THE VAN BUREN BOYS
Written by
Darin Henry
(A Restaurant)
ELLEN
So, they have this clock now, where
you punch in your age, and all your
risk factors. It actually counts down
how much time you have left to live.
JERRY
So what's the great moment? You're on
your death bed, they're pounding on
your chest - and you're going 10, 9,
8,.. I told you this thing was good!
ELLEN
(Laughs) I can't believe this is our
first date.
JERRY
I know.. How about dessert?
ELLEN
I suppose I have to get a piece of cake..
JERRY
Why?
ELLEN
Today's my birthday.
JERRY
What? Today? Really?
ELLEN
Yeah.
(Waiters come out with a cake, singing "Happy Birthday" to a
woman named "Lisa" at another table. Jerry ponders why Ellen
isn't celebrating with her friends)
(Jerry's apartment)
GEORGE
So, she went out with you on a first
date.. and it was her birthday?
JERRY
Yeah. And she picked the day!
GEORGE
Is she socially awkward?
JERRY
No, she's great! She's.. attractive,
she's fun..
GEORGE
Well, maybe she decided to celebrate
her birthday on the Monday after the
weekend.
JERRY
She's not Lincoln.
(Enter Kramer)
KRAMER
Hey! Anybody up for Lorenzo's pizza?
JERRY
I'll pass.
KRAMER
Oh, yeah? Huh. (Turns to George) Hey,
George! Pizza? Yum, yum!
GEORGE
Eh, I can't. I gotta go down to the
foundation. I'm interviewing high schoolers
for the Susan Ross.. scholarship.
JERRY
Does it ever bother you that this organization-
GEORGE
Nope!
JERRY
is beating the bushes-
GEORGE
Nope! (Starts heading for the door)
JERRY
to basically give this money away-
GEORGE
Noo!
JERRY
to virtually anyone, as long as they're
not you?
GEORGE
(Standing in the doorway) I'm fine with
it! Fi-hi-hi-hine I say! (Leaves)
Susan Ross Foundation conference room)
STUDENT 1
And then I received a 740 on the English
achievement test. (George looks bored)
GEORGE
Quick, what's your favorite animal?
STUDENT 1
I.. I don't know.. frog?
GEORGE
(Disappointed) A frog?
STUDENT 1
Well, I.. I..
GEORGE
(Annoyed) Frog is wrong.
(Cut to another student's interview)
GEORGE
(Reading) I see here that you play the
harp.. tell me, why do you have to tilt
it? Can't you just build it on an angle?
It'd save you a lot of trouble.
STUDENT 2
Well, the modern-day harp has been refined
over thousands of years-
GEORGE
(Annoyed) Yeah, yeah. We'll, uh, let
you know.
(Cut to another student interview)
GEORGE
(Reading) I see your G.P.A's a 4.0.
STUDENT 3
(Smiling gloatingly) You like that,
don't you?
(Cut to another student interview)
GEORGE
so, uh, Steven.. I see you're president
of the chess club.
STEVEN
State champs.
GEORGE
Who's your favorite chess player?
STEVEN
(Hesitating, he mumbles) Nastercoff?
GEORGE
Right. (Mumbles) Nastercoff.. What country
is he from, again?
STEVEN
(Sighs) I don't know.. I made it up.
(Gets up to leave) I'm never gonna get
this thing.
GEORGE
(Gets up, stopping him) Woah, woah,
woah! What are you telling me for? You
really had me going, there! C'mon, sit
down. (They both sit back down)
What do you want to do when you grow up?
STEVEN
I've been telling people that I'd like
to be an architect..
(George is suddenly interested)
Jerry's apartment)
ELAINE
So, get this: Mister Peterman is finally
letting me do some real writing. He's
got this book deal, for his autobiography.
He's gonna let me ghost write it.
JERRY
Wow. That's great! When it comes out,
I'll have to get someone to ghost read
it.
(Elaine mockingly laughs at Jerry's joke. Kramer enters)
KRAMER
Hey.
JERRY
Hey.
ELAINE
Hey!
KRAMER
Alright, so there I am at Lorenzo's
- loading up my slice of the fixin's
bar.. garlic, (imitates the shaking
of garlic onto a pizza) and what-not..
mmm,
mmm.. and I see this guy over at the pizza boxes giving me the
stink-eye. (Imitates the 'stink-eye') So I give hime the crook-eye
back, (Imitates the 'crook-eye') you
know.. Then, I notice that he's not alone! I'm taking on the
entire Van Buren Boys!
