cocktails are set down in a red
shiny booth.
A Roulette wheel spins. E.C.U. An olive drops into a martini
glass.
Elvis with a cigar plays blackjack, with Priscilla proudly by
his side, nursing a drink.
PRISCILLA
(screams)
Twenty-one!!
He scoops up the cards.
ELVIS
I'm sorry, baby, that's twenty-two.
That's twenty-two. That's a bust.
Priscilla is embarrassed, but keeps going.
Some of the guys take uppers. He hands her one.
Priscilla is hoisted high up into the air by some of the guys-
in victory at a game table. She screams.
In a corner booth they have a private moment.
She beams.
Priscilla and Elvis look at each other- falling more in love.
CUT TO:
EXT. CASINO - AFTERNOON
In silence, Priscilla and Elvis, both in dark glasses, hand
in hand, leave the hotel. Slow motion, she's with him and
this is the life.
They get in a limo and drive off.
CUT TO:
INT. GRACELAND - LIVING ROOM - DAY
Priscilla looks at Elvis as the afternoon sun streams in.
ELVIS
Baby, I hate to say it, but our
time is up.
PRISCILLA
(sobbing)
No, I'm not going back. I'll call
my parents and tell them that I
missed the flight.
ELVIS
You really think they're gonna
believe that?
PRISCILLA
Then I'll tell them the truth, that
I love you and I'm not go ing back.
ELVIS
Baby, that's just gonna make it
worse for the next time. I gotta go
do another film, so if you go back
and you do well in school, maybe
your parents will let you come
back.
PRISCILLA
Yes, but when?!
ELVIS
We'll sort it out. Come here.
They kiss romantically, framed by the yellow curtains.
She looks up at him.
We hear the sound of a jet taking off over her sad face.
CUT TO:
INT. AIRPORT - GER MANY - DAY
A disheveled and dazed Priscilla comes out, listlessly
carrying her suitcase.
She sees her parents waiting for her with big anticipatory
smiles- but as she gets closer their faces drop in horror.
Mr. Beaulieu turns away, as her mom stares at her - what
happened?
Priscilla realizes her heavy black eye makeup has smeared
down her face, her teased hair is a knotted mess.
EXT. AIRPORT - GERMANY - DAY
It's a grey day. They get in the car in silence- their fresh
faced girl back a mes s. Captain Beaulieu is livid.
CUT TO:
INT. SCHOOL HALLWAY - GERMANY - DAY
Priscilla walks down the hall with her books, kids talk and
goof around... another dull day at school for her, without
friends, without Elvis.
INT. SCHOOL CLASSROOM - GERMANY - DAY
Priscilla sits in class, uninterested.
EXT. BEAULIEU'S HOME - GERMANY - DAY
It's a grey winter day, back at the small house on base.
We can hear Priscill a and her mother arguing.
(Pre-lap first 3 lines from next scene).
CUT TO:
INT. BEAULIEU'S HOME - GERMANY - DAY
MOM (O.S.)
Why you- why can't he find someone
his own age? You're only seventeen.
Close on Priscilla's innocent face staring up at her mother.
PRISCILLA
He's not like you imagine, and he
needs me, Mom. I won't get hurt.
Please just talk to Dad.
(MORE)
(MORE)
PRISCILLA (CONT'D)
I only have a few more credits left
to graduate. Please.
Her mother, hands covering her upset face, raises her head
and looks at her.
MOM
Alright. Now help me with these.
Priscilla looks at her mother who brushes a tear away.
Priscilla gives her a big hug.
CUT TO:
INT. BEAULIEU'S HOME - GERMANY - EVENING
Captain Beaulieu has the phone to his ear, as Priscilla spies
on him, holding her breath.
ELVIS (O.S.)
S ir, I promise to enroll her in a
good Catholic school and make sure
she graduates. She'll live with my
father and Dee and have a chaperone
at all times and my grandmother and
my cousin, Patsy are here too.
She'll be looked after as part of
the family here. I love your
daughter and I can assure you that
my intentions are honorable, Sir.
CUT TO:
INT. BEAULIEU'S HOME - PRISCILLA'S ROOM - GERMANY - NIGH T
Priscilla lays in bed, listening to the muffled arguments of
her parents.
MR. BEAULIEU (O.S.)
She's gotta forget about him.
MOM (O.S.)
And what if she doesn't? Then
she'll never forgive us.
MR. BEAULIEU (O.S.)
She's gotta finish school.
MOM (O.S.)
I know. But what are we gonna do?!
She said if we don't let her go,
she's going to find a way to get
there on her own.
CUT TO BLACK.
EXT. GRACELAND - DAY
Vernon's car pulls up to Graceland with Priscilla and Captain
Beaulieu.
INT. GRACELAND - LIVING ROOM - DAY
Vernon sets down her suitcase.
VERNON
Sorry Elvis's shoot's got delayed.
He'll be back soon. I'll take her
for school registration just as
soon as she's settled.
Grandma gives Priscilla a warm hug.
GRANDMA
This girl will be well looked
after.
Grandma and Vernon exit.
Close on Captain Beaulieu as he hugs Priscilla.
She sees the concern on his face, and reassures him
cheerfully.
PRISCILLA
Please don't worry. I'll be fine.
He is full of doubt and fear, but he nods, and leaves her to
her new life.
CUT TO:
INT. GRACELAND - LIVING ROOM - DAY
Prisci lla looks around the heavily decorated room. It's empty
and quiet now, without the crowd coming and going. She can
hear Alberta in the kitchen with the T.V. on. She looks
around, walking through decorated room after room.
INT. GRACELAND OFFICE - DAY
She peeks into a room where a few women are working, PATSY,
early 20s and friendly, smiles at her, next to BECKY.
PATSY
Hi Priscilla. I'm Patsy, this is
Becky, we run the office, here.
BECKY
Hi!
PRISCILLA
It's nice to meet you. I've heard
so much about you.
Patsy smiles.
PATSY
Us too...Elvis left a gift for you,
on the back patio.
PRISCILLA
Oh, okay.
PATSY
You give us a holler if yo u need
anything.
PRISCILLA
Okay, thank you. Bye.
CUT TO:
EXT. GRACELAND - PATIO - DAY
Priscilla opens the door to see a little gated pen with a
small white puppy, HONEY, with a bow around her. Priscilla
exclaims overjoyed, and picks her up.
CUT TO:
INT. GRACELAND - AFTERNOON
Close on Priscilla with the phone to her ear.
ELVIS (O.S.)
How's my girl?
PRISCILLA
I just can't believe I'm really
here.
ELVIS (O.S.)
Yeah, I only have a little longer
on this shoot and then I'll be
home. Is everyone taking good care
of you?
PRISCILLA
Yes, everyone's been really nice.
ELVIS (O.S.)
Alright, that's good... Alright
baby, I gotta get back to set.
PRISCILLA
Okay. I miss you.
ELVIS (O.S.)
Good night, Baby.
CUT TO:
INT. VERNON'S CADILLAC - OUTSIDE SCHOOL - DAY
Vernon drops Priscilla off for her first day of sc hool.
VERNON
Good luck. Have a good day.
PRISCILLA
Thank you.
She's anxious to get out.
VERNON
(firm)
Now, you won't be able to invite
anyone over, strangers aren't
allowed in Graceland.