JERRY
The Van Buren Boys? There's a street
gang named after President Martin Van
Buren?
KRAMER
Oh yeah, and they're just as mean as
he was! So, I make a move to the door,
you know, (makes a noise) they block
it! So, I lunged for the bathroom.
(demonstrates) I grab the knob - Occupado! Then they back me
up agains the cartoon map of Italy, and all of the sudden, they
just stop.
ELAINE
What? What happened?
KRAMER
Because I'm still holding the garlic
shaker.. Yeah.. like this (grabs Jerry's
peper shaker, and demonstrates) I'm
only showing eight fingers.
JERRY
Well, what does that mean?
KRAMER
That's their secret sign! See, Van Buren,
he was teh eighth President.. (Holds
up 8 fingers) They thought I was a former
Van B. Boy!
Outside a coffee shop)
ELLEN
(Sees a pay phone) Oh, Jerry, can you
hold on a sec? I just want to check
my messages.. (She meets up with two
of her friends on the way to the phone)
Oh, Melissa! Kim!
MELISSA
Ellen.
ELLEN
Hey! You guys, I want you to meet Jerry.
(Gestures tward Jerry, then goes back
to the phone)
MELISSA
Ohh, we've heard a lot about you! (Confidentially)
It is so sweet of you to take her out.
KIM
Yeah, you don't even know how much she
needs this.
JERRY
(Sympathetically) She coming of a bad
break-up?
KIM
(Casually) No.
MELISSA
See ya!
(They walk off. Ellen hangs up, then walks over to Jerry)
JERRY
Any messages?
ELLEN
Yeah, no one called.
Coffee shop)
JERRY
They act like it was some act of charity.
Just going out with her.
GEORGE
So, she's the loser of the group. Every
group has someone that they all make
fun of.. Like us with Elaine. (Jerry
thinks about this, then shakes it off)
JERRY
There is no way Ellen is the loser of
that group.
GEORGE
Are you looking deep down at the real
person underneath?
JERRY
No, I'm being as superficial as I possibly
can!
GEORGE
(Changing subject) Hey, I htink I may
have found someone for the scholarship.
JERRY
Yeah?
GEORGE
I'm interviewing all these annoying
little overachievers.. finally, this
kid walks in - Steven Koren - a regular
guy.. likes sports.. watches T.V..
JERRY
Is he smart?
GEORGE
(Defensively) He knows how to read.
And he also knows finishing an entire
book doesn't prove anything. And get
this: he's into architecture.
JERRY
Hey! Just like you pretend to be.
GEORGE
Yes. With a little guidance, Steven
Koren is going to be everything I claim
to be, only for real. That's my dream,
Jerry.
JERRY
I had a dream last night that a hamburger
was eating me!
J. Peterman's apartment)
ELAINE
Mister Peterman, thanks for having me
over. Your place isn't quite what I
imagined.. (It's plain, with no sign
of Peterman's personality)
PETERMAN
Ohhh.. It's just a place to flop. (Sits
in his recliner)
ELAINE
Well, (Clears throat) what part of your
life (hits the record button on a mini-recorder,
and sets it down on the table) do you
want to start with? Foreign
intrigue? Exotic romances?
PETERMAN
Oh, Elaine, we've covered all of that
in the catalogue ad nauseum. No, I would
like this book to be about my day-to-day
life.
ELAINE
Oh.
PETERMAN
(Turns on the T.V, and starts flipping
through the channels) Oh damn. They
changed the cable stations again.. just
when I finally memorized them.
ELAINE
Well, Mister Peterman, do you want to,
um..
PETERMAN
(Still flipping through the channels)
2.. CBS..
ELAINE
get, um, started..
PETERMAN
3.. I don't know what that is.. where's
my damn preview channel?
ELAINE
(After observing Peterman's home life)
Well, I - I got ta tell you, Mister
Peterman.. I don't think I see a whole
book here.
PETERMAN
well, I'm sure we'll come up with something.
What do you say you and I order ourselves
a pie? Do you like Lorenzo's?
ELAINE
You know, a friend of mine almost got
beat up at that place by the Van Buren
Boys?