She gives him a look, with a small nod and gets out.
EXT. IMMACULATE CONCEPTION HIGH SCHOOL - DAY
Priscilla, with her hair done and slight eyeliner, in her
school uniform, walks on the path towards the school.
We follow her as fresh-faced school girls look at her.
CUT TO:
INT. IMMACULATE CONCEPTION HIGH SCHOOL - CLASSROOM - DAY
A teacher speaks as Priscilla follows along. She sees a note
on the ground being passed. Two girls in the back whisper.
SCHOOLGIRL
(whispers)
She's supposed to be with Elvis
Presley. If we make friends with
her, maybe we can meet him!
Priscilla hears them.
EXT. GRACELAND GATES - DAY
Some fans wait at the gates.
CUT TO:
EXT. GRACELAND - DAY
Priscilla s its on the front lawn playing with her puppy.
Below at the gate, some fans wait.
Dee passes by.
DEE
Oh Honey, you can't be out here
making a public display of
yourself.
PRISCILLA
Oh, I didn't think it--
DEE
Well you had better start thinkin'.
She walks off. Priscilla looks around, stands up, brushing
herself off and takes Honey back to the house.
INT. GRACELAND - BATHROOM - DAY
Priscilla lies in a bubble ba th, with her hair up. We hear
the drip of the faucet.
CUT TO:
INT. GRACELAND - LIVING ROOM/MUSIC ROOM - AFTERNOON
Priscilla does French homework.
C.U. Cotton balls between her toes, as she paints her toe
nails.
INT. GRACELAND - LIVING ROOM - AFTERNOON
Priscilla walks around the shag carpet, twisting the phone
cord while she talks on the phone. (Close on her feet, hands
twisting cord)
ELVIS (O.S.)
I said to the director today,
"Why'd we come all the way out to
Los Angeles to film the Smoky
Mountains. Hell, you may know more
about movie makin', b ut I know a
think or two about the Smoky
Mountains. And I'll tell you what,
they ain't got no coconut trees on
`em!"
He cracks up, trying to make her laugh, she looks out the
window, not able to tell him how she's really feeling.
(CONT'D)
ELVIS (O.S.)
You, there, baby?
PRISCILLA
I'm here.
ELVIS (O.S.)
How are you doing?
She puts on a brave face.
PRISCILLA
I'm great. It's all been really
wonderful.
ELVIS (O.S.)
That's what I like to hear. Baby,
do you have everything you need?
How you doin' on cash?
PRISCILLA
It's funny you should ask. Your
daddy's pretty strict.
ELVIS (O.S.)
(laughs)
Yeah that's my daddy, He's always
been tight. That's why I have him
taking care of the bills.
(MORE)
ELVIS (O.S.) (CONT'D)
I don't trust anybody else. Don't
worry about it, I'll talk to him.
PRISCILLA
There's a boutique that said I
could work there part time, I
thought I could work there a few
days a week after school.
ELVIS (O.S.)
Well, you'll have to forget about
that.
PRISCILLA
I thought it could be fun.
ELVIS (O.S.)
Well, it's either me or a career,
Baby. When I call you, I need you
to be there for me.
Priscilla takes that in.
ELVIS (O.S.) (CONT'D)
Just a few more days and we'll be
home!
PRISCILLA
Ok! I love you. Bye.
The line goes dead.
She walks through the thick shag carpet.
CUT TO:
EXT. GRACELAND GATE - NIGHT
An excited group of fans crowd by the gate.
CUT TO:
INT. GRACELAND - LIVING ROOM - NIGHT
A loud horn blares from Elvis' bus. Priscilla comes
downstairs as Elvis and the guys come in.
ELVIS
Memphis we're back, baby. It's good
to be home. Where's my Cilla?
Priscilla comes down the stairs to greet Elvis, the whole
household is there, and the place is back to life.
PRISCILLA
Hello.
ELVIS
Hello? Hello.
He laughs and picks her up in his arms, kissing her.
ELVIS (CONT'D)
Dodger, you waited for me too,
bless your little heart.
He hugs her and the rest.
The house is full of people and energy with the guys bringing
in the luggage and meeting their wives, Alberta cooking...
Priscilla is a little lost in the sudden change of
atmosphere.
ELVIS (CONT'D)
(Calls out)
O-Five, what's for dinner?
Priscilla, not wanting to be too eager, waits in the living
room.
(CONT'D)
ELVIS (O.S.)
Cilla, come here!
Priscilla and Elvis talk in foyer.
(CONT'D)
ELVIS
How's school?
She tells him everything she couldn't say on the phone.
PRISCILLA
Oh, it's okay, I don't really talk
to anybody there. Grandma and Patsy
have been nice. I missed you. I've
been trying to find things to do
with my ...
ELVIS
You gotta keep up with your school
work otherwise your father won't
let you stay.
I know, but --
ELVIS (CONT'D)
You sure do look pretty. C'mon,
let's have something to eat -
He takes her in. Alberta enters with dinner and the group
floods in. (Elvis and Alberta banter)
ELVIS (CONT'D)
O-Five, I sure did miss you, baby!
Let me see you. Hand me a plate.
Music blasts, people talk and laugh, Elvis' whole group
surrounds the table filled with pork chops, cornbread and
home fries.
STAY ON HER FACE.
JERRY
I'll tell you, tha t Ursula was
always around.
ALAN
She was.
ELVIS
Oh goddamn man, she was a big
woman.
ELVIS
She had a body like a man, no hips,
shoulders broader than mine.
Goddamn, I was scared to take my
shirt off next to her.
JOE
But E, she only had eyes for you.
The boys all laugh.
ELVIS
No way, man, not with that John
Derek just lurking around with them
beady eyes.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Priscilla goes over to Elvis who sits on the edge of the big
bed, he takes his sleeping pill.
PRISCILLA
Why are you taking those now?
You'll fall asleep.
ELVIS
It'll take a while for `em to take
effect.
He hands her one.
She smiles and puts it aside.
They lie in bed close together.
(CONT'D)
ELVIS
How's my girl?
PRISCILLA
Just so happy you're back.
He kisses her and puts his arms around her, moving close. She
responds, less inhibited. She reaches out to him, kisses him,
is bolder.
ELVIS
Baby, don't... Don't... Don't get
carried away. You gotta let me
decide when we take this moment.
It's just this is very sacred to
me.
She sits up in anger.
PRISCILLA
What about Anita?! You mean you
didn't make love to her the whole
time you were together!
ELVIS
That was different, I mean, she was
older. That's just the way that I
feel.
PRISCILLA
What about how I feel? That's
asking a lot of someone.
ELVIS
It doesn't mean we can 't do other
things.
He pulls her close and kisses her tenderly, she gives in.
FADE TO BLACK.
EXT. GRACELAND - SUNNY DAY
The door to the Limousine opens and Elvis beckons her in.
ELVIS
Hop in, I wanna take you shopping.
They drive off.
INT. MEMPHIS BOUTIQUE - DAY
Priscilla tries on a slinky dress, while Elvis and some
buddies watch.
ELVIS
Well, would you look at that, huh?
Priscilla models the dress, still an insecure teenager.
PRISCILLA
I think these clothes are too
sophisticated for me.
(as she look s in the
mirror)
ELVIS
Honey, what's sophisticated? You
could go around in a feather and
it'll be sophisticated.
She tries on dress after dress as Elvis reviews them.
ELVIS (CONT'D)
I like you in blue. Blue's your
color.
She steps into matching shoes, and shows him another one with
a print.
ELVIS (CONT'D)
Prints take away from your looks.
PRISCILLA
I like this one.
ELVIS
No, solids suit you better.
Another dress.
ELVIS (CONT'D)
And I hate brown, it reminds me of
the army.
Boxes and bags are carried out.
ELVIS (CONT'D)
Black hair and more eye makeup will
make your eyes stand out more.
CUT TO:
INT. MEMPHIS HAIR SALON - DAY
Close on jet black dye running off wet hair in the sink.
In moments of real time, we go through the process: Close on
the hairdryer blowing hair.
Close up on black hair twisting around a big curler, and a
cloud of hairspray.
Priscilla spins around in the chair - w ith tall coiffed black
hair.
PRISCILLA, ELVIS AND FRIENDS PARTY AT NIGHT MONTAGE:
THEY PACK A DOZEN PEOPLE INTO A CRAMMED LIMO
BUMPER CARS - CILLA SCREAMS AS SHE WHIPS BY
ROMAN CANDLE WARS IN THE BACK YARD
INT. GRACELAND - ELVIS' BEDROOM - MORNING
A tired Priscilla looks at the alarm clock, trying to wake
up, she takes a pill from the nightstand.
CUT TO:
EXT. IMMACULATE CONCEPTION HIGH SCHOOL DAY
Priscil la walks to class- her jet-black hair and eyeliner
with her school uniform. Girls look at her judgmentally.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - AFTERNOON
Priscilla comes in (in her school uniform) with a tray of
breakfast- eggs and a big pile of bacon. She opens the heavy
curtains in the dark room, trying to wake a groggy Elvis.
PRISCILLA
Hello.
ELVIS
What time is it?
PRISCILLA
Almost four. I brought breakfast
for you.
He leans up and takes a morning pill as he starts the day
with a pile of burnt bacon with toas t and eggs.
CUT TO:
PARTYING AT NIGHT WITH E AND THE BOYS CONT.
Elvis gives Priscilla a pearl handled pistol.
AFTERNOON - Elvis shows Priscilla how to shoot a gun with the
guys.
DUSK. ROLLER RINK - They speed by under the lights.
INT. ELVIS' BEDROOM - GRACELAND - DAY
In the dark velvet cave, the alarm clock sounds - Priscilla's
arm slams it quickly. She sits up, exhausted and sneaks a
Dexedrine in her mouth while Elvis sleeps soundly.
CUT TO:
PRISCILLA LAYS OUT A ROW OF SEQUIN DRESSES
OUT AT A CROWDED MUSIC CLUB
GOLF CARTS SPEED AROUND GRACELAND AT NIGHT - They speed by-
the wind blowing her hair. Priscilla screams.
EXT. GRACELAND - DAY
The house stands in the daylight.
A gardener turns a golf cart on its side, right side up.
Priscilla walks past carrying shopping bags.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - AFTERNOON
Priscilla comes in the dark room, carrying some shopping
bags, in a new dress (with a bold 60's print) she's proudly
wearing.
Elvis waking up, pushes a button and the heavy velvet
curtains open to let in a stream of sunlight. He leans up to
start the day.
He squints to look at her.
ELVIS
Now what is that dress? Uh, that
doesn't suit you, Baby.
PRISCILLA
It doesn't?
ELVIS
No, it does nothin' for you, takes
away from your eyes and from your
face.
He gets up and moves closer.
ELVIS (CONT'D)
Oh, man, it does nothing for your
figure. All you see is a goddamn
dress.
Priscilla starts to cry.
PRISCILLA
You finished?
She goes in the bathroom and slams the door.
ELVIS (O.S .)
Satnin', you're a small girl. You
gotta keep away from the prints,
baby!
She opens the door, snapping.
PRISCILLA
Okay, I'll return the fucking
dress!
Elvis falls to the floor with laughter.
CUT TO:
INT. IMMACULATE CONCEPTION HIGH SCHOOL DAY
Priscilla in her school uniform, sits across from an old
strict-looking nun in cat eye glasses. Priscilla taps her
foot quickly, wired.
SISTER ADRIAN
Priscilla, final exams are coming
up you will need to keep your
grades up in order to graduate with
your class.
PRISCILLA
Yes, Sister Adrian.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Close on Priscilla on the phone.
PRISCILLA
Dad, I am doing great, you don't
have to...Yes, of course I'm doing
well in school...Yes, I will
graduate. Don't worry...I miss you
too... I will... Talk to you soon. Bye.
Priscilla hangs up and lies on the carpet with schoolbooks
out, trying to study.
We can hear Elvis singing along with a Timi Yuro record
loudly in the next room with hi s buddies who are joking
around.
She gets up and shuts the door, trying to focus.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - MORNING
E.C.U. PRISCILLA'S MOUTH- POPPING A YELLOW PILL
CUT TO:
INT. IMMACULATE CONCEPTION HIGH SCHOOL - CLASSROOM - DAY
C.U. On a MATH TEST
Priscilla sits with the other girls in a quiet, crowded
classroom as they lean over tests.
TEACHER (O.S.)
Pass that across. You have twenty
minutes to complete your answers.
Priscilla stares at the sheet, lost, looking at the math
equations, tapping her foot nervously, wired on Dexedrine.
She looks around as her classmates fil l out answers. The loud
sound of the clock's minutes passing.
She looks at a girl next to her, JANET, a straight A student.
Priscilla taps her on the shoulder and whispers to her.
PRISCILLA
(whispers)
Are you an Elvis fan?
Janet nods.
PRISCILLA (CONT'D)
How would you like to come to one
of his parties?
Priscilla eyes her test, and she gets it. Janet smiles and
slides her test to the edge of her desk in Priscilla 's view.
Priscilla gives her a thankful smile.
CUT TO:
EXT. GRACELAND - DAY
Graduation day! Elvis is dressed in a three-piece blue suit,
excited for the big day.
Grandma Dodger and all the gang are outside while Priscilla
in her pink dress comes out to see him present her with a red
Corvair with a big bow on it. She is thrilled!
PRISCILLA
That's for me?!
Priscilla smiles.
ELVIS
Yes ma'am. What do you thin k? You
like it?
PRISCILLA
I love it! I can't believe you did
this.
Joe takes a photo.
ELVIS
Alright it's time to go - Cilla's
graduating!
Priscilla pulls him aside, looks up at him.
PRISCILLA
Can I ask you something? I was
wondering if, maybe you could wait
outside the ceremony. I'm afraid
you being there might take away the
attention from the graduates.
Elvis makes a hurt vulnerable smile.
ELVIS
I guess I hadn't thoug ht of it like
that.
Priscilla gives him a loving look.
ELVIS
I won't come in. I'll wait for you
outside in the car. That way it'll
kinda be like I'm there.
PRISCILLA
Thank you.
Priscilla smiles and kisses him.
ELVIS
Alright, let's go baby!