PETERMAN
(Interested) You don't say.
ELAINE
Yeah. The only think that saved him
is that he accidentally flashed their
secret gang sign.
PETERMAN
Well, that's pretty exciting. (Pause)
Let's put that in the book.
ELAINE
But, that didn't happen to you.
PETERMAN
So, we pay off your friend, and it becomes
a Peterman.
ELAINE
No, I - I really don't think you can
do that.
PETERMAN
(Looking at his dying plant) Ohh, damn.
I forgot to buy plant food again.. I'll
bet I got a coupon for it. (Starts looking
through a small coupon box)
ELAINE
You know what? Maybe I better talk to
my friend.
Coffee shop)
(Jerry's on a date with Ellen, he's desperately trying to find
out what is wrong with her)
JERRY
Is that the same outfit you were wearing
yesterday?
ELLEN
No, this is brand new. Do you like it?
JERRY
Actually, yeah. (Pause) Wait a second!
Is that the fork that fell on the floor?!
(Dramatically) Are you using the fork
that fell on the floor?!
ELLEN
(Laughs) No, Jerry, the waitress game
be another one.
JERRY
I guess that's all right.
ELLEN
Is something wrong, Jerry?
JERRY
No, absolutely nothing. (They get up
to leave) You're fantastic! (They meet
up with Kramer and George on the way
out) Hey guys!
GEORGE
Hey.
JERRY
(Gesturing to Ellen) Kramer, George,
this is Ellen.
(Kramer gives a look)
Susan Ross Foundation conference room)
GEORGE
Ladies and gentlemen, this (Opens the
door, Steven is standing there) is Steven
Koren. His G.P.A. is a solid 2.0! Right
in that meaty part of the curve -
not showing off, not falling behind.
WYCK
George, the quailifications for this
scholarship were suppose to be.. largely
academic.
GEORGE
I'm sure we're all aware of the flaws
and biases of standardized tests..
WYCK
These aren't standardized tests - these
are his grades.
GEORGE
Besides, Steven Koren has the highest
of aspirations. He wants to be (pauses
for effect) an architect.
WYCK
Is that right?
STEVEN
Actually, maybe I could set my sights
a little bit higher.
GEORGE
(Laughs) Steven, nothing is higher than
an architect.
STEVEN
I think I'd really like to be a city
planner. (Sits down, addressing the
entire foundation board) Why limit myself
to just one building, when I can design
a
whole city?
WYCK
Well, that's a good point.
GEORGE
(Mutters) No, it's not.
STEVEN
Well, isn't an architect just an art
school drop-out with a tilty desk, and
a big ruler? (Laughs - so do the board
members)
GEORGE
(Irritated) It's called a T-square.
WYCK
You know, the stupidest guy in my fraternity
became an architect - after he flunked
out of dental school! (Everyone but
George laughs) Contratulations,
young man. (Shakes Steven's hand)
STEVEN
Thank you.
WYCK
Susan would be proud of what you're
doing.
STEVEN
Thank you.
Peterman's office)
(Kramer is selling his Van Buren Boys story to Peterman)
KRAMER
And they made it their sign, because,
Van Buren, our 8th President, was the
man they most admired.
PETERMAN
(Laughs) Kramer, my friend, that is
one ripping good yarn.. (Hands Kramer
a check)
KRAMER
You know, if you like that one, I got
more.. what are you looking for? Romance?
Comedy? Adventue? .. Erotica? (Clicks
his tongue)
ELAINE
No, uh, Kramer. I don't think -
PETERMAN
(Interrupting) How much would you take
for the whole lot?
KRAMER
My whole lot?
PETERMAN
Name your price, man!
KRAMER
(Thinks) 1500 dollars.
PETERMAN
I'll give you half that.
KRAMER
(Excited) Done!
PETERMAN
Kramer, my friend, (Gestures to Elaine)
consider Elaine at your disposal.
KRAMER
Okay.. (To Elaine) Well, I, Uh.. I like
to work in the evenings.. (Elaine slumps
back, and covers her head in misfortune)
Elaine's office)
(Elaine is growing weary of Kramer's childish antics. Kramer's
practicing putting golf balls on her office floor)
ELAINE
Would you please just get on with the
stupid Bob Saccamano story?!
KRAMER
Well, I'm on the phone with Bob, and
I realize right then and there that
I need to return this pair of pants.