CUT TO:
EXT. IMMACULATE CONCEPTION HIGH SCHOOL - ENTRANCE - DAY
Priscilla runs out with her diploma and sees:
Elvis and the boys all in dark suits and sunglasses, .38s i n
their waistbands, lean against the car, like Mafia, waiting
for her.
A group of nuns have run out and huddle around getting Elvis'
autograph.
Elvis looks up at her with a big smile and starts applauding.
He kisses her proudly.
ELVIS
I love you too. Let me see it.
Throw it in the air.
Priscilla unrolls her diploma and shows him with a big smile.
She throws her cap into the air as the guys all holler.
The silk cap flies through the blue sky.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Black out curtains closed, Elvis and Priscilla are in th e
dark cave of his room - now they can finally be alone
together! He makes a call on the bedside phone.
ELVIS
No calls unless it's my daddy or an
emergency from the Colonel.
They watch old movies, the Johnny Carson show on TV.
CUT TO:
INT. GRACELAND - HALLWAY - DAY
A tray of left over room service sits in front of Elvis'
bedroom door. The TV blares inside.
CUT TO:
EXT. GRACELAND - DAY
The gardener waters p lants outside.
INT. GRACELAND - HALLWAY - NIGHT
Outside the room -the food tray is taken and replaced with a
new one with peanut butter sandwiches.
SERIES OF FOOD TRAYS - SHOWING A LAPSE OF TIME
INT. GRACELAND - ELVIS' BEDROOM - DAY
Elvis sings along to the radio while he eats bacon off a tray
in pajamas.
He looks at a pile of scripts and throws them on the floor.
He turns on the TV.
Priscilla peers out the heavy drapes, a crack of light comes
in.
CUT TO:
Later: In bed, taking polaroids, she's in a nighty and a
captain's hat, they goof around, start a playful pillow
fight, laughing...now she ha s on a flower lei, a secretary
look, he grabs her as she laughs. (Intercut quick montage of
their polaroids)
He throws a pillow at her, they start to wrestle. She breaks
away and throws a pillow at him harder than she means to. She
throws another one- it hits him in the face. His eyes flash
with anger.
ELVIS
Not so rough! You're not a goddamn
man!
He throws her down on the bed demonstrating how hard s he
threw it, and accidentally hits her in the eye.
She jumps up, touching her eye.
PRISCILLA
Oh god, you can't play without
winning.
Priscilla stomps off and slams the door behind her.
ELVIS
I don't want to play with a
goddamn man!
Elvis comes over to the door, tripping on his way.
He leans on the door, calming down. He talks through the
door.
ELVIS
Baby, I'm sorry. Are you okay? Open
the door.
She slowly opens it.
ELVIS (CONT'D)
That was a real accident, baby. You
know I'd never hurt you in any real
way.
PRISCILLA
Maybe the pills are too much?
Elvis gets defensive.
ELVIS
(pissed)
I have my doctors looking after me,
I don't need an amateur opinion.
He walks off, she realizes this could be a problem.
CUT TO:
EXT. GRACELAND - DAY
Priscilla watches as Elvis and the guys have a shooting
contest in the backyard.
ELVIS
Joe, don't go tucking that revolver
in your waistband now.
ELVIS (CONT'D)
See I wouldn't want you to go
off...
ELVIS/THE GUYS
(in unison) ...half-cocked.
Elvis, cigar in his mouth sees something in the distance he
doesn't like.
ELVIS
What's that old house still doing
back there?
JOE
Uncle Travis' old place? Yeah it's
storage now.
ELVIS
Well it looks goddamn awful.
CUT TO:
EXT. GRACELAND - LATE AFTERNOON
Elvis, in a big winter coat, climbs up to drive the
bulldozer, putting a football helmet on.
Priscilla, Vernon, the guys and some of the maintenance team
watch and holler as Elvis takes off in the bulldozer and
starts tearing down a side of the small structure.
CUT TO:
EXT. GRACELAND - DAY
The boys load up the bus.
Elvis and Priscilla walk arm in arm to the bus. He's full of
energy to hit the road. Music blasts from the bus, the guys
call out to each other to make sure they have everything.
ELVIS
All right. So back to Hollywood. I
won't be too long.
He sees her sad face.
JOE
Hey E, you driving?!
ELVIS
Yeah, man, of course. Get on the
damn bus.
(to Priscilla)
What is it, Baby?
PRISCILLA
I'm gonna miss you.
He nods to him and back to Priscilla.
ELVIS
I know, Little One. Ju st give me a
few weeks to get into this movie
and then maybe you can come out for
a while. I need you to keep the
home fires warm. Now, you be a good
girl, and I'll call you when I get
there, okay?
He gives her a quick kiss and boards the bus.
ELVIS (CONT'D)
(calls out)
Alright, viva Las Vegas. Let's roll
it!
Priscilla watches the bus head out.
She turns and walks slowly back to the house.
CUT TO:
INT. GRACELAND OFFICE DAY
Priscilla sits with Honey in the office talking with Patsy
and Becky while they sort fan mail.
PATSY
Oh, you've gotta see the things we
get. Open this.
The girls laugh.
Vernon comes in and breaks it up. He points to a sign on the
door `employees only.'
VERNON
Alright that's enough gabbing!
Priscilla, I'm afraid I'm gonna
have to ask you to leave so they
can get their work done.
Priscilla gets up and Vernon closes the door after her.
CUT TO:
INT. MEMPHIS HAIR SALON - DAY C.U.
A magazine cover with Elvis and ANN-MARGRET. Priscilla sits
under a dome hair dryer in a Memphis salon. Zoom out slowly
from her face to see her sitting a mongst the Memphis ladies
in the salon. We hear the hum of the dryers and Southern
ladies' chit chat.
CUT TO:
INT. GRACELAND - DAY
Priscilla finishes packing her suitcase when the phone rings.
She grabs the receiver.
PRISCILLA
Hello?
ELVIS (O.S.)
Hi, Baby.
PRISCILLA
Hi, how's it going there? I can't
wait to see you!
ELVIS (O.S.)
Now's not the time to come out,
there's a problem on set.
She sets down her nightgown she was folding.
PRISCILLA
What kind of problem?
ELVIS (O.S.)
It's just that all hell's broke
loose.
ELVIS (O.S.) (CONT'D)
I've got some crazed director madly
in love with Ann. The way he's
directing it, you 'd think it was
her goddamn movie. She's got all
the close-ups and now they want her
to sing some of the songs with me.
I tell you, Colonel `bout blew a
fuse.
PRISCILLA
How are you and Ann-Margret getting
along?
ELVIS (O.S.)
Oh, she's fine, I guess. She's a
typical Hollywood starlet. You
know, careers come first and their
man second, that's not for me.
Close on Priscilla's face.
PRISCILLA
You know, there 's a lot of rumors
about you two, is there anything to
it?
ELVIS (O.S.)
Hell, no. You know how reporters
are, just blowing everything out of
proportion.
PRISCILLA
I wanna come out.
ELVIS (O.S.)
No, not now, I'll let you know when
it's a good time. You know the
Colonel doesn't think it's good for
my fans to know about you. Hell,
I'll be done before you know it.
You keep your little ass there and
keep the home fires burning.
PRISCILLA
The flame's burning low. Someone
had better get home and start the
fire.
Elvis laughs.