So, I'm off to the store.
ELAINE
What happened to Bob Saccamano?
KRAMER
Well, nothing. His part of the story
is done. (Elaine covers her face with
her hands - showing her difficulty coping
with Kramer) So I'm waiting for the
subway, It's not coming, so I decided to hoof it through the
tunnel.
ELAINE
Alright, well, now that's something..
KRAMER
Well, I don't know if I lost track of
time - or what, but the next think I
knew..
ELAINE
(Adding) A train is bearing down on
you?!
KRAMER
No, I slipped - and fell in the mud.
Ruining the very pants I was about to
return.
ELAINE
(Reflects on the story) I don't understand..
you were wearing the pants you were
returning?
KRAMER
Well, I guess I was..
ELAINE
(Still confused) What were you gonna
wear on the way back?
KRAMER
Elaine, are you listening?! I didn't
even get there! (Pauses) All right,
next story..
ELAINE
Alright, I think I got enough for one
day.
KRAMER
Yeah, yeah, chew on that.
ELAINE
(Mocking) Yeah, I'll chew on that.
KRAMER
Oh, hey, listen, by the way - I'm hosting
a little get-together tonight in honor
of my little financial upturn..
ELAINE
Oh, thanks. I've got plans.
KRAMER
Elaine, you should be there to document
it.
ELAINE
(Putting on her coat) Oh, you're getting
together with some of your jackass friends,
and you want me to take notes?
KRAMER
Yeah, but get there after nine. You
know, give the poeple a chance to loosen
up.
(Kramer turns to go, but slips on a golf ball. He falls to the
ground. Elaine looks at him as if to say 'What a doofus.')
Jerry's apartment)
JERRY
So you're denying him the scholarship
just because he wants to be a city planner?
GEORGE
I was betrayed! That kid was like a
son to me. And if there's one person
you should be able to hold down, it's
your own flesh and blood. Like my
father.. my father's father before him.
JERRY
You know, maybe philanthropy is not
your field. (Phone rings, he answers
it) Hello. Oh, Hi, Ellen. Yeah, I called
the hotel.. we're all set for the weekend.
GEORGE
You're spending the weekend with Ellen?
JERRY
(To George, in a 'cha-ching!' motion)
Vermont! (To Ellen) With any luck, they
said we could stay an extra couple of
days if we want to! (George is
disturbed. He gets up, goes go Kramer's door, and knocks. They
talk) Four days at a beautiful bed-and-breakfast! I can't wait..
buy-bye. (Hangs up. George and
Kramer come into Jerry's apartment, confronting him) What? (George
takes the phone off the hook) What is this?
GEORGE
(To Kramer) You want to start?
KRAMER
(To George) Uh, No, no, no.. you go
ahead. I gotta get my thoughts together.
GEORGE
Jerry, this whole Ellen situation..
has gone far enough.
JERRY
What?!
KRAMER
(Adding) Jerry, she's a loser. (George
points to Kramer - gesturing that he's
right on target)
JERRY
Where is this coming from? She's great!
GEORGE
(Concerned) Why're you doing this, Jerry?
Is it your career? Things will pick
up.
JERRY
There's nothing wrong with my career!
KRAMER
(Like a parent) Well, I still like the
Bloomingdale's executive training program
for him.
GEORGE
I though we said we weren't going to
discuss that now!
KRAMER
Well, you know, I think it's something
he should consider.
GEORGE
Of course he should consider it, but
now is not the time!
KRAMER
Listen, George, all these issues are
interrelated.
JERRY
(Fed up) Alright! Excuse me! (Gets up)
I'm not buying any of this!
KRAMER
All right, so what're you saying? That
we're wrong? Oh, everybody's wrong but
you!
JERRY
You know, this is liek that Twilight
Zone where the guy wakes up, and he's
the same - but everyone else is different!
KRAMER
Which one?
JERRY
They were all like that!
NYC Street)
(George comes out of a store, he meets up with Steven Koren)
STEVEN
Why'd you take away my scholarship,
Mister Costanza?
GEORGE
Well, Steven, I, uh.. (All the sudden,
a small gang steps out of nowhere, surrounding
George)
STEVEN
These are my new friends - The Van Buren
Boys.
MEMBER 1
He became so disillusioned, he had to
join us.
GEORGE
Oh.. nice.
STEVEN
I want my scholarship back, so I can
be a city planner.
GEORGE
What about architect, Steven?
MEMBER 1
(Moves threateningly close to George)
City planner.
Cafe)
(Kramer is having his party, Elaine is painfully sitting through
it)
FRIEND 1
Great party, K-man!
KRAMER
Yeah, well, you got that straight! (Turns
to Elaine) Hey, Elaine, try the beef
- because that's realy au jus sauce,
huh. (Dramatically) Real au jus sauce!
ELAINE
(Sourly) I'll make a note of it.
FRIEND 1
Hey, Kramer,
KRAMER
Yeah?
FRIEND 1
Ramirez has never heard your pants story.
KRAMER
Ohh kay! Well, you know, I had Bob Saccamano
on the phone, and I suddenly realized
that I- (Elaine stops him)
ELAINE
You can't tell that story now. It belongs
to Peterman.
KRAMER
What do ya mean?
ELAINE
You signed the release.
KRAMER
Yeah.
ELAINE
He sat in mud. Not you.
KRAMER
But I did sit in mud.
ELAINE
(Stern) Ya didn't! You never sat in
mud!
KRAMER
(Pleading) I was all dirty!
ELAINE
It ever happened! Understand?
(Kramer's friends get restless, and beg for the rest of the story)
KRAMER
(To crowd) Hey, hey, hey! All right!
Yeah, uh, yeah.. well.. Uh, the pants.
they, uh, they fit, uh, well - and so
I, uh, decided I wasn't gonna return
them!
(Laughs) Wooh-hoo-hoo-hoo!
(The crowd is disappointed)
FRIEND 1
It's getting late. Maybe we better get
going. (They all get up to leave)
KRAMER
What? You're gonna go now? Hey, woah!
I don't.. (watches his friends leave)
(Enter George)
KRAMER
(Frantic) Kramer, Kramer! I got big
trouble with the - with the Van Buren
Boys.
KRAMER
Hey, now, they're tough cookies.
GEORGE
Yeah, and I - I heard you got on their
good side. Now, what'd you do?
KRAMER
Uh.. ah, (Looks over at Elaine, and
realizes he can't tell the Van Buren
Boys story) Oh, nothing - nothing..
No, I certainly don't have any stories,
if that's
what you're implying. (Laughs heartily)
GEORGE
(Frantic) Kramer, do you know what those
guys are gonna do to me?!
KRAMER
Yeah, well, uh.. you know uh, you didn't
hear from me, but, uh, the Van Buren
Boys - they never hassle their own kind.
GEORGE
You mean, like, a former member?
(Kramer nods his head while drinking from a mug of beer)
Jerry's apartment)
ELAINE
These Kramer stories are unusable! (Thumbs
through them) I mean, some of them aren't
even stories! (Holds one out) Look,
this is a list of things in his
apartment!
JERRY
Is my toaster oven on there?
ELAINE
How am I ever gonna turn this into a
book?
JERRY
Well, just shape them - change them.
You're a writer.
ELAINE
Yes! I'm a writer.
JERRY
Make them interesting.
ELAINE
Interesting! Of course! People love
interesting writing!
(Jerry reacts oddly, as if to say 'That's enough of that!')
JERRY
Well, I gotta go to the airport. I'm
picking up my parents.
ELAINE
What? Wheren't they just here?
JERRY
Yeah. I'm flying them in to meet Ellen.
I don't know where to turn! I gotta
see what they think of her.
ELAINE
Maybe we could all have dinner later?
JERRY
I don't think so. I'm gonna try to get
them to fly right back tonight.
(Enter Kramer)
KRAMER
Oh, hey! Hey, have I told you about
my bunions? Oh, you're gonna love this
story! (Rubs his hands together) So,
I line up my cold cuts on the couch
next to me, but as I'm stacking them up, they keep falling into
my foot bath! (Jerry and Elaine look disgusted)
JERRY
Kramer, this is awful! We don't want
to hear about this!
KRAMER
Damn!
JERRY
What?
KRAMER
Oh, I bought a bunch of bunion stories
from Newman - but they all stink!
ELAINE
How much did you pay for them?
KRAMER
Eight bucks! I think I got ripped off!
(Leaves, yelling out "Newman!")
Peterman's office)
ELAINE
Oh, what didn't you like about the first
chapter?