INT. GRACELAND - LIVING ROOM - DAY
Pri scilla sits alone on the 15-foot couch with Honey,
flipping through a magazine. She flips to a page- with a big
photo of Elvis and Ann- Margret beaming at each other with a
headline: Elvis & Ann Margret's Affair Blossoms.
Priscilla looks at the photos. C.U. Ann-Margret's smiling
face.
CUT TO:
EXT. LOS ANGELES HOUSE - LATE AFTERNOON
Priscilla, suitcase in her hand, knocks on the door. Joe
opens it, t he house is full of people.
INT. LOS ANGELES HOUSE - AFTERNOON
JOE
Hey, E.
Elvis enters to see her.
ELVIS
Well, look who just walked in.
She looks at him like - that's right, I'm here. Elvis and
Priscilla kiss- backlit with a sun flare.
CUT TO:
EXT. LOS ANGELES HOUSE - DAY
Priscilla sits at a table on the patio with sunglasses,
breakfast with a grapefruit half on a plate in front of her.
Elvis comes out to her with sunglasses on.
ELVIS
I can't believe she did this.
He tosses down a paper with the headline: Elvis and Ann
Margret ENGAGED.
ELVIS (CONT'D)
Every goddamn paper in town's
picked it up. Honey, I'm gonna have
to ask you to leave. There's gonna
b e press all over the place.
Colonel thinks it's best that you
go back to Memphis just until it
all calms down.
Priscilla stands up, finally losing it after all these
months.
PRISCILLA
(screams)
What's going on!
Priscilla throws a vase that smashes on the wall behind him.
PRISCILLA (CONT'D)
Why doesn't she go back to Sweden
where she belongs?!
He leans in close to her.
ELVIS
Goddamn, I didn't know things were
gonna get out of hand. I need a
woman who understands things like
this might happen.
He looks at her.
ELVIS (CONT'D)
Are you going to be her - or not?
Priscilla stares at him with
defiance. There's a long pause- a
standoff.
PRISCILLA
I'll leave tomorrow. I'll be
waiting in Memphis.
EXT. GRACELAND - EVENING
Elvis' bus honks the horn as they return to Graceland.
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Elvis puts down his things, and takes Priscilla's face in his
hands.
ELVIS
It's over, Cilla. I swear to you.
It's over.
Priscilla listens silently.
ELVIS (CONT'D)
I got caught up in a situation that
was out of hand from the beginning.
I don't like being exploited like
that. You know I can't live like
that. She's a nice girl, but she's
not for me.
Priscilla doesn't want to hear it.
ELVIS (CONT'D)
Let's just forget it.
He gives her the little boy look that always melts her.
ELVIS
You're my girl, baby. You're the
only girl I ever loved. The only
girl I wanna be with.
He pulls her close.
CUT TO:
EXT. GRACELAND POOL - DAY
Elvis and the guys goof around in the pool, doing chicken
fights. Priscilla and a few of the wives lie on lounge
chairs. She shoots Super 8 home movies.
Joe, fully clothed in some bright-colored golf pants, sits on
a chaise lounge.
Elvis gives two of the other GUYS a sign to throw Joe in the
pool. Everyone cracks up.
Everyone cracks up again, and Joe splashes Elvis and laughs
along.
Elvis gets out of the pool, dripping with water and lies on
Priscilla who laughs and tries to fight him off. They kiss in
the late afternoon sun.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - LATE AFTERNOON
C.U. Priscilla's hand takes an envelope out of a jacket
pocket and finds a note in girly handwriting and a lipstick
kiss: When are we going to get together again? I miss you.
CUT TO:
INT. GRACELAND - ELVIS' OFFICE - AFTERNOON/EVENING
Elvis is on the phone, he looks up at her.
Priscilla holds up the letter, looking at Elvis.
ELVIS
Daddy, I'm gonna have to call you
back.
His eyes are dark, he's in the middle of some work stress and
annoyed to be interrupted.
ELVIS (CONT'D)
Now don't go imagining things.
PRISCILLA
Like Ann-Margret?! She holds up a
note.
PRISCILLA
`Scoobie'?
She stares at him.
ELVIS
That's it, Woman! I don't want to
hear another word.
PRISCILLA
Well is there something you're
hiding?
ELVIS
I don't have a goddamn thing to
hide. You're just being too goddamn
aggressive and demanding. I think
you should go see your parents for
a little while.
PRISCILLA
(yells)
What? Well I'm not going!
ELVIS
I think you should. Matter of fact,
I'll help you.
He goes and gets her suitcase from the closet, and starts
throwing all of her clothes with hangers on it.
ELVIS (CONT'D)
Start packing!
Priscilla sobs while s he packs her bag. Elvis goes out to the
hall and yells down.
ELVIS (O.S.) (CONT'D)
(yelling)
Joe- Joe get Cilla on the next
flight outta here. She's gonna go
see her parents for a little while.
Get her a ticket outta here.
He looks at her reaction as he says this.
Priscilla sobs as she folds her clothes.
Elvis comes back in the room, looking down at her.
ELVIS (CONT'D)
Hurry up!
Priscilla gets up slowly and makes her way to the door.
Just as she reaches it, she feels his hand on her shoulder.
She turns, and he takes her in his arms and holds her tight.
ELVIS
Now do you understand? All right,
baby. Come on, come here.
She sobs.
ELVIS
Don't you see baby? That's better.
You need someone who's going to
take you right to that point...
She clings to him in tears.
CUT TO:
EXT. GRACELAND - DAY
We see Priscilla looking out the window, a small figure
upstairs in the grand façade.
CUT TO:
INT. GRACELAND - HALLWAY/ELVIS' OFFICE - DAY
Priscilla walks down the hall, she hears Elvis on the phone.
ELVIS (O.S.)
Daddy, I'm lonesome and depressed.
And the Colonel's meddling in my
music behind my back, telling me
how to record, in the way that the
RCA wants it to sound, I don't
wanna record up front, I wanna do
it the way that I always done it,
with the band...I feel like nobody
understands.
Priscilla stops at his door, putting on her most cheerful
face and smiles at him. He looks back giving nothing.
Feeling rejected, she continues on her way .
CUT TO:
INT. GRACELAND ELVIS' BEDROOM DAY
Elvis sings along to the radio while he eats bacon off a tray
in pajamas.
He looks at a pile of scripts and throws them on the floor.
ELVIS
"Double Trouble." "Live a Little,
Love a Little." "Tickle Me." These
scripts are all fucking awful! And
the Colonel just wants me to keep
doing these dumb musicals.
(MORE)
(MORE)
ELVIS
When's he gonna send me a goddamn
decent script?
PRISCILLA
Why don't you ask for something
more serious?
ELVIS
(Dismissive)
It doesn't work like that. He's
gotta send me something better.
He turns on the TV.
Priscilla peers out the heavy drapes, a crack of light comes
in.
CUT TO:
INT. GRACELAND - MUSIC ROOM - NIGHT
Elvis is listening to demo records on the stereo. Before a
song ends, he switches to anoth er. Priscilla sits beside him.
Joe and a few of the guys are there.
ELVIS
(frustrated)
These songs are all garbage, each
one's worse than the next.
JOE
Well, these aren't finished yet, E.
He puts on another, and rips it off and throws it down.
ELVIS
Play another one.
He throws another one down.
ELVIS (CONT'D)
Turn it off. When are they gonna
send me a goddamn decent song?
Cilla, what do you think?
PRISCILLA
I don't know if I like it.
ELVIS
What do you mean, you don't know if
you like it?
PRISCILLA
I don't know- there's just
something about it, a catchiness
that it's missing.
A chair comes hurling, and she moves out of the way as it
smashes into the wall.
JOE
Watch out!
Within seconds, Elvis holds her.
ELVIS
I'm sorry Baby, are you okay? I'm
sorry, baby. I got my mama's
temper.
PRISCILLA
Yeah, I'm ok.
CUT TO:
EXT. LOS ANGELES HOUSE - DAY
The sun shines over the palm trees and LA mansion. We hear
Elvis giving a bible reading.
ELVIS (O.C.)
For you were called to freedom,
brothers. Only do not use your
freedom as an opportunity for the
flesh...
INT. LOS ANGELES HOUSE - DAY
Priscilla walks in to see Elvis sitting, reading some
scriptures from a bible, he reads with great force- all his
charisma and power in his voice. LA babes and various hangers
on sit around him on the floor, listening inten tly.
ELVIS
But through love serve one another.
For the whole law is fulfilled in
one word: You shall love your
neighbor as yourself.
Priscilla sits down to join, trying to go with it.
His reading goes on and on, followers mouth `amen'. Up front
a few female admirers watch in awe. Elvis opens it up for
questions.
A busty young blonde in a low cut top and mini skirt asks a
question, leaning over seductively.
HOLLYWOOD BLONDE
Elvis, do you think the woman at
the well was a virgin?
ELVIS
Well, Honey, that's something
you're gonna have to come to a
conclusion for yourself. I
personally believe that Jesus was
attracted to the woman, but that's
just my opinion.
Priscilla watches her dumb flirting, irritated.
Priscilla tries to ask a question, but her heart isn't in it.
PRISCILLA
Why do you think they were brought
together?
ELVIS
Well, you could look at it
different ways.
HOLLYWOOD BLONDE
Well, what do you think, Elvis?
The girl leans closer with a giggle.
ELVIS
I like your perfume, Honey, what's
that called?
HOLLYWOOD BLONDE
Chanel Number Five.
That's it- Priscilla storms off.
INT. LOS ANGELES HOUSE - BEDROOM - AFTERNOON
Priscilla closes the door and leans against it, hating it
there. She cringes hearing Elvis and the girls laughing
downstairs.
FADE OUT.
EXT. LOS ANGELES HOUSE - DAY
CLOSEUP on backlit palm trees.
CUT TO:
INT. LOS ANGELES HOUSE - DAY
Priscilla walks through and passes a room where Elvis and
LARRY sit and talk.
LARRY, early 30s, a tan, Californian spiritual man sits cross
legged on a floor pillow in gauzy pants.
Elvis looks up at her.
ELVIS
Cilla, this here is Larry, he did
my hair on the last shoot.
PRISCILLA
Hi.
ELVIS
He knows more about the spiritual
realm than all the preachers and
the priests put together...
Larry smiles at her humbly.
LARRY
Well, I don't know about that. But
I am here to ask questions
alongside my friend here.
Priscilla looks at him, gives a polite smile and thinks `not
another hanger on'.
PRISCILLA
Well, I'll leave you to it...I'm
going to start packing to go home.
She walks on.
EXT. GRACELAND - DUSK
Back home.
INT. GRACEL AND - NIGHT
CUT TO:
An LSD drop goes onto a sugar cube.
ELVIS
Larry says it will help us go
deeper.
Elvis and Priscilla take the LSD sugar cubes.
Priscilla looks at the lights.
Priscilla touches print wallpaper.
The tiger gives her a secret message!
She looks at Elvis.
PRISCILLA
Oh my god, your shirt is breathing.
They look at all the colors.
They lay on the floor together.
INT. GRACELAND - ELVIS' BEDROOM - NIGHT
Priscilla lies on the bed, coming to.
Elvis reads from his spiritual books to her in bed as his
audience. She's bored after hours of this.
ELVIS
...and his host of evil spirits
consumed with him. Man, tired of
vain wrangling and contending for
power, longs for those quiet groves
where olden sages communed with
their familiars...
He sets down the book, and picks up another.
ELVIS (CONT'D)
There's just so much to learn, I
need to find more. Cilla, why me?
What am I supposed to do with all
this influence?
PRISCILLA
I don't know. But you touch so many
people.
ELVIS
Baby, you gotta read Cheiro's book
of numbers, there's no one else
like him.
She reaches out to him, moving closer, caressing his
shoulder.
He looks at her hand, then to her.
ELVIS (CONT'D)
We have to control our desires
otherwise they'll control us.
She looks at him, and rolls over. He begins to read on- then
pauses.
ELVIS (CONT'D)
Cilla, this is never gonna work if
you don't share my interests and
philosophies.
Cl ose on Priscilla.
ELVIS (CONT'D)
I mean there are a lot of women out
there that would wanna share in
this with me.
She turns over and tries to pay attention as he reads on, she
cuddles up to him.
ELVIS (CONT'D)
Come on, sit up, so you can really
pay attention.
Elvis reads another passage. Priscilla loses it.
PRISCILLA
I can't stand it! It's driving me
crazy! I don't wanna hear it
anymore!
Elvis stares at her.
ELVIS
I see a mad woman--
His words start to slur as his pills take effect.
PRISCILLA
No. A woman with needs, who needs
to be desired. You can have your
books and me too.
She looks at him - he reads on.
INT. GRACELAND - HALLWAY - AFTERNOON
Priscilla's walking down the hall, Joe calls up to Elvis.
JOE (O.S.)
Colonel's on the phone!
Priscilla passes by and glimpses Elvis in his office on the
phone, he sounds obedient.
ELVIS
Well I understand, I agree...It is.
It's a distraction... I'm done with
the books.
CUT TO:
EXT. GRACELAND - NIGHT
Priscilla stands with Elvis at a raging bo nfire, as he tosses
in books.
Priscilla holds his hand, he looks at her, ready for a new
chapter. She is relieved and hopeful.
INT. GRACELAND - LIVING ROOM - EVENING
Christmas decorations light up the mantle. Still life of
poinsettias.
INT. GRACELAND - ELVIS' BEDROOM - EVENING
Priscilla comes out of the bathroom in her robe, to see Elvis
in his best suit. Optimistic gospel singers sing about a new
begi nning on the radio. Elvis looks at her.
ELVIS
Cilla, come sit down. Close your
eyes.
She does, and when she opens them she sees him holding - A
VELVET BOX. She opens it, C.U. a diamond ring.
ELVIS (CONT'D)
We're gonna be married. I told you
I'd know when the time was right.
PRISCILLA
Really? It's beautiful.
Shocked, she beams at him, as he slips it on her finger.
Priscilla throws her arms around him.
CUT TO:
INT. VEGAS SUITE - DAY
Slow zoom out: Priscilla in her wedding gown, stands under a
flower arch with Elvis cutting into their three-tier cake as
bright camera bulbs flash.
Although not how she wanted it to be, Priscilla is graceful
under the pressure of many cameras a nd press.
CUT TO:
INT. GRACELAND - AFTERNOON
Elvis carries Priscilla over the threshold.