PETERMAN
Well, it started out nicely: "I'm returning
some pants." A very identifiable problem..
(turns page) "I set of down a train
tunnel.".. (turns page) But that's
where the story takes a most unappealing turn.
ELAINE
Oh, no, no! That's where it gets interesting!
Don't you see? The - the train is bearing
down on you, you - you dive into a side
tunnel - and you run into a
whole band of underground tunnel dwellers!
PETERMAN
It just seems so cliched, and obvious.
It's not interesting writing.
ELAINE
Yeah.. yeah. I know. Um.. how about
if, instead of.. diving from the train,
you.. uh, you, I don't know, you slip
and, and fall in some mud, and.. ruin
your
pants?
PETERMAN
(Intrigued) The very pants I was returning.
That's perfect irony! Elaine, that is
interesting writing! (The intercom beeps)
SECRETARY
I have a Cosmo Kramer on line 4.
PETERMAN
(Picks up the phone) Peterman, here.
KRAMER
Mister Peterson, you gotta sell me my
stories back!
PETERMAN
You want to know something? I no longer
need them!
ELAINE
No, no. Mister Peterman, why don't we
keep them - as a, as a reference?
PETERMAN
Nonsense! (To Kramer) I have Benes'
woderfully imaginative mind to spin
my stories. You take back your tales,
you vagabond!
KRAMER
Yippie-yi-yay!
PETERMAN
(Hangs up) There you are, Elaine. Go
forth, and create. (Elaine gets up to
leave) And, by the way, when you get
to that chapter about my romantic
escapades - feel free to toss yourself in the mix.
NYC Street)
(George meets up with the Van Buren Boys again)
GEORGE
Hey, Van B. Boys.
STEVEN
So, Mister Costanza, did you get my
scholarship back?
GEORGE
Now, fellas, fellas.. easy. You wouldn't
want to beat up on one of your own.
MEMBER 2
Is that right? Then why don't you flash
us the sign?
GEORGE
Right.. the sign. (Hesitates, then makes
a series of stupid gestures)
STEVEN
That's not the sign.
GEORGE
(Defensively loud) It was when I was
banging!
MEMBER 2
All right, if you really are one of
us.. let's see you take the wallet off
the next guy who walks by.
GEORGE
Love to! (Cracks his knuckles, then
winces under the pain)
Coffee shop)
ELLEN
And after college, I got my masters
at the Sorbonne.
MORTY
Sorbonne? Oh, hey. (To Helen) That's
in Paris.
ELLEN
(Looks at her watch) Oh, Jerry, you're
parking meter's about to expire. Don't
get up, I've got change. (Leaves with
her purse)
JERRY
(To his parents) So? What do you think?
HELEN
Jerry, she's fantastic.
JERRY
I knew it! I'm not crazy.
HELEN
She's so sweet, and she's got some body
on her!
MORTY
And smart! Like a computer!
HELEN
And so much personality! But, it doesn't
matter what we think. Do you like her?
JERRY
(After seeing how much his parents like
her) Now, I'm not so sure.
HELEN
Well, she's 10 times better than that
awful Amber girl that you were with.
JERRY
yeah, Amber.. I wonder if she's back
from Vegas..
NYC Alley)
MEMBER 2
The next one, or you're meat!
GEORGE
Alright, alright! (Goes out onto the
sidewalk. The Seinfelds walk by) Seinfelds!
MORTY
Hey, George!
GEORGE
Shhh! Listen, you gotta do me a favor.
Give me your wallet. I'll give it back
to you later.
MORTY
How're your folks?
GEORGE
Eh, they're trying to pick out a new
couch - you don't want to know. (Remembering
the watching Van Buren Boys) Give me
your wallet, or I'll spill your
guts right here on the street!
MORTY
What did you say?
GEORGE
Come on, hurry up, old man! I'm an animal!
HELEN
You're being very rude. Come on, Morty.
GEORGE
(Pleading) Please, please, they're gonna
hit me! (Attempts to grab Helen's purse,
she starts hitting George defensively,
he backs off)
MORTY
Tell your parents we said 'Hi!' (They
leave)
(The Van Buren Boys come out of the alley, George holds up his
hand in a "stop" gesture - then takes off running down the street,
screaming. The Van Buren Boys chase him)
THE END
|