The crowd around them, including Captain and Mrs. Beaulieu
hold up champagne glasses. He kisses his bride as they clap
and cheer.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - LATE AFTERNOON
Elvis lays Priscilla down on the big bed, the sun streaming
in.
They're nervous, as if they've never been alone together.
Leaning ov er her, he looks into her eyes.
ELVIS
My wife.
She smiles up at him, full of emotion. He leans down for a
passionate kiss.
FADE TO BLACK:
EXT. GRACELAND - AFTERNOON
Elvis with his arm around Priscilla, the guys and their wives
BBQ by the pool on a summer day. Home movie shot of Priscilla
playing wife, holding a banana cream pie.
They goof around and mug for the camera.
Priscilla and some of the other wives wave as Jerry shoots
super 8 home movies.
INT. GRACELAND - ELVIS' BEDROOM - DAY
Priscilla lays in bed, she feels funny.
She touches her stomach, lost in thought.
CUT TO:
INT. GRACELAND - LIVING ROOM - DAY
Elvis is having a fitting, he's wearing a speedway racing
jumpsuit as his hems are being pinned, when Priscilla walks
in. He looks up at her.
ELVIS
How'd it go? Well?
Priscilla nods in disbelief. He turns to his buddies.
ELVIS (CONT'D)
I'm gonna... I'm gonna be a daddy!?
He picks her up in his arms with a kiss.
ELVIS (CONT'D)
Get Vernon on the phone, yo u tell
him he's gonna be a grey-headed
Grand-daddy!
Priscilla looks nervous.
ELVIS (CONT'D)
What is it, Satnin'?
They step over to the window as the others step out.
ELVIS (CONT'D)
What happened to that twinkle in
your eyes?
PRISCILLA
I'm scared.
She breaks down in tears, he holds her close.
ELVIS
(speaks softly)
Whatever you want to do, I'll back
you up.
PRISCILLA
I want a baby, just it's so soon.
She cries in his arms.
PRISCILLA (CONT'D)
What about our trip to Europe and
all of our plans together?
ELVIS
It's alright, we'll go another
time. We're having a little one.
He comforts her sweetly.
CUT TO:
INT. GRACELAND - SUNPORCH OR DINING R OOM - DAY
Priscilla, very pregnant, opens the paper on the breakfast
table: Elvis romances Nancy Sinatra on the set of Speedway -
a shot of them laughing together. She tosses it down.
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - LATE AFTERNOON
Slow zoom out: Priscilla stands in profile, she looks at her
full stomach in the mirror. What is in store for them?
CUT TO:
INT. GRACELAND - BATHROOM - DAY
C.U. Prisc illa's feet step on a scale to check her weight.
She's getting dressed when she hears Elvis call out to her.
ELVIS (O.S.)
Cilla! Cilla come here.
INT. GRACELAND - ELVIS' OFFICE - DAY
Priscilla comes in to Elvis on the couch.
ELVIS
Cilla, I've been thinking.
She looks at him, confused.
ELVIS (CONT'D)
You know, I have to have time to
think and things just haven't been
right. I think it'd be best for the
two of us if we took a little time
apart.
Priscilla, 8 months pregnant looks at him in shock.
PRISCILLA
What are you talking about?!
He looks at her.
PRISCILL A
What did I do?
ELVIS
Oh baby, you don't see. You didn't
do anything. It's not you. It's
just that I've been going through
some things and I just think it'd
be best if we took a little break.
Priscilla looks at him with a new strength.
PRISCILLA
You've got it. Just tell me when to
leave.
She turns and walks out.
Priscilla walks down the hall resolute.
CUT TO:
EXT. GRACELAND - DAY
Elvis plays football with the guys.
CUT TO:
INT. GRACELAND - NURSERY - DAY
Priscilla sets up the baby's nursery. She arranges the
dresser, she winds up a music box and unpacks books and
stuffed animals.
Life goes on at Graceland...
CUT TO:
EXT. GRACELAND - DAY
Flowers are in full bloom as birds chirp on a sunny morning.
PRISCILLA (O.S.)
Elvis?
CUT TO:
INT. GRACELAND - ELVIS' BEDROOM - MORNING
Elvis is passed out, Priscilla, next to him in bed, wakes up
startled. She feels the sheets around her are wet. She looks
at the clock: 8 a.m.
Priscilla looks over at Elvis who's asleep.
She taps him gently, but he doesn't wake up.
She moves him more firmly and he startles awake.
PRISCILLA
Elvis wake up.
ELVIS
(asleep)
Huh?
PRISCILLA
The baby's coming.
ELVIS
You sure?
PRISCILLA
Yes.
She gets up, he leans up, trying to wake up, and picks up the
phone.
ELVIS
Daddy, it's time, you need to send
the car up.
Elvis, nervous and excited, gets up and yells downstairs in a
frenzy as he finds her suitcase.
ELVIS (CONT'D)
Joe! Jerry! It's time to send the
car up! Cilla's having the baby!
It's time!
INT. GRACELAND - BATHROOM - MORNING
Priscilla calmly puts her lashes on. We hear the household in
action downstairs.
EXT. HOSPITAL - DAY
Their Cadillac pulls up to the back e ntrance of the hospital.
CUT TO:
INT. MEMPHIS HOSPITAL - DAY
Elvis leans close to Priscilla in the bed holding baby LISA
MARIE in her arms next to him. He looks at them lovingly.
ELVIS
(whispers)
We got ourselves a baby girl,
Satnin'.
PRISCILLA
We sure do.
She beams at him, eye lashes and mascara perfectly in place.
EXT. MEMPHIS HOSPITAL - DAY
We follow Elvis and Priscilla out of the hospital with their
bab y to the car - a wall of screaming fans rejoice. Some
nurses get photos with him. Elvis winks at Priscilla in the
mayhem.
CUT TO:
INT. GRACELAND - NURSERY - NIGHT
LISA MARIE, around 8-months-old, cries in the crib of her
Graceland bedroom, surrounded by yellow floral wallpaper. A
nurse rushes in to her.
CUT TO:
INT. GRACELAND - ELVIS'S BEDROOM - NIGHT
Silent, in their sound proof room, Priscilla in a little
babydoll nightgown cozies up to Elvis. She kisses him.
PRISCILLA
Elvis, it's been so long.
ELVIS
I know, I just don&'t want to hurt
you, Baby.
PRISCILLA
Well, I'm ok.
ELVIS
Let's just wait a little...
He cuddles up to her to sleep.
CUT TO:
INT. GRACELAND, 1968 - LIVING ROOM - DAY
CUT TO:
As Priscilla comes home, she gives Lisa Marie, a toddler, an
affectionate hug, and finds Elvis with a young director and
the usual entourage having a fitting.
Elvis wears a tight black leather outfit as they discuss his
TV special.
Elvis turns to Pr iscilla.
ELVIS
Satnin', I don't know, I feel a
little silly in this outfit. What
do you think?
She smiles at him reassuringly.
PRISCILLA
You look really good.
CUT TO:
INT. GRACELAND - EVENING
Elvis plays guitar as we pull back through his iconic lit- up
sign.
Cut to: From over the TV, we see Elvis, Priscilla and the
gang watching the `68 Special.
The phone rings nonstop - it's a hit. Elvis responds to all
ratings and all the offers coming in.
We see a magazine cover: Elvis is back...and schedules,
calendars of tour dates, po sters... Maintenance men put up
Elvis posters at the International.
CUT TO:
EXT. GRACELAND - DAY
Priscilla stands out front holding Lisa Marie as Elvis and
the guys load up the bus for tour.
They're high-fiving and excited to be on tour.
Elvis kisses Priscilla and Lisa Marie good-bye.
PRISCILLA
When should we come meet you?
ELVIS
(caring)
Honey, a tour's no place for a
mother and young'un. But I'll be
hom e soon as I can.
He joins the guys and waves. (try version without dialog)
ELVIS (CONT'D)
All right, let's roll it. Get on
the damn buss.
The bus pulls out and drives off, leaving Priscilla standing,
holding the baby, receding into the distance.
CUT TO:
INT. GRACELAND - LIVING ROOM - DAY
Priscilla (now a natural brunette) brushes Lisa's hair, age
3, while her nanny buckles a shoe.
PRISCILLA
Ok, Honey, let's go. Come on, you.
Lisa Marie clings to her nanny.
LISA MARIE
No, no!
PRISCILLA
Oh, c'mon, Lisa. Come take a
picture with Daddy.
LISA MARIE
No!
Lisa Marie clings to the nanny in tears.
Priscilla looks at her and realizes she hasn't been there
enough.
A ph otographer sets up for a portrait.
Priscilla brings Lisa Marie over with her nurse.
They sit with Elvis as a photographer takes their family
portrait. Elvis takes Lisa Marie in his lap lovingly.
Priscilla sits beside Elvis, he turns to her and kisses her
forehead playfully.
Priscilla smiles for the photo, then her face drops - she
watches Lisa Marie run to her nanny.
CUT TO:
EXT. GRACELAND GARDEN - DAY
P riscilla pushes Lisa Marie on a swing, and plays with her on
the lawn.
CUT TO:
INT. LIMOUSINE - DAY
Priscilla sits next to Elvis. He wears his sunglasses. They
don't speak, we see the distance between them.
PRISCILLA
Should we meet you in Palm Springs?
Joe gives Elvis posters to sign.
ELVIS
I think me and the guys are gonna
go for a few days, just to wind
down.
She looks at him.
PRISCILLA
Really?
ELVIS
I need you to lighten up.
PRISCILLA
I think I'm going to stay with Lisa
in L.A. for a little while.
ELVIS
Whatever you want, Baby.
CUT TO:
INT. CAR - LA STREETS - DAY
Priscilla drives alone, hair blowing, listenin g to Santana -
"Oye Como Va."
Zoom out to see her zipping through Los Angeles in a
convertible.
Music continues over:
INT. KARATE STUDIO - DAY
Afternoon light streams in as Priscilla takes a karate lesson
with Mike Stone.
He focuses intently on her, adjusting her arm position.
She moves well and swiftly, deflecting his moves. She feels
their connection and the satisfaction of getting stronger.
CUT TO:
EXT. LOS ANGELES HOUSE - AFTERNOON
Priscilla and Lisa Marie play with the dog in the garden.
CUT TO:
EXT. LOS ANGELES GARDEN RESTAURANT - EVENING
Priscilla, Mike and some friends have dinner outside, they
talk and laugh surrounded by hanging plants.
He tells her about Kurosawa samurai films. Priscilla is
dressed in a natural cotton dress, it's the 70s...
PRISCILLA
I guess I'm getting a little too
good an d I punched him straight in
the nose.
MIKE
My memory's a little blurry
because, um... you might've shaken
something a bit loose, but... No.
It's fine, it's fine.
CUT TO:
INT. VEGAS HOTEL ROOM - EVENING
Elvis leans up in the dark room as a blonde sleeps next to
him under silk sheets.
CUT TO:
INT. VEGAS SHOW - NIGHT
Show lights flare as, slow motion: Elvis, his back to us,
lifts the arms of his cape.
CUT TO:
INT. LOS ANGELES BATHROOM - DAY
C.U. Priscilla washes her face and looks in the mirror. The
fake lashes and heavy eye makeup are gone.
CUT TO:
INT. LAS VEGAS RESTAURANT - NIGHT
Priscilla and some of the other wives have dinner in the
Casino's Italian restaurant. The maître d' comes to the
table.
MAÎTRE D'
Excuse me, Mrs. Presley. Elvis
asked that you meet him in the
suite.
Priscilla looks confused by this.
PRISCILLA
Ok, thank you.
She gets up.
PRISCILLA (CONT'D)
He never goes to his room between
shows. I'm gonna go see what's up
and I'll meet you guys aft er.
JOANIE
Ok, see you later.
CUT TO:
INT. ELVIS' HOTEL ROOM - LAS VEGAS - NIGHT
Priscilla walks into the dark room curiously.
PRISCILLA
Hello? Hey. Is everything ok?
She finds him in bed, waiting for her.
She walks closer and sits on the edge of the bed. He starts
kissing her neck and moves her down on the bed, holding her
arms tightly.
ELVIS
I wanna show you how a real man
makes love to his woman.
Priscil la looks at him-she doesn't recognize him.
He clutches her arms, tightly pinning her down.
PRISCILLA
What are you doing?... Please stop.
Just stop. Stop.
Cut back to a wide shot of Elvis as he walks off, Priscilla
puts herself together.
FADE OUT:
INT. ELVIS' HOTEL ROOM - LAS VEGAS - AFTERNOON
In the dark room, Elvis sleeps, he leans up to see Priscilla.
A strip of light cuts through the curtains. He looks at her,
half awake.
PRISCILLA
I'm leaving.
ELVIS
What do you mean, leaving?
She has her things, she's packed.
PRISCILLA
I'm leaving our marriage.
ELVIS
Ar e you out of your mind? You have
everything a woman could want. You
don't mean that Satnin'. You can't
leave.
She looks at him.
ELVIS (CONT'D)
You mean I've been so blind that I
didn't see this coming?
PRISCILLA
We're living separate lives.
ELVIS
Have I lost you to another man?
PRISCILLA
You're losing me to a life of my
own.
He stares at her. Priscilla stands tall, teary eyed.
PRISCILLA (CONT'D)
I have to go. If I stay, I' ll never
leave.
She heads to the door, looking back at him, teary eyed.
ELVIS
Maybe another place, another time.
She smiles through her heartbreak, and leaves.
CUT TO:
INT. VEGAS HOTEL HALL - DAY
Priscilla walks down the long hallway alone, leaving the only
life she's known.
INT. GRACELAND - DAY
Priscilla walks through the empty rooms, taking a last look
of where she grew up. It already feels like her past.
CUT TO:
EXT. GRACELAND PORCH - DAY
Priscilla hugs Grandma, Alberta and Patsy good-bye.
They are emotional.
INT. PRISCILLA'S CAR - AFTERNOON
Close on Priscilla's face as she watches the Graceland gates
slowly open.
Tears in her eyes, we feel her fear and excitement.
EXT. GRACELAND - AFTERNOON
Priscilla's car passes through the gates and they close
behind her.
Dolly Parton sings "I Will Always Love You."
Priscilla drives off, leaving Graceland in the distance.
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